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Among his best work to date, Cosmos finds Corona expanding his boundaries even more and in the process creating something more timeless.
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Give it a bloody good stereo and your full attention.
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It’s a beguiling mixture of the unknown and well established, and as a cohesive whole it demands your utmost attention for the duration.
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What it lacks in standouts it makes up for in atmosphere and starkness.
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He hasn't quite developed the dexterity to match his grand designs yet, but there is enough on show here to suggest he soon will.
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It’s an intermittently sparse, intermittently warm affair, using very low bass drones to sustain intervals between lusher orchestral motifs.
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Drained from the melodic juices of previous works, Cosmos is left to bubble atop of a seething pan of sharp shards of metal, to be later buttered with a mechanical hum.
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Occasionally brilliant ear food for when you’re just drifting off.