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Black Ice will trigger nostalgia in the devout, but inasmuch as the album reaffirms AC/DC's power, there's nothing backward-looking about it.
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AC/DC have stuck to their guns with electrifying results.
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In other words, Black Ice is a quintessential, if not exactly essential, AC/DC album.
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In a postmodern age of irony and cynicism, of self-absorbed navel-gazing, when too many bands want to make vapid political statements and shallow social commentary, AC/DC reliably deliver the goods: solid blues-based rock ‘n’ roll that gets the blood pumping and the air guitar strumming.
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Quality stuff. Sorta like 'Send for the Man,' but better.
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Mojo"Back In Back" it ain't, but it's certainly a real return to form. [Nov 2008, p.102]
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Like all AC/DC records, this is a troubling one to love.
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Scattered predictability aside, AC/DC still sound strong and hungry 35 years on, as if they could pulverize riffs in perpetuity.
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It's a strong album that rarely skimps on gut-churning guitars.
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Johnson yelps at one point--making it clear that his band still finds resonance in words that were clichéd by 1956. And for that, you've got to salute them.
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Black Ice is far better than anyone could have hoped, played by people who by their age should know better.
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Black Ice is, in many respects, just a consolidation of all AC/DC’s strengths and/or perceived weaknesses in one easily-digested package. Yes, there is filler among the killers, but in large measure what you have here is grade-A, late-vintage rawk with no frills and most of the thrills intact.
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The appeal of AC/DC lies with their more-than-30-year-old commitment to the same no-frills metal groove. But that groove now seems in danger of becoming a rut.
Awards & Rankings
User score distribution:
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Positive: 79 out of 103
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Mixed: 19 out of 103
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Negative: 5 out of 103
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Aug 8, 2012
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Jan 26, 2023
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May 10, 2011