ERYS

Masquerading as a complement to SYRE, ERYS is a near replica of Jaden's previous effort, whose similarities run too close to repetition to make a true impact. The four-song arc that introduces the album (the "PINK" to SYRE'S "BLUE") doesn't quite hold the same ingenuity the second time around.

On the surface, it’s an overwhelmingly average album, and if you were to strip away all the unnecessary intermissions and segue ways, it’d probably venture into plus territory. As it is, however, it’s a futuristic skyscraper of an album that lacks the foundation to keep from collapsing, and the more you buy into his staggering concept, the more likely you are to come away disappointed.

Beyond a few other fleeting moments of experimentalism on ERYS—the second half of “K,” when the buzzing of an electric razor slowly morphs into a heaving trap beat, or “Fire Dept,” a decent ode to the fast and distorted energy of SoCal punk—it’s mostly a slog, the sound of an artist with a blurry vision and too many resources at his disposal.