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- Summary: The latest full-length release for the Ohio singer-songwriter was recorded in Chicago with producer Tom Schick.
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- Record Label: Honey, You're Gonna Be Late
- Genre(s): Alt-Country, Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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Oct 7, 2020A beautiful and steady album about defying the roles others put you in and pondering what went wrong. It’s a heartbreaking project as well, peppered with upbeat but cutting songs. It may not be Loveless’s best album -- Real is impossible to beat -- but it ideally captures the indescribable greatness of her songwriting.
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Oct 7, 2020While the mood is subdued and even brooding, this is a powerful album where you feel the story in each song.
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Oct 21, 2020Folks who were expecting Lydia Loveless to be the next savior of country music may be thrown for a loop by Daughter, but anyone who wants to hear one of America's best and boldest songwriters working at the top of her game owes it to themselves to give it a careful listen.
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Oct 7, 2020Loveless has a massive, powerful voice that she uses to great effect, though the effect is even greater, and hits even harder, when she blends it with a measure of restraint instead of going full-bore all the time.
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Oct 23, 2020She's never sounded unsure in her music, but she's a new robust sense of identity to bolster what she does and, wherever she goes from here, that should give her strength on the way.
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UncutOct 16, 2020Throughout, she pulls no punches, her razor-sharp lyrics demonstrating a singular wit and vulnerability. [Dec 2020, p.35]
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Oct 27, 2020Unlike older albums, most of the songs on Daughter lack the same punch as even the songs on the similarly-textured Real. The album has its moments.
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