User Score
6.7

Generally favorable reviews- based on 49 Ratings

User score distribution:
  1. Positive: 31 out of 49
  2. Negative: 6 out of 49
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  1. Jul 17, 2015
    6
    Born In The Echoes is another example of Rowlands and Simons' magic way of making machines sing. A+

    Born In the Echoes is better than Random Access Memories (Daft Punk 2013)
    It deserves a Grammy :)
  2. Jul 18, 2015
    6
    I'm a bit torn on this one... it's quite a treat in places, but I can't help but feel the album lacks ambition, cohesion and 'punch' overall. For every masterful track ('Taste Of Honey', 'Under Neon Lights', 'Born in the Echoes'), there's an anonymous one ('Sometimes I Feel So Deserted', 'Wide Open', 'Reflexion'). Tracks like 'I'll See You There' and 'Go' are somwhat "vintage ChemicalI'm a bit torn on this one... it's quite a treat in places, but I can't help but feel the album lacks ambition, cohesion and 'punch' overall. For every masterful track ('Taste Of Honey', 'Under Neon Lights', 'Born in the Echoes'), there's an anonymous one ('Sometimes I Feel So Deserted', 'Wide Open', 'Reflexion'). Tracks like 'I'll See You There' and 'Go' are somwhat "vintage Chemical Brothers" in their style, but it's been done before to better effect on their previous outings (the psychedelic hooks and arrangements of 'Setting Sun' and 'Let Forever Be' just blow 'I'll See You There' out of the water, as does 'Just Get Yourself High' and 'Galvanize' VS. 'Go').

    I also fail to sense the overall artistic direction of the album. Maybe it's the tracklist and transitions between tracks that's off, but the experimental tracks of the second half just don't 'fit' that well with the restrained dance tracks of the first. It may be intentional; but I always found that one of the Chemical Brothers' greatest strengths back in the day was their ability to merge a plethora of different musical influences into a cohesive, artistic whole. Whether you're listening to 'Let Forever Be' or 'Hey Boy, Hey Girl' you just KNOW it's the Chemical Brothers. Not so here, I'm afraid.
    I think part of the problem is that they've stripped their sound a bit to make it more minimalist in style - this can be a strength (the title track 'Born in the Echoes' is fantastic), but for the most part I just feel like it's robbed the Brothers' of their personality - the psychedelic edge and zaniness that made their early albums come together, come alive and explode. Seriously, check out the acid-induced production on 'Dig Your Own Hole' or 'Surrender'... it's so trashy, insane and original, you'll feel like you've gone to space and back when it's over!

    Just to be clear, while I'd love for them to embrace the experimental APPROACH to production of their earlier works a bit more, I'm NOT saying that they should just go 'back to their roots' and repeat the same kind of compositions over and over again... the best tracks on Born in the Echoes are the ones where they try something new and experimental (Taste Of Honey, Born in the Echoes, Under Neon Lights are AWESOME tracks). More of that, please! I'm actually one of the few who liked their colab. with Miguel on 'This is Not A Game', a fresh, weirdly unpolished psychedelic take on a pop-track - and I'm actually not that down on 'We Are the Night' which, while certainly not perfect, had a bit more personality than a lot of the tracks on here. I'm just saying that they shouldn't be afraid to be a bit more ambitious in their productions - experiment, go crazy! It's what made us fall in love with them in the first place. Besides, they've already established themselves as the godfathers of their genre - with no need to prove anything to anyone, why not just go mental and try something completely different?

    Here's hoping that their next album will be the masterpiece that I'm dead certain they still have in them... "The future - I'll see you there!" ;)
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  3. Jul 17, 2015
    9
    I love this record. It feels smarter and more restrained than previous Chemical Brothers albums. Sort of like they stopped trying so hard with technical the gimmicks and wizardry, and gave way to a more confident, minimal sound.
  4. Jul 19, 2015
    10
    I've been a big fan of the chemical brother for a long time and i was just waiting for them to come out with a new cd. This one has a lot of catchy tracks. I don't know if they'll ever reach the same level of catchiness as block rocking beats or setting sun, but this one has some memorable tunes. Definitely worth downloading.
  5. Jul 31, 2015
    7
    A szintetikus méz íze
    (The Chemical Brothers: Born In The Echoes albumkritika)
    A The Chemical Brothers egy 1991-ben alapított veterán elektronikus zenei duó, akik pályafutásuk csúcsán leginkább a big beat műfajában jeleskedtek. A formáció zenetörténeti szempontból is jelentős érdeme, hogy az élőben kevert elektronika segítségével olyan bombasztikus hangzást hoztak létre, amelynek hatása
    A szintetikus méz íze
    (The Chemical Brothers: Born In The Echoes albumkritika)
    A The Chemical Brothers egy 1991-ben alapított veterán elektronikus zenei duó, akik pályafutásuk csúcsán leginkább a big beat műfajában jeleskedtek. A formáció zenetörténeti szempontból is jelentős érdeme, hogy az élőben kevert elektronika segítségével olyan bombasztikus hangzást hoztak létre, amelynek hatása a nyolcvanas évek stadionrockjáéhoz hasonlítható. Azonban 2015-ben már abszolút megkérdőjelezhető a relevanciájuk. Képes Tom Rowlands és Ed Simons bármekkora visszhangot kelteni napjaink könnyűzenei légterében?
    A Sometimes I Feel So Deserted tökéletes nyitány. Felkelti, és zseniális módon fokozza az érdeklődést, valamint előkészíti a terepet a kirobbanó refrénű Go-nak. Ehhez a menetelős dalhoz egyébként a legendás francia rendező, Michel Gondry rendezett látványos videoklipet. Hét szürke ruhás hölggyel, akik nagyon egyszerre mozognak, s kezükben két rúddal bizarr módon jelenítik meg a zene lüktetésének minden apró finomságát. Az ezután következő Under Neon Lights-ban St. Vincent vendégszerepel. Őt sokan a huszonegyedik század női David Bowie-jaként aposztrofálják. A felvételből sugárzik a visszafojtott feszültség. A Kémiai Fivérek az EML Rituallal folytatják, amit olyan hallgatni, mintha egy alumíniumkohó működne a fejünkben. Az itt kissé megfeneklett albumnak új lendületet és frissességet kölcsönöz az élő dobszerkó hatásával megtámogatott I’ll See You There. Első hallgatásra mondjuk nehéz megállapítani, hogy nem a konyhában, hanem a jövőben fogják látni az illetőt, akihez a nóta szól. A Just Bang egy végigpartizott fesztiváli éjszaka hangulatára emlékeztet, a Reflexion pedig a lehető legjobb értelemben véve veretős. Nem úgy, mint egy David Guetta vagy Fatboy Slim szett… A bugyborékolós Taste Of Honey egész érdekes hallgatnivaló, bár a Lenny Welch és a The Beatles által is fémjelezett azonos című klasszikus után azért kellemesebb az ember szájíze. A mézaromás szerzemény egybeolvad a lemez címadójával, a zakatolós Born In The Echoes-zal. Ennek a fogyasztása leginkább azoknak ajánlott, akik át szeretnék élni, hogy milyen beszorulni egy telefonfülkébe, megfelelő mennyiségű aprópénz hiányában. Ezt követi a lemez instrumentális csúcspontja, a Radiate. Kellemes lelkiállapot és felszabadultság költözik szívünkbe ennek hallatán. A záróakkord a Born In The Ehoes legmenőbb hangzású trackje, a Beck énekével erősítő, slágeres Wide Open. Ez annak is tetszhet, akinek egyébként borsódzik a háta ettől az egész Chemical Brothers dologtól.
    A deluxe verzió négy további dallal kecsegtet. A hangulatos Let Us Build A City és a teljesen korrekt Wo Ha után megbizonyosodhatunk arról, hogy a Go és a Reflexion extended mixben is van olyan ütős, mint rövidebb változatuk.
    A Born In The Echoes az ilyesfajta elektronikus zene rajongóinak kötelező darab. A kevésbé szakavatottabb füleknek ellenben azt javaslom, hogy bánjanak óvatosan az anyaggal. A kissé avítt megoldások, és a csak majdnem egységesen magas színvonal könnyen elveheti bárki kedvét ettől a fantasztikus párostól. Az audiovizuális szülőcsatorna viszont mindenképpen meghozta a kívánt eredményt: újjászülettek a visszhangokban.
    7/10
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  6. Aug 15, 2015
    7
    I don't usually enjoy electronic albums but damn if they were all like this it would probably be one of my favourite genres. The Chemical Brothers are so good at building up each track and creating catchy beats. Also, they really make use of the few features on the record; the St.Vincent and Beck features are really interesting and it actually feels like they worked hard with the band toI don't usually enjoy electronic albums but damn if they were all like this it would probably be one of my favourite genres. The Chemical Brothers are so good at building up each track and creating catchy beats. Also, they really make use of the few features on the record; the St.Vincent and Beck features are really interesting and it actually feels like they worked hard with the band to create their tracks. Nice to see Q-Tip on a CB song again as well. So Yh 7/10 that might not sound like much but as I said before I'm not a massive fan of electronic music. This is actually my favourite record of the year so far in that genre. Expand
  7. Aug 26, 2015
    0
    This album is complete and utter garbage. The tracks are unoriginal, and the overall writing is pathetic. Anybody who's coming out and saying this deserves a Grammy is an absolute moron. If you want real electronic music, I strongly suggest that you listen to Random Access Memories by Daft Punk. Don't put poison in your ears with this crap, it's one of the worst electronic albums I'veThis album is complete and utter garbage. The tracks are unoriginal, and the overall writing is pathetic. Anybody who's coming out and saying this deserves a Grammy is an absolute moron. If you want real electronic music, I strongly suggest that you listen to Random Access Memories by Daft Punk. Don't put poison in your ears with this crap, it's one of the worst electronic albums I've heard in a long time. Expand
  8. Aug 17, 2015
    0
    I tried to listen to the album twice in order to give it a fair rating, but both times I quit after the first 4 tracks and the silence afterwards is so comforting. So in my opinion this work is nothing but annoying. I can't imagine a single event or occasion to listen to this.
  9. Aug 1, 2015
    6
    A good overall record, but missing out on the epic landmark moments like The Test, Where Do I Begin or even the obvious bang-on-moments like Hey Boy, Hey Girl or Galvanize or Block Rockin' Beats. It's a good solid mix of (a little too much) tried and true chemical synth abuse, but a little bit lacking in the beat department. As much as the songwriting and tweaking skills have developed,A good overall record, but missing out on the epic landmark moments like The Test, Where Do I Begin or even the obvious bang-on-moments like Hey Boy, Hey Girl or Galvanize or Block Rockin' Beats. It's a good solid mix of (a little too much) tried and true chemical synth abuse, but a little bit lacking in the beat department. As much as the songwriting and tweaking skills have developed, the drums kind of take a back seat in recent ChemBros records. They'r organic and raw and analog, but they don't punch like they used to. Overall, this album is solidly good, but no DYOH pt.2 or another sort of great re-imagination of their sound. Expand
  10. Jul 23, 2015
    8
    Another wicked electronic album that could be played in entire at a late night club, dancing with all your friends, letting go. Very creative music and great guest appearances by St. Vincent, Beck and Q-Tip. What could be better?!
  11. Dec 29, 2015
    6
    --press play--
    1. Sometimes I feel so Deserted: Good intro, good groove. I start to feel I will like this album. It certainly does not sound like the previous Further (2010), which I loved, but is not bad at all.
    2. Go: What could go wrong? One of the singles, old style ChemBros. all the way, both music and video. I got the feeling this could be one of their best albums. I wonder who
    --press play--
    1. Sometimes I feel so Deserted: Good intro, good groove. I start to feel I will like this album. It certainly does not sound like the previous Further (2010), which I loved, but is not bad at all.
    2. Go: What could go wrong? One of the singles, old style ChemBros. all the way, both music and video. I got the feeling this could be one of their best albums. I wonder who "Q-tip" is...
    3. Under Neon Lights: Not bad, not as good as the two previous songs. Not a fan of how she sings.
    4. EML Ritual: Don't like where this is going. Annoying ship noises, idiotic repetition of the 'chorus'.
    5. I'll See You There: "let forever be"-style beats. 303-ish synths. Not my tempo.
    6. Just Bang: Ok, this starts to sound more and more like old, very old Bros. But not the good ones, like the not-so-good tracks of the first albums.
    7. Reflexion: Average. However, I am sure they have used the exact same sounds (and loops) on another song (can't remember which one).
    8. Taste of Honey: The Bros. have never been famous for their lyric quality, but "If you don't have no money, You won't get no honey, It just keeps on growin', The money is flowin'" COME ON!! Very, very bad.
    --already want to play stop, but continue...--
    9. Born in the Echoes: Another mediocre song, not good enough to give the name to the album.
    10. Radiate: A robot voice slowly saying Ra-di-ate! Not the best tribute to Kraftwerk.
    11. Wide Open: Think of a closing song similar to "the pills won't help you now", but not nearly as good.
    --finished--
    Conclusion: Is not a bad album, but I did not enjoy it as much as I was expecting. It may be because I like so much the direction they went with Further (2010) and they definitely did not follow on this one.
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Metascore
72

Generally favorable reviews - based on 28 Critic Reviews

Critic score distribution:
  1. Positive: 18 out of 28
  2. Negative: 0 out of 28
  1. Aug 18, 2015
    60
    Born In The Echoes follows the duo's formula of saving the more psychedelic tracks for the end.
  2. Magnet
    Aug 12, 2015
    80
    The Chems remain committed to their singular vision, still plying those swooning synths, continuing to breathe new life from the echoes. [No. 123, p.55]
  3. Aug 12, 2015
    70
    Born In the Echoes maintains a pop-sensitive groove for all but two of its songs.... But the real winners on this record as usual are the curios.