• Record Label: Republic
  • Release Date: May 18, 2018
Metascore
71

Generally favorable reviews - based on 9 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 9
  2. Negative: 0 out of 9
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  1. May 17, 2018
    80
    Bay never seems like he's pandering; he sounds thrilled that he has a chance to make the kind of layered, genre-bending pop that he wants to make, and listeners may well find that freedom alluring.
  2. Q Magazine
    May 16, 2018
    80
    This follow-up displays an admirable desire for transformation. [Jun 2018, p.111]
  3. May 16, 2018
    80
    This adds up to a solid album that presents as an immediate difference to what went before, even if it does not roam too far from the grounds of its creator’s past. That certainly doesn’t mean it can’t be enjoyed. Electric Light is a thoroughly immersive ride that shows James Bay has plenty of ideas brimming in that now hatless head.
  4. May 18, 2018
    75
    For all the gloss and floss that accompanies the release of Electric Light, Bay is still very much at home in the earnest ruminations and folk-rocky tones of his debut, only now with higher production values and more bounce to the ounce. With that, “Electric Light” has the feel of a transitional effort; one that safely dips its toe in the cool Ocean front of soul synth-phonica, while maintaining Bay’s clay feel and rootsy emotionalism.
  5. May 30, 2018
    70
    While producer Paul Epworth’s contribution is accomplished, adding a dynamism that maintains our attention throughout, the record seems to lack an underlying theme. Bay has been a bit too clever for his own good, and on Electric Light fails to latch onto a identity that makes him truly unique.
User Score
7.8

Generally favorable reviews- based on 45 Ratings

User score distribution:
  1. Positive: 38 out of 45
  2. Negative: 4 out of 45
  1. May 18, 2018
    9
    Certainly a different direction here on this album. There's a variety of sounds coming in on this album, a lot more R&B and 80's Pop RockCertainly a different direction here on this album. There's a variety of sounds coming in on this album, a lot more R&B and 80's Pop Rock sound. There are quite a few very good songs, including Pink Lemonade, Wild Love, Us and Just One Night. Solid record overall, and one of the most refreshing albums of the year so far. Full Review »
  2. May 18, 2018
    6
    A notable follow up attempt at creating a sound that is fuller, bigger, newer, and maturer than his first album. Unfortunately, it feels likeA notable follow up attempt at creating a sound that is fuller, bigger, newer, and maturer than his first album. Unfortunately, it feels like the artist was a bit too ambitious, trying to incorporate every popular sound out there, from electronic sounds, vintage 80's vibes, raw southern rock, to even some Chance the Rapper gospel feelings. The album feels a bit too pretentious, and a little to quick to try to please, as the artist anxiously keeps shifting and pulling out new tricks to keep the listener entertained...just as the song was starting to sit nicely. Even the closing song had great potential to be pure, and unpretentious, before a monologue comes out and instantly taints the song. There is great spirit, and I love the youthful ambition that can clearly be felt -- especially in a sophomore album. But all smoke and mirrors production tricks aside, when I think about the album from purely a musical standpoint... I can't really point out anything musically excellent or distinct. Very lastly, James Bay has a fantastic voice... I just wished that it wasn't so drowned out by the production in the album. Could have mixed so that his voice was a bit stronger and up front in the mix. But that is solely a personal preference. However, I'm excited to see what direction he will take in his following album. Too soon to say? Full Review »
  3. Sep 9, 2018
    10
    Coming off his 2015 debut, "Chaos and the Calm," James Bay has shown a ton of growth. This 14-track rock/soul influenced record has been a joyComing off his 2015 debut, "Chaos and the Calm," James Bay has shown a ton of growth. This 14-track rock/soul influenced record has been a joy to listen to. Although many may think changing from indie-folk to a heavier rock/R&B sound is a bad idea, I think it is a great idea. With punchy rock jams like 'Pink Lemonade,' 'Sugar Drunk High,' and 'Wasted On Each Other,' show how this new style Bay has come upon really suits him. Other ballads like 'Slide,' 'Wild Love,' and 'Us,' it gives a callback to his 2015 release. In the end, this Rollingstones-Clapton influenced album is one full of bangers and no one can deny that. Full Review »