Drones
by Muse
User Score
7.3

Generally favorable reviews- based on 373 Ratings

User score distribution:
  1. Positive: 261 out of 373
  2. Mixed: 72 out of 373
  3. Negative: 40 out of 373
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  1. bgrass13
    Jun 9, 2015
    10
    The more I listen to it (10+ times), the more I find this to be a very satisfying record. Very heavy alt-rock-prog effort with a compelling storyline that flows from song to song. Bellamy's guitar sounds crisp, crunchy and prominent where it should be; the rhythm section is thunderous and spot on. Vocally, Bellamy is untouchable - rock's best falsetto. The band are one of the top rockThe more I listen to it (10+ times), the more I find this to be a very satisfying record. Very heavy alt-rock-prog effort with a compelling storyline that flows from song to song. Bellamy's guitar sounds crisp, crunchy and prominent where it should be; the rhythm section is thunderous and spot on. Vocally, Bellamy is untouchable - rock's best falsetto. The band are one of the top rock bands out there these days and this record is a welcome addition to their canon. Highly recommended by these old ears. (60+)
    These are MY opinions and should be treated as such.    … Expand
  2. Intonarumori
    Jun 9, 2015
    9
    Muse's seventh offering sounds like they are revisiting their past and offering a bit of everything for everyone. Usually this results in discombobulated albums that never really reach their goal, but this is not one of those. Most songs are very much to the point and they sound good in unison. This is achieved by a very deliberate focus on the guitar sound and the producer really did aMuse's seventh offering sounds like they are revisiting their past and offering a bit of everything for everyone. Usually this results in discombobulated albums that never really reach their goal, but this is not one of those. Most songs are very much to the point and they sound good in unison. This is achieved by a very deliberate focus on the guitar sound and the producer really did a good job there. Drones sounds vibrant, fresh and the songwriting is about as good as Muse has ever been (except for the lyrics).

    Not everything is great though. The album starts of with a series of great songs, but it kind of fizzles towards the end with a couple of somewhat uninteresting songs that also feel seriously underpowered compared to the rest of the album (not counting the de facto outro song). Second point: the lyrics. While these childish lyrics seem to kind of work, it tends to give every song a rather silly undertone, which I think is unfortunate.

    Muse has done a great job here, giving us a good set of new songs that work well as an album.

    Highlights for me: The Handler, Reapers, Mercy    … Expand
  3. BaseballBeerBBQ
    Jun 10, 2015
    9
    There has been some criticism of the record, but it has received mostly positive reviews. The criticism seems to come mainly from the fact that Muse has made a concept album, and therefore tried to do something serious. The album follows a protagonist’s journey from abandonment to indoctrination as a “human drone” and eventual defection. The question is, if a person were not interested inThere has been some criticism of the record, but it has received mostly positive reviews. The criticism seems to come mainly from the fact that Muse has made a concept album, and therefore tried to do something serious. The album follows a protagonist’s journey from abandonment to indoctrination as a “human drone” and eventual defection. The question is, if a person were not interested in how a band sounded in the first place, would a concept album draw them in? Did Muse make this album thinking, “We will pick up so many new fans if we address this issue!” First of all Muse has addressed serious subjects before, just not as an entire album. Secondly, the album is full of great rock music. Take what you will from the lyrics and subject matter, but can you sit back and turn the volume up and enjoy this record? Absolutely!… Expand
  4. Cracken002
    Jun 11, 2015
    8
    Well... How do i start to describe this roller coaster of an album? (7th already? Jesus... Time passes flying...) Here goes.

    Concept/Lyrics: It's Muse. Come on. They're always political, since beginning. The concept is nice, but lacks deep and insightful lyrics, the main problem in this album. For me, i listen to Muse for the music (instrumental/vocals) rather than lyrics, it is a well    Well... How do i start to describe this roller coaster of an album? (7th already? Jesus... Time passes flying...) Here goes.

    Concept/Lyrics: It's Muse. Come on. They're always political, since beginning. The concept is nice, but lacks deep and insightful lyrics, the main problem in this album. For me, i listen to Muse for the music (instrumental/vocals) rather than lyrics, it is a well known week point in Muse's songs catalogue.Oh and i would like to know were Matt got that sudden urge of using the word "babe"... Not nice Matt, not nice.

    Instrumental: My lord that bass... Never did Chris sounded so good in years, all those magnificent tones and bass lines. All instrumentation in the album is gold, except for some cases (yes, im looking at you, chord progressions in Mercy and Dead Inside). Drums were amazing with that extra double bass pedal. Guitar was incredible too, tip of the hat to Mr. Bellamy for those solos and the production of Mr. Lange.

    Dead Inside: 80's pop/eletro music + Muse? Incredible. Those drums that keep you asking for more, that familiar bass line and a sudden guitar solo. Did i mention the vocals? Some of the best vocals and lyrics in the album, shame it stopped there for long. 8/10

    (Drill Sergeant) + Psycho: Ah that recycled old Muse gem guitar riff. Glad they made a song out of it, although it does not deserve the length. The song is too big and too flamboyant. Yes, it is an incredible head-banger of a song, but all those drill sergeant snippets, corny lyrics, and that unnecessary bridge( plus the obvious roundhouse Door's riff in the verses) make it less enjoyable. 7.5/10

    Mercy: A song where in the back of your head you ask yourself "Haven't I heard a song like this before? Odd...". It is Starlight 2.0, with that improved bass line (once more, hat off to Chris) and catchy piano octaves. Matt (with a weird vocoder effect on his voice) sings an arena-filling chorus were every soul unites and sings "MERCY!". The verses are very catchy and, oh, nice touch with the synths. 7/10

    Reapers: For this one I don't even have words... It. It is an absolute mess of a song (in a good way!).
    It's amazing to say the least, that guitar tapping, sexy bass line, infatuating drum beats, ac/dc riff, fast verses, and that brutal solo and outro. Everything a Muse song should have. 10/10

    The Handler: A Black Sabbath riff with amazing production, Showbiz bass line, slow and heavy drums, Matt's signature falsetto and a In Your World solo (too extensive...). Once more, no more words to describe. 9/10

    (JFK) + Defector: Guess Muse does love Queen a lot huh... The transition from the speech to the song is very fresh and the strings coping the solo on Defector were a really nice touch. Another top Muse song where they outdone themselves, except for those repetitive lyrics and cringe worthy verses of the colours.
    8/10

    Revolt: Just. No. Why after so many amazing songs does Matt start to write again even more like a teenager? Usually after that breaking tempo comes something unexpected, but it only arrived deception with one of the worst choruses in the album. It might grow on me (someday). 4/10

    Aftermath: Who is the producer? Oh right, Mutt Lange the one who married Shania Twain. Heard the song "From this moment" ? Check it out, then you know my rating. 6/10

    The Globalist: Ah... The so called Citizen Erased pt. 2 more like United States of Eurasia pt. 2.

    There was so much hype about this song after Matt calling it a "10 min prog-rock nightmare" but it didn't live up to my expectations.
    1st part is based of Ennio Morricone's "Il Mercenario" and Pink Floyd's slide guitars, lovely vocals and very melodic (the best in the album).
    2nd part, after hearing it i thought "that's it? i wanted more of that build-up amazingness, heavy riff" for one moment i even thought "this might be the best Muse song ever..." - but! - it ended abruptly leaving a empty space where my heart was for that song.
    3rd part. Matt is one true genius. All those beautiful arrangements on Elgar's Nimrod, inciting and powerful vocals, clear bass, crashing drums and trully an arena-filling song. The message worked perfectly showing the rise of the main character, the end of the human race and the "calm after the storm". 9/10

    Drones: I was not expecting this one. Muse are truly expanding their horizons. A true outro to "The Globalist" and a fitting album closer, showing a more daring than ever Matt singing with all his lungs showcasing all that vocal range of his. 8/10

    All in all, a very cohesive album, conveying a "back-in-form" Muse ready to sell-out some even bigger stadiums.

    7,67/10    … Expand
  5. showbizjunkie
    Jun 10, 2015
    9
    I was worried that this album would disappoint me, but I was completely blown away by Muse's sound. Their 7th LP, Drones is a dystopian concept album with themes as bombastic as The Resistance and a mature sound that's still just as gritty as Absolution and Showbiz. Reapers and The Handler are, of course, the highlight tracks, but one that surprised me was Aftermath, which sounds like aI was worried that this album would disappoint me, but I was completely blown away by Muse's sound. Their 7th LP, Drones is a dystopian concept album with themes as bombastic as The Resistance and a mature sound that's still just as gritty as Absolution and Showbiz. Reapers and The Handler are, of course, the highlight tracks, but one that surprised me was Aftermath, which sounds like a beautiful cross between Dire Straits and Queen. Perhaps the most anticipated track on the album, The Globalist is a masterful piece driven by a slow, melancholy force which waxes full and then wanes into the solemn closing track, Drones. In closing, Muse has wrought a beautiful new album on par with Black Holes & Revelations, with gorgeous guitar solos, stunning bass lines, and great drumming. Strongest track: The Handler. Weakest track: Mercy.… Expand
  6. jokersilva
    Jun 15, 2015
    10
    in my opinion, Muse's best album ever. Great work by Bellamy and company! I'll just ignore the negative reviews, 'cause after reading them, I was shocked for seeing how can they be so false... I'm sure that they just criticise this album just because they don't usually know the hard work that they had by producing the album, and the don't know HOW TO APPRECIATE REAL MUSIC
  7. cbolt
    Jun 17, 2015
    9
    This is the best Muse album in a while. It has a legit 4 to 5 singles on it. Psycho, the Handler, Reapers, Dead Inside, even Mercy has certain thing about it I like. Too me, this sounds like a greatest hits album with all news songs, but represents a lot of sounds from all the albums they have put out. Mutt Lang production slicks it all up. Upon 1st listen, I was not overly excited, butThis is the best Muse album in a while. It has a legit 4 to 5 singles on it. Psycho, the Handler, Reapers, Dead Inside, even Mercy has certain thing about it I like. Too me, this sounds like a greatest hits album with all news songs, but represents a lot of sounds from all the albums they have put out. Mutt Lang production slicks it all up. Upon 1st listen, I was not overly excited, but the more you listen to this you realize it is a great LP. Aftermath is a decent slow one and the Globalist pays off if you can get through the entire 10min song. 9/10 for me and only thing that I would say is lyrically its not always great.… Expand
  8. WolfLambert
    Jun 15, 2015
    7
    Let me get this straight first. This record is a great piece of music, but it is not a return to form or an improvement lyrically. Muse have basically ruined this album for many reviewers by building up so much hype that people didn't really think straight anymore. And that's a shame, I'm sure many would appreciate it for what it is if it weren't this hyped. Put the album out as aLet me get this straight first. This record is a great piece of music, but it is not a return to form or an improvement lyrically. Muse have basically ruined this album for many reviewers by building up so much hype that people didn't really think straight anymore. And that's a shame, I'm sure many would appreciate it for what it is if it weren't this hyped. Put the album out as a surprise, without any mention of a release, and people would be happier with the record.

    It's not perfect though. Mercy only gets from "meh" to "great" in the last fifteen seconds, Revolt is just too cheesy (coming from someone who absolutely loves Survival, even as a guilty pleasure, it just had more depth), and the middle section with that gorgeous guitar solo in The Globalist (best few seconds on the record by far) just stops right where it should climax and goes into United Explorers of Eurasia — it's not a bad ending, it's just "pretty" and should've been so much more. This is frustrating.

    Contrary to a lot of people I still love Psycho, the drill sergeant interludes can go jump in a lake but the track itself is just such a headbang-inducing jam. And the title track is, well, unique. My favourite track on the album should've been The Globalist but is Reapers, it's fantastic, it gives such a Black Holes & Revelations feel and the outro is fantastic, also this is one of the best guitar solos they've ever done.

    This record is not disappointing for me overall, I like it a lot. It has its flaws, but there's a lot of strong stuff to mostly make up for it. But damn, The Globalist is a missed chance.    … Expand
  9. vikesh2206
    Jun 27, 2015
    7
    Despite occasionally preachy lyrics, Drones narrates a compelling and thought provoking idea while sporadically unleashing deadly anthems and strong tunes.
  10. DoctorChicken
    Jun 9, 2015
    9
    A surprising album, in a good way.

    Muse has done anything but go "back to basics" like front-man Matthew Bellamy claimed they would. Drones is a complex, bombastic, ambitious bastard-child of a concept album that demands to be heard. The Teignmouth trio have been refined over the years, becoming superbly talented at the instruments they play, which has been highlighted by producer    A surprising album, in a good way.

    Muse has done anything but go "back to basics" like front-man Matthew Bellamy claimed they would. Drones is a complex, bombastic, ambitious bastard-child of a concept album that demands to be heard. The Teignmouth trio have been refined over the years, becoming superbly talented at the instruments they play, which has been highlighted by producer Robert "Mutt" Lange; never have Bellamy's guitars or Wolstenholme's basses sounded this massive before. Bellamy's singing has mellowed through the years and Drones very well could be his best album vocally.

    All and all, Bellamy's fears and dreams concerning aerial warfare have been crammed into 52:40 of pure guilty pleasure, with an album that Muse should be proud to add to their catalogue.    … Expand
  11. FalconWhale
    Jun 13, 2015
    9
    At first I was worried it might not be their best album as Matt said, and it is not their best album, but it is really amazing. Lyrically at some parts is not good (psycho for example), but musically great. If you love Muse, you will love this.
  12. milasto2
    Jun 14, 2015
    9
    As a huge Muse fan I have really enjoyed Drones. Just following and exploring the story of this protagonist was an exciting experience. The mayor complaint lies in their conventionality. While I do notice this, I don't see it as something bad. Muse has stepped away from their previous albums, while still remaining the good elements of these albums. The scale from The Resistance and The 2ndAs a huge Muse fan I have really enjoyed Drones. Just following and exploring the story of this protagonist was an exciting experience. The mayor complaint lies in their conventionality. While I do notice this, I don't see it as something bad. Muse has stepped away from their previous albums, while still remaining the good elements of these albums. The scale from The Resistance and The 2nd Law is still present, it's just more focused, tighter and tells the listener a story. Add the several endings to the formula and Muse had put together a solid and awesome record.… Expand
  13. Fedelca
    Jun 28, 2015
    5
    Después de salir de un estilo particular grunge en "Showbiz", de space rock en "Origin of Symmetry", con tendencias progresistas en "Absolution" y "Black Holes and Revelations", sinfónicos en "The Resistance" y electrónicos en "The 2nd Law"; Muse presenta un sinfín de tendencias en su música, algo bastante particular estos días, pero nunca fue de ocultar sutilmente sus influencias. En esteDespués de salir de un estilo particular grunge en "Showbiz", de space rock en "Origin of Symmetry", con tendencias progresistas en "Absolution" y "Black Holes and Revelations", sinfónicos en "The Resistance" y electrónicos en "The 2nd Law"; Muse presenta un sinfín de tendencias en su música, algo bastante particular estos días, pero nunca fue de ocultar sutilmente sus influencias. En este nuevo álbum "Drones", Muse vuelve al estilo básico con menos experimentación y más guitarras, bajos pesados y una percusión notable. Si bien musicalmente puede ser bastante sorprendente, lírica-mente puede sonar no tan bien y en algunos casos bastante patético como en la canción "Psycho" que si bien tiene un trabajo de bajos muy bien realizados puede resultar bastante molesto e incómodo. 3 de los mejores trabajos del álbum son las canciones "Dead Inside", "Reapers" y "The Handler" siendo este último mi favorito ya que en mi opinión es cuando las ideas del cantante Matthew Bellamy están más claras porque se acompañan con el antiguo Muse ese que tanto nos gustaba: los gritos de octavos de Bellamy, un bajo bien resaltado y un trabajo de guitarra fuera de este mundo. La canción "Reapers" tiene lo que en mi opinión sería el solo de guitarra más alocado y perfecto que Matthew halla realizado jamás seguido de un final casi perfecto que nos hacen recordar a sus primeros álbumes. Pero lamentablemente el álbum tiene muchos errores para mi gusto. La canción "Aftermath" y "The Globalist" me sintieron como 17 minutos de rock progresista sin sentido que básicamente suenan como canciones de Coldplay (y no, no es un cumplido), y el cierre del álbum me dejó un tanto confundido con el estilo a cappela que aunque lo más respetable durante el último trayecto del álbum es la impresionante voz de Bellamy simplemente se vuelve bastante tedioso e in-confortante empezando por la canción "Revolt" hasta el final (que son como 27 minutos).
    Dentro de todo algunas canciones me encantaron y me dieron una dosis de lo que Muse puede hacer mejor: exagerar las cosas para hacer que su música suena más grande y épica. Pero a veces ese mismo concepto puede resultar en clichés o un desastre de música progresista. El concepto del álbum también pierde valor después de la canción "Mercy" pero lo hace para bien, excepto por los últimos 20 minutos del álbum que literalmente eran inaguantables.
    Igualmente mucho mejor que "The 2nd Law".    … Expand
  14. kerofaes
    Aug 10, 2015
    6
    Drones conceptually deals with the theme of the album control and authoritarianism. Muse leaves much to be desired musically on this album and the lyrics are repeated in every song, most of the songs are about the same.
  15. WheelzFourReelz
    Jun 21, 2015
    6
    While Drones does have some of Muse's best songs to date, their in a mix of songs that are bland, forgettable, or just poorly written. They've definitely gone in a heavier direction, but they sacrificed some of their songwriting skills along the way.
  16. DL1
    Jun 21, 2015
    10
    I loved the new album. emotionally charged, amazing meaning behind every word and note. I enjoyed every second, I love Handlers, and Dead Inside probably the most. It is a story telling album. For those who hate on the album and say it's garbage - don't listen. Maybe it's time for you to find another band to trash.
  17. frodob18
    Jun 10, 2015
    9
    A brilliant album! You may have to listen to it a few times to start liking it more. I like almost every song on the album. The Globalist is probably my favorite song on it(funny that I hated it at first listen, but after listening to it a few times, I started liking it and understanding it better). I like the way Matt handles the story and warns us that power can be destructive inA brilliant album! You may have to listen to it a few times to start liking it more. I like almost every song on the album. The Globalist is probably my favorite song on it(funny that I hated it at first listen, but after listening to it a few times, I started liking it and understanding it better). I like the way Matt handles the story and warns us that power can be destructive in wrong hands and what it can do in The Globalist. Well, at least that's what my interpretation is. Anyway, I truly like this album and am very satisfied with it.… Expand
  18. edenevanlyn
    Jun 10, 2015
    10
    "Drones" is the band's seventh studio album in 16 years and thus expectations are high. The question with "Drones" was, whether it would be more like the band's earlier work, or more like the last two albums. In an interview with IHeartRadio, frontman Matt Bellamy said the band's sound would go back to rock, instead of the experimental, electronic sound of the previous two albums. Bellamy"Drones" is the band's seventh studio album in 16 years and thus expectations are high. The question with "Drones" was, whether it would be more like the band's earlier work, or more like the last two albums. In an interview with IHeartRadio, frontman Matt Bellamy said the band's sound would go back to rock, instead of the experimental, electronic sound of the previous two albums. Bellamy mentions how the making of "Drones" was a trip down memory lane:

    "Our intention was to go back to how we made music in the early stages of our career, when we were more like a standard three-piece rock band with guitar, bass and drums."

    In the interview, Bellamy claims "Drones" is their "best album". I quite agree with him. In my opinion, "Drones" is the best material Muse has released in almost a decade. A big claim, but for someone who has always been a fan of the band's earlier work, it is like they have (finally! finally!) gone back to the sound that belongs to Muse. Songs like "Psycho" and "Dead Inside" are unpolished, old-fashioned rock anthems, with a raging guitar, pumping bass and sharp drums. On "Reapers" and "The Handlers", there is a bit more drama, a bit more strings and synths, but it still has the same raw and unpolished feel of "Drones".

    What I really love about this album, is that there is a clear narrative throughout the 12 songs. The first track, "Dead Inside", is the introduction to the story, in which one loses hope and becomes vulnerable to certain dark forces, which arrive in the shape of the next couple of tracks. Eventually, with "Revolt", one starts to fight back against the brain-washing and mind-controlling, leading to the "Aftermath". But a Muse album would not be a proper Muse album without at least one elaborate and complex composition. On "Drones", it is in the shape of "The Globalist", a 10 minute grand finale to a great album.    … Expand
  19. Koushyar
    Jun 9, 2015
    6
    Not their best album by any means (sorry Matt), but definitely better than the past two albums. It is not as hard rock as the band had claimed before, but soft or hard, musically it is decent. Lyrically, it is Muse at its worst...
  20. joeshamper
    Jun 12, 2015
    10
    Possibly best yet. Old fans will love the heavier sound. Yea, Matt Bellamy isn't the best lyricist, so what? It's refreshing to hear a rock album that is about something (drones, the military-industrial complex, loss of human empathy, and technology) deeper than drugs and sex. Bravo.
  21. jongon23
    Jun 12, 2015
    10
    I can't understand, why the album have too many bad critics? It's simply amazing... And great performance... When you listen this songs at live.... OMG!!!
  22. EmmeKira
    Jun 9, 2015
    7
    Drones, the latest record by Muse, is an album that indeed puts the band back in their roots in many cases.. but without ever leaving behind the stylistical changes and experimentations they went through in the two previous records. "We can't go all the way backwards..." some wise man said a long time ago, and this record proves it. It's true that Muse deliver many tracks that really feelDrones, the latest record by Muse, is an album that indeed puts the band back in their roots in many cases.. but without ever leaving behind the stylistical changes and experimentations they went through in the two previous records. "We can't go all the way backwards..." some wise man said a long time ago, and this record proves it. It's true that Muse deliver many tracks that really feel like something you could hear off of Black Holes & Revelations (Mercy for example), Absolution (The Handler) or even Origins of Symmetry (Reapers), but in some songs it still looks like Bellamy has a hard time abandoning sinthesizers, electronic tunes and other un-ordinary instruments. The track "Dead Inside" is a clear example of that.
    Generally speaking it's a really good concept album in which most of the tracks are coated with some killer riffs and very memorable guitar and base solos. The only major criticism that can be done comes from a lyrical point of view. Some songs, expecially Psycho or Defector, seem way to simplistic and even childish both in the message they want to send and in they way they send it.
    Nonetheless, I really enjoyed the record, which is solid, compact and very well structured. A big musical improvement to 2013s The 2nd Law and even 2010s The Resistance.    … Expand
  23. lingy45
    Jun 11, 2015
    8
    Lyrically, sure. This isn't their greatest effort aside from some songs but the majority of songs are musical masterpieces. A good blend of old Muse with many new elements, and can only get better with every listen.
  24. patrickjohnpaul
    Jun 9, 2015
    9
    Their most complete album to date. Overall, there is no weak point on this record. Sure, there are places where subtle improvements would make it a stronger record (i.e. the lyrics on "Psycho"), but overall it is solid front to back. Well done, Muse!
  25. Fennekin
    Jun 9, 2015
    7
    TL;DR version: Muse is back to sounding like Muse but not with their fullest potential. Satisfying album for Muse fans, won't win back any Symmetry fanboys. Muse is moving in a forward direction and I'm looking forward to their next release.

    Muse takes a step back from the previous two albums and goes back to their roots a little. I say "a little" because the orchestral and electronic    TL;DR version: Muse is back to sounding like Muse but not with their fullest potential. Satisfying album for Muse fans, won't win back any Symmetry fanboys. Muse is moving in a forward direction and I'm looking forward to their next release.

    Muse takes a step back from the previous two albums and goes back to their roots a little. I say "a little" because the orchestral and electronic elements that characterize 'The Resistance' and 'The 2nd Law' respectively are still present, but overall the band has stopped making experimental crap. That said, like The 2nd Law, the album's sound is rather scattered, shifting from pop to hard rock to stadium rock, the list goes on. It's not THAT big of a deal in hindsight, and at least the album is, again, identifiable as a Muse record. Each song seems to attribute to an older song so there's something for everyone, but that essentially means that only Muse fans will really enjoy this album and it probably won't draw in many newer fans, and older "fans" who only like pre-BH&R Muse will probably dislike it besides a couple tracks. Individually, most songs are /okay/. They hold their own alright, but the only GREAT tracks are 'Reapers' and 'The Handler', the former of which stands out the most due to its EPIC outro; both songs also have awesome progression and great solos. Other songs I'll explicitly mention are 'The Globalist', which has its moments but feels a little underwhelming for a 10-minute track, 'Drones' for being... weird; not sure if it would've been better as an interlude or if it's just out of place entirely (something tells me Matt REALLY wanted to do an a capella), 'Defector' for having rather questionable songwriting, at least in the verses, and 'Revolt' for being too cheesy. ...I guess I just don't like the second half that much. First half has some good stuff, though.

    The last thing that I'll bring up are the lyrics. Lyrics are more like an extra credit assignment; it's nice to read and hear good lyrics, but they're not the focus because the actual music is more important (at least for rock), and can easily be overlooked. But the lyrics on this album are bad. Matt has never been an outstanding lyricist, but now he's trying to write something "important" and it's not pretty. It's a concept album with a political edge, and probably for the sake of the album's progression, some songs are reduced to absolute slop for lyrics, screaming the message at you until you can't ignore it (which is actually literal in the case of 'Psycho'). I can't say the actual plotline is outstanding either, but it's not bad at least. I actually like how it takes a turning point at the end, but it's nothing to take too seriously in the end. ...Oh, and I guess I can be a dick and complain about the printing of the album. **** spacing, man, why are the lyrics hard to read when you're encouraged to read them in the first place?

    I think that's all I wanted to say, though. Sorry if this is too long.    … Expand
  26. alirezazgr
    Jun 9, 2015
    10
    not really what I expecting from 'em. the lyrics are not as good as last albums but it's like new view to everything and when you think about it that's what modern rocks about! Matthew really rocks the guitar thanks to the producer but it lacks on some tracks like Mercy kinda feels like a pop song and the only thing that keeps you going is Matt's magnificent vocals.
    but on the other side    not really what I expecting from 'em. the lyrics are not as good as last albums but it's like new view to everything and when you think about it that's what modern rocks about! Matthew really rocks the guitar thanks to the producer but it lacks on some tracks like Mercy kinda feels like a pop song and the only thing that keeps you going is Matt's magnificent vocals.
    but on the other side The Handler, Reapers and Defector are pretty good and gives you that protesting muse chill but The Globalist could be way more better than this I don't consider it a successor to Citizen Erased... in the end you got a Muse album with a new perspective, it really worth your time.    … Expand
  27. Jesseneuro
    Jun 17, 2015
    10
    Drones does indeed rock, but in addition, as usual, we get a bit of classical: the "Nimrod" finale of "The Globalist" and the final cut (Pink Floyd pun intended--war themes & all) "Drones" offer up surprisingly cathartic musical majesty. Muse is simply THE Bomb, whether they be Droning, exploding, or imploding...
  28. DasBarto
    Jun 9, 2015
    6
    To me Drones is pretty fantastic until the back end of the album (The Globalist excluded)

    Track by track: 1-Dead Inside: 8/10. "Dead Inside" lyrically sets the tone for the album: the military and it's politician handlers are evil. It sets up a frame tale with “Psycho” that shows the singer's overall change from a citizen to a drone. Muscly “Dead Inside” stands out by being one of the    To me Drones is pretty fantastic until the back end of the album (The Globalist excluded)

    Track by track:
    1-Dead Inside: 8/10. "Dead Inside" lyrically sets the tone for the album: the military and it's politician handlers are evil. It sets up a frame tale with “Psycho” that shows the singer's overall change from a citizen to a drone. Muscly “Dead Inside” stands out by being one of the safer tracks. Think “Madness” rather than “Citizen Erased.”
    I can't help but think “Dead Inside” is also intended as break up song. Lines like “You're free to touch the sky//Whilst I am crushed and pulverized//Because you need control//Now I'm the one who's letting go//” and “Stop hiding from me//It's hurting babe//Only you can stop the pain//” really reinforce that point, and as a break up song it's bloody fantastic.

    2-[Drill Sergeant]/Psycho:6/10. The music is fantastic. The main riff is pulled from live performances of “Stockholm Syndrome,” which is legendary to a majority of Muse fans. Old Muse is finally back. Lyrically, on the other hand, “Psycho” is so terribly corny in parts it almost completely ruins the song. “Your ass belongs to me now” come on Matt, you damn well know you could have used a different line like “You're my drone now' or something. There. That even fits the **** song better.

    3- Mercy: 4/10. “Mercy” shows how even a well intended person who is “trying to change the game” can even fall victim to they sirens song. This is the first of some truly forgettable tracks on Drones. The boring bridges and dry mixing makes it fall flat.

    4- Reapers: 7/10. **** yeah this is the Muse most of us have been missing for years. Catchy melodies paired with some masterful solos really work for “Reapers.” My only complaint is the lack of grit in the mixing. Maybe it was listening to all the bootlegs of “Reapers” before the official release that made me love the lo-fi sound, but I really feel it could have been made damn near perfect by making it far less clean.

    5- The Handler: 9/10. One of the best songs on Drones. Matt does a wonderful job painting a picture of the main character's internal struggle of trying to break free from being a mindless killing machine.

    6- [JFK]/Defector: 7/10. The solder has won his previous fight and is now “free” from his handler. Matt is also making a plea for the listener to break away from societal norms and fall away from oppressive regimes that impose their will on their citizens.

    7- Revolt: 2/10. I'm not a fan of “Revolt” in the slightest. This is such an important song on the album: the people rising up and overthrowing the drones and their handlers. This should be the darkest and heaviest song on Drones, instead we get this over-poppy, lifeless, mess of a song. Up until this point brooding riffs and midnight-black base lines dominated the album and here you're sucker-punched by whatever the **** this pop mess is. Muscly “Revolt” should have mirrored “Butterflies and Hurricanes” form Absolution by building to a thunderous choirs and ending with crashing pianos, especially with “Aftermath” being a slower, calmer fare.

    8- Aftermath: 3/10. Spiritless and uninteresting muscly and lyrically “Aftermath” really is a huge miss on Drones.

    9-The Globalist: 10/10. Goddamn do I love this song. Muse really does a fantastic job making western inspired jams.; the opener for “The Globalist' wouldn't feel out of place in Red Dead with its methodical whistling paired with genital strumming that begins this slow build into the epic, Resistance-esk finale of Drones. I think Muse is painting a picture of the world being like the wild west: never tameable with power always shifting between good and evil.

    10- Drones: 8/10.

    Drones as a concept is very solid, but really falls short at very crucial parts. 6.4/10    … Expand
  29. Guzaman
    Jun 23, 2015
    10
    More than a back to basics, Drones is a tribute to all their previous work, and also is a step forward. Maybe the last four songs sound a little flat the fist time you listen to them, but if you hear them more focused, its just the final that the album deserves.
  30. romanista85
    Jun 14, 2015
    8
    They clearly made this album for the live shows. Great to see the guitar solos coming back. Favourite tracks in the album: Dead Inside, Psycho, Mercy, Reapers, The Handler, Defector, Aftermath, The Globalist. The theme is quite repetitive (it is about Drones after all) but all in all it is still a solid album. I liked it better than The 2nd Law.
  31. hami5150
    Jun 25, 2015
    10
    This is Muse's best album to date. They stay true to their Prog-Rock roots with the "concept" album, without getting too sappy or overdrawn with 13 minute songs like Genesis or Rush would do. Most of the songs have a certain flavor reminiscent of other bands (Van Halen on "Reapers", Depeche Mode on "Psycho", etc), and there are minimal dead spots, with the exception of the speakingThis is Muse's best album to date. They stay true to their Prog-Rock roots with the "concept" album, without getting too sappy or overdrawn with 13 minute songs like Genesis or Rush would do. Most of the songs have a certain flavor reminiscent of other bands (Van Halen on "Reapers", Depeche Mode on "Psycho", etc), and there are minimal dead spots, with the exception of the speaking interludes (Drill Sargent and JFK). This one rocks, but it also has the right feeling for the story of someone who starts out soul-less, becomes a tool of the system, and then realizes what they've done and rebels. The vocals are amazing, as always, and the guitar work on this is some of the best I've heard in a few years. I'm a drums and guitar rock kind of guy, and this album brings it.… Expand
  32. dalekbread
    Jun 9, 2015
    6
    This review contains spoilers, click expand to view. Alright, first, I will admit, some of the songs on this are stellar. Some of the others are a bit, how should I put this, okay. Songs like The Globalist, Aftermath, The Handler, Mercy, Reapers, those are great! The rest of the album, with songs like Dead Inside and Psycho, and Drones are just ok. I'm not counting songs like JFK and Drill Sergeant, as they were just really two audio snippets. It's enjoyable, to a point for me. It was kind of a let down. The same goes for their previous effort (The 2nd Law) The rest of their catalog is some of the best in their genre.… Expand
  33. Muddsjr
    Jun 15, 2015
    4
    Personally, the last Muse outing "The 2nd Law" was possibly one of the worst albums of 2012, and the rest. Drones is less ridiculous, but still..well, fairly up there plain ridiculous. Good in places, but generally, nah, I'd like a bit of Origin of Symmetry or Absolution instead, Like.. When they were not too over played and crappy and everything.
  34. Alskiz
    Jun 14, 2015
    0
    Subtly was never Muse's thing, I get that. They loved to be simple and bombastic. The music was never good but at least they were fun. On 'Drones' the band fail to do even that, each track is lousy, generic and embarrassing. Bar the excruciating narrative, the tunes themselves sound horrendous. 'Dead Inside' and 'Psycho' rip off Personal Jesus but recreate it via the most generic ofSubtly was never Muse's thing, I get that. They loved to be simple and bombastic. The music was never good but at least they were fun. On 'Drones' the band fail to do even that, each track is lousy, generic and embarrassing. Bar the excruciating narrative, the tunes themselves sound horrendous. 'Dead Inside' and 'Psycho' rip off Personal Jesus but recreate it via the most generic of sounds. 'Mercy' sounds like a rework of 'Starlight', but Bellamy's falsetto is even more off-putting this time round. Reapers may be the worst song of Muse's already bad collection. Nothing works, everything fails. Unimaginably bad. The worst album in a generation.… Expand
  35. nimasherpa
    Jun 9, 2015
    1
    Hillariously bad. They once again managed to put the worst of all worlds - read genres - together and mix it in absolute tasteless way with result worse than its parts. Seriously there are couple of songs which would aspire for my Worst of 2015 so far, others are just plainly uninspired. Overall it might end up below T2L.
  36. Txino_K
    Jun 11, 2015
    1
    They hace lost the mojo. Not enough energy, some track are too long and boring.... Some of them can be in the new Disney kid film forzen... The worst album from them, i miss the power they caracter... Bellamy is too rock star now, I think he is in love with the teenagers fans..
  37. Noiseblock
    Jul 10, 2015
    4
    To cut a long story short: is this album bad? No, it isn´t. Is it good? No, it isn´t. Does it deliver on the musical front? Yes, it does. Does it deliver on lyrical front? Oh no, it doesn´t. So is this album a mixed bag over-all with compelling (top-notch even) guitar-play but studded with cringeworthy lyrics bordering unintentional ridiculousness more than once? It surely is.
  38. TixyLix
    Jun 9, 2015
    4
    The Lyrics are so bad, a lot of the riffs have been done before in their live shows and I swear some riffs and part of the Reapers solo have been plagiarized. Sums up Muse these days, they've lost their identity and their music really does just sound like they're trying to be other bands, The 2nd Law suffered from this too.

    I'm not a fan of this album, when I feel embarrassed other    The Lyrics are so bad, a lot of the riffs have been done before in their live shows and I swear some riffs and part of the Reapers solo have been plagiarized. Sums up Muse these days, they've lost their identity and their music really does just sound like they're trying to be other bands, The 2nd Law suffered from this too.

    I'm not a fan of this album, when I feel embarrassed other people might hear me listen to it... I know it isn't a winner. I have no idea why Matt writes such poor lyrics these days, I also have no idea why a lot of their songs are solo openers, yet they just end up playing the same few chords over and over instead.

    Please go back to your pre Resistance days Muse.    … Expand
  39. Junghova
    Jun 10, 2015
    6
    Considering the high standard set from their previous 3 albums, which were all great, I found this album fairly underwhelming. Not bad, but pales to their previous efforts
  40. ihateregisterin
    Jun 15, 2015
    6
    A really frustrating album. It's decent, but fails to hit the heights we know Muse are capable of. I was expecting a more progressive album from Muse this time round, but the concept they went with just seems tacky - especially the clichéd voiceovers on "Psycho" and "Defector". Don't get me wrong, there are good songs in here, just nothing very spectacular. "Revolt" should have an -ingA really frustrating album. It's decent, but fails to hit the heights we know Muse are capable of. I was expecting a more progressive album from Muse this time round, but the concept they went with just seems tacky - especially the clichéd voiceovers on "Psycho" and "Defector". Don't get me wrong, there are good songs in here, just nothing very spectacular. "Revolt" should have an -ing suffix; it honestly sounds like something I'd find on one of my mother's Christmas albums. Despite the flaws, this album is still worth a listen; just don't expect it to be the "Origin of Symmetry"-esque album all of us were hoping for.… Expand
  41. WXYZ
    Oct 31, 2015
    10
    Brilliant. .
  42. R1TC
    Jun 9, 2015
    4
    I couldn't even finish the album. It's so horribly bland.

    There are a few decent songs, like Psycho, that got my foot tapping, but that was about the fullest extent of the entertainment I extracted from this overlong slogfest. Despite it being a concept album, there is no real story to it, the lyrics are mediocre and the music is much too monotonous. Overall, not a terrible album,    I couldn't even finish the album. It's so horribly bland.

    There are a few decent songs, like Psycho, that got my foot tapping, but that was about the fullest extent of the entertainment I extracted from this overlong slogfest.

    Despite it being a concept album, there is no real story to it, the lyrics are mediocre and the music is much too monotonous.

    Overall, not a terrible album, just a mediocre dissapointment compared to Muse's previous bare-bones efforts. What got me into Muse in the first place was their theatrical campness, which I am not very much into anymore, however I think that they should have just continued in that vein. I have always said that Muse have the chops to make a fantastic concept album - unfortunately, all they managed to give us was a poor man's version of Origin of Symmetry.    … Expand
  43. iagolucas
    Feb 28, 2016
    6
    It's 2016 and still can't fully love this album the way I did with the rest of Muse's discography. They do not sound any different here, and maybe that's exactly the problem. While most artists seek to evolve with their songs by exploring new worlds in their music, Muse decided to 'go back to its roots' and that obsviously didn't work well. The songs aren't bad, they just lack some inovation.
  44. kipp73
    Jun 17, 2015
    3
    Worst Muse album they have released. Many of the tracks feel amateurish, as tho they have been found from archive studio jams / demos. This album lacks creativity and has a lot more "tacky" that i would have ever expected. VERY disappointing
  45. BrainAndSoul
    Jun 13, 2015
    5
    Idea of this album is the best in album. Really, I would listen other versions of Drones or Globalist with this subjects for years. It is vitally, it is interesting and it is beatiful. However, performance, to be honest, was awful. They failed almost every song of this album, which was a potential masterpiece. I don't have any of this songs in my mind, despite the fact that i listened theIdea of this album is the best in album. Really, I would listen other versions of Drones or Globalist with this subjects for years. It is vitally, it is interesting and it is beatiful. However, performance, to be honest, was awful. They failed almost every song of this album, which was a potential masterpiece. I don't have any of this songs in my mind, despite the fact that i listened the whole album yesterday. Or Drones erased it from my mind?… Expand
  46. Pink_Zeppelin
    Sep 25, 2015
    8
    Their fourth best album. I love concept albums in general, but this doesn't quite feel like a real concept album, more like the songs have the same ideas and themes
  47. ellytheverypro
    Apr 24, 2016
    7
    A few songs stand out (Psycho, Mercy, Dead Inside, Mercy, Reapers), but the others were not that special. They have blown a 'Coldplay' and went pop with 'Aftermath' and 'Revolt', and 'The Globalist' was a failed-sequel to 'Citizen Erased'
  48. SocialKebab
    Jun 5, 2016
    6
    At first... This album was a bit of a disappointment but when I started to listen the album even more I started to like it even more and now I just love it somehow! This album contains pure hard rock and brings some stuff from old days from Muse. Every good stuff from every rock album is mashed up to this one album and taste of Muse to it! Nothing can match the perfection of "Origin OfAt first... This album was a bit of a disappointment but when I started to listen the album even more I started to like it even more and now I just love it somehow! This album contains pure hard rock and brings some stuff from old days from Muse. Every good stuff from every rock album is mashed up to this one album and taste of Muse to it! Nothing can match the perfection of "Origin Of Symmetry" but this album got VERY CLOSE to it and I love it!… Expand
  49. owenrw89
    Dec 5, 2016
    7
    Muse learned from their mistakes with 'The Resistance' and 'The 2nd Law'. They returned to their rock roots. They hired the legend - Mr Mutt Lange to help return to this raw sound. Did it work? For the most part yes. Still one too many Queen-esque stadium basics, but overall it's a proper rock record. It'll never quite reach the heights of Origin of Symmetry or Black Holes and RevelationsMuse learned from their mistakes with 'The Resistance' and 'The 2nd Law'. They returned to their rock roots. They hired the legend - Mr Mutt Lange to help return to this raw sound. Did it work? For the most part yes. Still one too many Queen-esque stadium basics, but overall it's a proper rock record. It'll never quite reach the heights of Origin of Symmetry or Black Holes and Revelations in terms of grandeur, but it's good to know they can still deliver a cracking riff instead of a synth.… Expand
  50. Ricko
    Jul 27, 2016
    7
    "Drones" has Muse looking to recover from a low point of their career which saw the albums 2009's "The Resistance" and 2012's "The Second Law" released during a period where the band embraced self indulgence and channelled their inner Queen to the extreme. For me, "Drones" is a return to form and is a successful attempt at the concept album idea. "Drones" is arguably the bands most"Drones" has Muse looking to recover from a low point of their career which saw the albums 2009's "The Resistance" and 2012's "The Second Law" released during a period where the band embraced self indulgence and channelled their inner Queen to the extreme. For me, "Drones" is a return to form and is a successful attempt at the concept album idea. "Drones" is arguably the bands most consistent effort, if not necessarily their best, since their debut. Musically, Muse are rocking out in all their glory for the most part and when they stick to this everything swims along nicely. "Psycho", "The Handler", "Defector" and my own favourite "Revolt" see Bellamy and co raid the riff cupboard, take everything mix it all together. Muse haven't sounded so comfortable playing rock music in nearly a decade. This makes the style of the closing and title track "Drones" a real let down. Thematically, the military ideas, paranoid concepts and overall conspiracy theories on which the album is based is becoming less and less wacky in this era of Snowden and the like. A return to form and the bands best work since "Black Holes and Revelations".… Expand
  51. Argeon
    Nov 13, 2015
    7
    A very respectable album. It's a mixed bag, but when you get something good, you dig out gems that are sure to be new classics. The Handler, The Globalist, Reapers - there are plenty of good songs intertwined with some mediocre songs (Revolt, especially - to a lesser extent, Mercy and Defector).

    However, I do enjoy this album for what it is. It's certainly better than The 2nd Law, and    A very respectable album. It's a mixed bag, but when you get something good, you dig out gems that are sure to be new classics. The Handler, The Globalist, Reapers - there are plenty of good songs intertwined with some mediocre songs (Revolt, especially - to a lesser extent, Mercy and Defector).

    However, I do enjoy this album for what it is. It's certainly better than The 2nd Law, and it is more serious in tone compared to previous works. If I had to describe it compared to other albums, I think it mixes the angst of their earlier works with the sophistication of The Resistance.

    A step in the right direction, and definitely worth a purchase for a Muse fan.    … Expand
  52. Scratch
    Jan 23, 2017
    6
    It's hard to explain what kind of album Drones is. It is half Origin of Symmetry, half The Resistance. For every great headbanging moment that reminds you of why Muse is great, there is another moment that makes you question their intentions. Yes, it is a concept album, probably their most structured one since Absolution (and perhaps more-so), but the story-telling tropes of love and lossIt's hard to explain what kind of album Drones is. It is half Origin of Symmetry, half The Resistance. For every great headbanging moment that reminds you of why Muse is great, there is another moment that makes you question their intentions. Yes, it is a concept album, probably their most structured one since Absolution (and perhaps more-so), but the story-telling tropes of love and loss just don't fit in here. Musically, it is mostly a good album, but there are moments that are just so wacky, I have to move on.… Expand
  53. eagleeyeviking
    Jul 16, 2016
    7
    Despite occasionally preachy lyrics, Drones narrates a compelling and thought provoking idea while sporadically unleashing deadly anthems and strong tunes.
  54. sambuu
    Sep 29, 2016
    10
    Muse really improved on this album. More guitar riffs, more meaningful lyrics, more rock album. Matt said in interview : "we back to traditional rock from electronic rock". He's right
  55. bigme666
    Jun 18, 2015
    9
    Ok I admit it: when I listen to a new MUSE album I'm a bit biased. I think that most MUSE's albums, even the successful ones, suffer a lack of completeness. Half the songs are really good and a third of the remaining sound generally mediocre. This is true for Absolution as well as for TSL and OOS, IMHO. This "Drones" has a good average quality, even if the theme of the album isOk I admit it: when I listen to a new MUSE album I'm a bit biased. I think that most MUSE's albums, even the successful ones, suffer a lack of completeness. Half the songs are really good and a third of the remaining sound generally mediocre. This is true for Absolution as well as for TSL and OOS, IMHO. This "Drones" has a good average quality, even if the theme of the album is kaleidoscopic: it goes from Depeche Mode electro wave atmospheres, to Marilyn Manson's (yes HIM), or, better, John5's heaviest riffs, from the Queen and Bowie's glam ando prog style to Bacalov's and Morricone soundtracking. Bellamy's lyrics are a bit childish and the concept becames weaker and confusing as the songs go by. But "Drones" satisfies me more and more each time that I listen to it. It's catchy and heavy, melodramatic and rude, even prolix (read: the Globalist). That's exactly what I expect from MUSE.… Expand
  56. epinevalery
    Jun 22, 2015
    9
    I like more the second part of the album then the first (except "dead inside"). It brings to mind Exogenesis from Resistance. Reapers and Defector are from the instrumental improvisations of the past, and don' t really like them/ The guitar is brilliant as usual, orcestra joys, with electro it creates powerful sound effects. The Globalist and Drones are very original and memorable. InI like more the second part of the album then the first (except "dead inside"). It brings to mind Exogenesis from Resistance. Reapers and Defector are from the instrumental improvisations of the past, and don' t really like them/ The guitar is brilliant as usual, orcestra joys, with electro it creates powerful sound effects. The Globalist and Drones are very original and memorable. In two words, interesting work,that listened with pleasure.… Expand
  57. cperric
    Jun 26, 2015
    9
    Quite a musical journey. Certainly an album to buy if you liked the last two.

    Although the second-to-last track entitled "The Globalist" has been reported as not part of the main story, I like to imagine it as an alternative, much more darker ending to the story.
  58. wl8291
    Aug 7, 2015
    5
    Damn it, Muse! With the exception of "Mercy" and "Revolt," I found this album to be derivative and depicting a theme that has been done again and again... Plus, I think "The Globalist" actually offends me, as the wannabe "Paranoid Android" it seems to try to go for...
  59. LeFelixBrown
    Jul 26, 2015
    6
    I won't let the fact that I'm a Muse fan cloud my judgement here. Drones is, and it will come as no surprise to anyone when I say this, not one of Muse's best efforts - I would probably call it Muse's worst album to date. That being said, I do think that the song-writing in terms of the music on this album is some of the best the band have produced in a while - especially tracks likeI won't let the fact that I'm a Muse fan cloud my judgement here. Drones is, and it will come as no surprise to anyone when I say this, not one of Muse's best efforts - I would probably call it Muse's worst album to date. That being said, I do think that the song-writing in terms of the music on this album is some of the best the band have produced in a while - especially tracks like Defector, Reapers, Psycho, and Drones - with the occasional misfire in songs like Mercy, Revolt and Aftermath. The albums major problem here is Matt Bellamy's lyrics - the lyrical quality of Muse's songs have been dwindling ever since Resistance, but even so, the lyrics here are pretty diabolical. This is what brings some of Muse's best songs on this album to a grinding halt. Tracks like these make you want to fist-bump and scream, but you soon find yourself dragged down by the relentlessly cheesy and ill-placed chants of "drones" which don't so much as echo throughout the album as plague it. We get it, Matt - drones are bad, and society is corrupt - but there is such a thing as subtlety. In truth, it sounds like Muse were so focused on making an interesting concept for their album, that they failed to give their songs the requisite lyricism to successfully plant songs like Psycho in the canon of Muse's most celebrated works. That being said, I cannot deny that I had actual fun listening to this album. For what it's worth, it sounded like an album done by a band who just wanted to have fun - and as such, we are having fun too. If you don't pay attention to the lyrics and just want to be reckless, then Drones is a success. However, if you're looking for Muse's signature bombastic storytelling, may I suggest sticking with their pre-Resistance discography.… Expand
  60. Gabrielb24
    Aug 31, 2022
    8
    Personally I like this album. The critic wise it feels like misses it mark especially if you tried to listen each song as a single like revolt or defector. I think as a concept album Muse was going in the right direction even though I think would have been better as a rock opera like Pink Floyd’s The Wall or The Who’s Tommy.
  61. Wishmast3r
    Sep 22, 2015
    1
    The album couldn't be worse. The melodies are bad and the chosen theme is also the worse they could have choose..... Drones? Seriously? I can't believe that Muse made such a sh+tty album.
  62. rydenmederos
    Jan 31, 2016
    9
    To really appreciate this album and Muse as a band, you HAVE to see them live. I just saw the Drones tour in Newark, and I was so blown away. It was so amazingly performed, and you can truly hear the resonance of their sound. The message of this album is also so timeless and especially so perfect for the current state of the world. With a rich and heavy rock sound, and a clear meaning,To really appreciate this album and Muse as a band, you HAVE to see them live. I just saw the Drones tour in Newark, and I was so blown away. It was so amazingly performed, and you can truly hear the resonance of their sound. The message of this album is also so timeless and especially so perfect for the current state of the world. With a rich and heavy rock sound, and a clear meaning, this album honestly topped so many other albums for me. Love.… Expand
  63. Bert08
    May 14, 2016
    1
    One of the most useless album in history. Especially if coming from a incredible band like Muse. I think they should stop making records and tour with old songs. It's the second failure in a row.
  64. YT_Guyyy
    Apr 6, 2017
    9
    When I heard Psycho I thought: "Alright, it's weird. Bad lyrics but good overall". None of that changed with the rest of the album, except some of the the songs got worse. There's the annoying whine in Dead Inside, the overall just being kinda bad in Mercy, the too long, lyrically and musically EH song that is Reapers, and the a large bit of the rest of the album is pretty **** except forWhen I heard Psycho I thought: "Alright, it's weird. Bad lyrics but good overall". None of that changed with the rest of the album, except some of the the songs got worse. There's the annoying whine in Dead Inside, the overall just being kinda bad in Mercy, the too long, lyrically and musically EH song that is Reapers, and the a large bit of the rest of the album is pretty **** except for Drones, which is decent. All of these problems bother me, but I can kinda look past them, and see it as a semi-decent Muse album.… Expand
  65. CoreIsNotMetal
    Dec 4, 2016
    7
    Dead Inside: 4.1 / 5
    Psycho + (Drill Sergeant): 3.5 / 5
    Mercy: 4.1 / 5 Reapers: 4.6 / 5 The Handler: 4.0 / 5 The Defector + (JFK): 3.7 / 5 Revolt: 3.0 / 5 Aftermath: 4.1 / 5 The Globalist: 4.0 / 5 I was so hyped for this album even though Muse released most of the songs on Youtube. I love everything in this album from the tone to the face-melting solo of Reapers apart from one    Dead Inside: 4.1 / 5
    Psycho + (Drill Sergeant): 3.5 / 5
    Mercy: 4.1 / 5
    Reapers: 4.6 / 5
    The Handler: 4.0 / 5
    The Defector + (JFK): 3.7 / 5
    Revolt: 3.0 / 5
    Aftermath: 4.1 / 5
    The Globalist: 4.0 / 5

    I was so hyped for this album even though Muse released most of the songs on Youtube. I love everything in this album from the tone to the face-melting solo of Reapers apart from one thing... the lyrics... my god are the lyrics terrible in this album. Would've been a perfect score had Bellamy not decided to sing about "Yellow Bellies".    … Expand
  66. Gamesearcher1
    Aug 29, 2019
    5
    The most guitar-tinged album they’ve put out this decade, Drones is certainly Muse’s best since Black Holes. But that doesn’t make it any better. The quality of the album drops substantially after halfway through, and it begins its extremely bland slow section, and Muse doesn’t have a knack for slower tunes the same way they do with the louder ones.
    Favourites: Reapers, The Handler, Dead    The most guitar-tinged album they’ve put out this decade, Drones is certainly Muse’s best since Black Holes. But that doesn’t make it any better. The quality of the album drops substantially after halfway through, and it begins its extremely bland slow section, and Muse doesn’t have a knack for slower tunes the same way they do with the louder ones.
    Favourites: Reapers, The Handler, Dead Inside
    Least Favourites: The Globalist, [Drill Sergeant]    … Expand
  67. johnfisherman
    May 18, 2018
    10
    the only song I can't stand from this album is mercy, it's kind like starlight but with a bad and unispiring chorus. but this problem is overshadowed by the rest of the album. songs like reapers, aftermath and the handler simply and all the others are near perfetc like 9.510. it's a shame that's its graded that low.
  68. antonio7
    Nov 10, 2018
    10
    Es una álbum muy completo de los mejores de muse empezamos con dead inside una canción excitante a la vez pesada psycho muy pesada estilo Muse mercy hay algo quizás el intro del piano reapers también estilo que los caracteriza junto con the handler y detector aftermath muy relajante con un solo de dioses para terminar de las mejores del disco the globalist es simplemente una obra conEs una álbum muy completo de los mejores de muse empezamos con dead inside una canción excitante a la vez pesada psycho muy pesada estilo Muse mercy hay algo quizás el intro del piano reapers también estilo que los caracteriza junto con the handler y detector aftermath muy relajante con un solo de dioses para terminar de las mejores del disco the globalist es simplemente una obra con drones pareciendo que Matt canta opera muy buen disco … Expand
  69. Pheenic
    Jan 21, 2021
    5
    While this album does have really good rock vibes, it doesn't really have their usual sound. Its missing what makes Muse Muse. There are still some really fantastic tracks on here, but the worst of the album brings down the whole thing.
  70. DuqueneJustin
    Aug 3, 2020
    10
    One of muse's best album if not the best! This three piece band shines in the dark tone that carries that album by telling the story of a dystopian world that our our is turning too. From the beginning of the album by the powerful Dead Inside, to the mind-blowing Reapers that à and up until the last sonh, that album is a true masterpiece.
  71. Javidus
    Aug 28, 2020
    10
    Es mi álbum favorito, me encanta que sea mas rock, tiene unas excelentes canciones, dead inside es hermosa y the globalist wow!
  72. DonldTrump_45Th
    Jan 26, 2023
    10
    Hello, this is a default review because i'm forced to use 75 characters. I'll edit this review in the future talking about the game, don't worry ;)

    My final rate is: 10

Awards & Rankings

20
#20 Most Discussed Album of 2015
44
#44 Most Shared Album of 2015

Critic Reviews

All reviews »
Metascore
63

Generally favorable reviews - based on 25 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 25
  2. Mixed: 13 out of 25
  3. Negative: 3 out of 25
  1. Under The Radar
    Jul 21, 2015
    20
    Muse have always been ridiculous and overblown, but at least they used to be a ton of fun.
    Read full review
  2. Mojo
    Jul 6, 2015
    40
    This feels like production line Muse: big riffs, bass squelches, conspiratorial dialogue, but few new ideas. [Aug 2015, p.88]
  3. No Ripcord
    Jun 30, 2015
    20
    Aside from a few crunching riffs and a smattering of neat melodies, there’s very little to recommend within Drones.
    Read full review
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