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Forget what you know about this guy and it'll come off like a decent, and rather efficient, little goth-pop record.
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There's nothing quite as immediate or fantastic as 'Disposable Teens' here, but the album on the whole is a triumph.
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The songs and Ziggy guitar solos are more accessible than usual. Manson can croak like an undead, but can't sing to save his life.
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Eat Me, Drink Me lacks menace... Still, [it] boasts a clutch of Goth-rock numbers that, if not evil per se, are still devilishly good.
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This album sees him rising from the hordes of spider-black hoodies, becoming a musical force beyond the Download ticket-holders.
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Despite some spooky background noises, the music leans toward a glam-gone-grim style, reverting to a sound that predates Marilyn Manson’s past industrial-rock stomps.
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Not since "Mechanical Animals" (1998) has he stared within so unblinkingly; the focus pays off in conflicted, nuanced singing that makes some of his past rage sound rote.
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BillboardThere are only a couple of songs with enough impact to avoid boring people who catch the band on tour this summer. [9 Jun 2007]
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He has spectacularly failed to make an album that has any bite.
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It's a modernized version of Marilyn Manson: heavier guitar, a touch of neo-thrash, and some metalized Bravery-style new-wave pop.
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Eat Me, Drink Me is a bona fide creative rebirth.
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The results are too often less-than-inspiring, and our Marilyn’s music has not established the sort of consistency required to atone for this lack of drama.
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There aren't really any Beautiful People-type moments, only a collection of songs that work surprisingly well as a kind of musical diary for a performer who has finally acknowledged that he's not the threatening icon he once was.
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Among Manson's most compelling records.
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Mercifully, this album shouldn’t even be a footnote – it’s no nadir, for sure, but it sure isn’t any good.
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UncutMusically, affairs lack Manson's customary anthemic poise, but tracks like "Heart-Shaped Glasses" draw on Berlin-era Bowie and Iggy's The Idiot with brooding panache. [Jul 2007, p.107]
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Put simply, this is B-Movie rock: from the death rattle vocals, to the clichéd riffs and hackneyed subject matter.
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It's not his best effort, but it's the perfect mood setter for your midnight absinthe and auto-erotic asphyxiation party.
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Like his best work, Eat Me, Drink Me is as fun as it is cartoonishly scary.
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His career for the last decade is basically that of a chicken with its head lopped off, running around the coop unawares whilst coughing up a never-ending stream of blood. If you couldn’t guess, Eat Me, Drink Me is where the fowl finally falls over and collapses in a pile of its fellow poultry’s fecal matter.
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BlenderManson's music still evokes decay, but he sounds more fertile than ever. [Jul 2007, p.116]
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Spin[It] scales back the Weimar guignol of 2003's The Golden Age of Grotesque in favor of classic industrial and glam. [Jul 2007, p.98]
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The album is a stunningly lackluster, impersonal anti-work.
Awards & Rankings
User score distribution:
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Positive: 97 out of 141
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Mixed: 24 out of 141
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Negative: 20 out of 141
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EmaA.Jul 10, 2007
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JennerB.Sep 7, 2007
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BLAug 7, 2007