• Record Label: Matador
  • Release Date: Oct 12, 2018

Generally favorable reviews - based on 24 Critic Reviews

Critic score distribution:
  1. Positive: 21 out of 24
  2. Negative: 0 out of 24
Buy On
  1. Oct 12, 2018
    He is one of the most dependable artists working in indie rock, rehashing old sounds while always pushing the envelope, constantly expanding his artistic approach while never losing his footing.
  2. 85
    Vile had the opportunity, with the success of his previous solo album, to make something completely polished and aim for the stars to just see where he landed. Rather than dialling back the finesse, he could have aimed for his Rumours, his Full Moon Fever. Instead, his eyes seemly firmly fixed on the road, then at the beach and then at the gutter. And it’s a thrill to join him everywhere he goes.
  3. Oct 15, 2018
    Across 80 sprawling minutes, Vile does lose his focus occasionally, most notably on the 10-minute title track, which fails to gain much in the way of traction, and the similarly unremarkable Cold Was the Wind. Still, this is an album to savour.
  4. Oct 12, 2018
    Vile’s latest LP has his tastiest playing and his deepest writing.
  5. Oct 12, 2018
    There’s a serious attention to detail here, and that’s kept up for the considerable length of the album.
  6. Oct 12, 2018
    Vile ultimately has such an instinctive facility for melodic logic that behind the shaggy locks and purple haze, there’s a clear-headed, big-hearted songwriter at work.
  7. 80
    This is not always a comfortable bracket for a Kurt Vile song to fit into. When he goes off the deep end though, diving into a vast pool of astral matter as he does on spaced-out closer “Skinny Mini”, it’s a deeply immersive and transporting album.
  8. Oct 10, 2018
    More than just another tapestry of gorgeous guitar-scapes to get lost in, it’s the fullest portrait yet of the human behind that Cheshire Cat grin.
  9. Oct 10, 2018
    Bottle It In calmly addresses rough themes with maturity and elegance. On his seventh solo album, Kurt Vile discards the negativity, generating an affirmative landscape of awareness.
  10. Uncut
    Oct 9, 2018
    However eccentric and laidback his expression, it's as masterfully distinctive as that of any auteur. [Nov 2018, p.35]
  11. Mojo
    Oct 9, 2018
    Kurt Vile's slacker star continues to rise on Bottle It In. [Nov 2018, p.89]
  12. Q Magazine
    Oct 9, 2018
    His seventh album sees Vile cement his place as an artist following his own lead. [Nov 2018, p.103]
  13. 75
    These woozy explorations don’t always result in anything more than a pleasant 10 minutes or so, but taken together, they combine to form one more data point for the argument that Kurt Vile’s artistic trajectory remains, as always, on an upward slant.
  14. Oct 18, 2018
    If at any point you find yourself starting to lose interest, just wait; something good will be along soon to snap you back into head-bobbing bliss.
  15. Oct 29, 2018
    Bottle It In may not be the necessary departure that will either bring Vile new listeners or pull existing listeners away from their favorites. But it's an album made to be a "grower", designed for lengthy fall strolls through ankle-high paths of leaves. Its biggest obstacle may not be its length, but the time span a listener is willing to invest.
  16. Oct 12, 2018
    At its best, Bottle It In pairs music with message to create a new tension in Vile’s work.
  17. Oct 12, 2018
    The album’s second half becomes noticeably more lo-fi as it draws to a close, with the band laying down instrumental nebulas into which Vile allows his voice to languidly recline. It’s a hazy ending to a bear of an album, but one that rewards those who stuck with it through the 80 or so minutes.
  18. Oct 10, 2018
    Jeez, it’s long, and there are some missteps, some ill-advised detours, along his peregrinations, but all in all, it’s worth coming along for the ride.
  19. Oct 10, 2018
    Overall, you’re left the impression of an artist genuinely expressing themselves. It may not be his Born In The USA--despite what Vile claims--but Bottle It In ultimately succeeds in its intentions and further escalates Vile’s reputation as part of a rare breed of authentic songwriters. And that’s alright for now.
  20. Oct 10, 2018
    At the core of Bottle It In, the 38-year-old husband and father of two offers his family the comforting illusion of his presence, a chance to hear his voice, and a reminder that they're with him, wherever he may be.
  21. Oct 9, 2018
    Making the most of the various environments where it was recorded, the album feels like a travel diary picked up sporadically along the way. Some entries expand on every thought and some are left half-finished, but these contrasting moods reflect the peaks and valleys of Vile's journey, both literal and metaphorical, in getting to this chapter of his music.
User Score

Generally favorable reviews- based on 23 Ratings

User score distribution:
  1. Positive: 19 out of 23
  2. Negative: 1 out of 23
  1. Dec 23, 2018
    ( 78/100 )

    Kurt Vile es el claro ejemplo de tomar un simple detalle y hacer de ello, una gran exploración, con altos y bajos, espacios y
    ( 78/100 )

    Kurt Vile es el claro ejemplo de tomar un simple detalle y hacer de ello, una gran exploración, con altos y bajos, espacios y tiempos. Nación en Lansdowne, Pennsylvania y graba desde que tiene 14 años. Al crecer, en el 2005 se convirtió en el co-fundador de the War On Drugs y al poco tiempo se separó para establecer su propia carrera musical. En el 2008 the War On Drugs saca su primer álbum y, casi como competencia, él también saca su primer álbum titulado "Constant Hitmaker". De ahí para arriba. Su música se caracteriza por ser un Rock muy suave y suficientemente creativo para ser llamado Indie, pero su intensión es más que nada Psychedelic y LoFi. En "Bottle It In" los productores principales son él, Rob Laakso y Rob Schnapf y logran, con un solo ritmo, una exploración y explotación musical interesante de escuchar, sin embargo, no intrigante. A lo que me refiero es que la música extiende su lindura sin miedo, sin embargo esa extensión solo pretende concientizar a su oyente del camino musical que se construye con la guitarra, el bajo y la misma percusión sin darle mucha importancia a la cantidad de detalles. El sonido y la música concluye por ser simple pero suficientemente sensible y con toques de intensidad correctamente puestos como para que el viaje no sea monótono y aburrido, sino placentero, ameno y con intensiones de hacer de cada paso en el asfalto, uno con ritmo y alegría. Hay un punto en el que, en ese paseo, la música comienza a invisibilizarse o dormirse, pero inmediatamente recobra su ritmo observacional y ambiental que pretende embellecer con sus cuerdas, el día de cada persona. El proyecto es totalmente positivo y se lo dedica a su propio espacio, uno relacionado con infracciones de transito y estaciones del año; a su propio tiempo, uno que comparte con sus hijas y esposa y, asimismo, a ciertas inquietudes que lo privan de esa intención de observación y presencia. Todo sin dejar de contagiar, con suavidad, la sensación placentera de existir y permitirnos sentir esa existencia.
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