- Critic score
- Publication
- By date
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In keeping it complex, shy and out of the ordinary, Broder has accomplished a composition of delicate and post-modern-day-genius proportions.
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One of the best and most refreshing albums released in a long time.
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FilterBroder has created his own brand of amalgamated Americana: moody, mixed up and damn beautiful. [#6, p.85]
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Surprisingly personal and emotionally resonant, Ether Teeth is potent inspiration stretched perhaps too thin, but undeniably captivating in its moments of brilliance.
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The sound is small scale, but the bewildering range of styles shows he thinks big - listen with your brain plugged in.
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A record that practically demands a set of headphones to fully appreciate it; concentrated listening is the only way to reconcile the long passages of ambience with the bracing pop songs that often interrupt.
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Q MagazineExhausting, but borderline brilliant too. [May 2003, p.102]
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MagnetUneasy listening, certainly, and not for the cursory-minded. [#59, p.94]
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The WireFor all the homemade, quirky charm on show here -- and the album has plenty of wide open, lyrical moments -- Ether Teeth leaves behind a lingering, moody, melancholy aftertaste. [#231, p.60]
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Alternative PressAn impressive, albeit highly schizophrenic, release that takes multiple listens to even begin to comprehend. [June 2003, p.98]
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UncutHis twittering creations... use hip hop as their base but defy all attempts at categorisation and recall artists as diverse as Keith Jarrett, DoseOne and Smog. [Jun 2003, p.104]
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Broder puts art before music -- as if he's recording an audio version of a painting.