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Father of All… Image
Metascore
68

Generally favorable reviews - based on 25 Critic Reviews What's this?

User Score
5.6

Mixed or average reviews- based on 135 Ratings

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  • Summary: The 13th full-length studio release for the Northern California punk trio was produced with Chris Dugan and Butch Walker.
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Top Track

Meet Me on the Roof
I'm crawling on the dance floor (Dance floor) I think I lost my phone Feeling like a toothache (Toothache) My face is going numb I beg 1000... See the rest of the song lyrics
Score distribution:
  1. Positive: 15 out of 25
  2. Negative: 2 out of 25
  1. 90
    Father of All Motherfuckers is a danceable, feel-good pop album with some really stellar songwriting and, after the impotent Revolution Radio and the ludicrous ¡Uno!, ¡Dos!, ¡Tré! trilogy, seeing Green Day branch out a bit and succeed at something different is refreshing. It’s a sign of artists with a great deal of range and imagination who are far from done surprising us.
  2. Q Magazine
    Feb 4, 2020
    80
    By its very nature, Father Of All... is slight compared to a sprawling magnum opus such as 2009's 21st Century Breakdown, but it's close to impossible to emerge from its rapid-fire near-half-hour without a smile on your face. [Mar 2020, p.112]
  3. These songs feel like the bratty little brothers of the likes of ‘Castaway’ and ‘Blood, Sex And Booze’ from 2000’s ‘Warning’, but with more of a snarl and a need for speed.
  4. Uncut
    Feb 4, 2020
    70
    Fuses the hormonal aggression that put Green Day on the map with punched-up modern-day production courtesy of Butch Walker and a razor-sharp mix by Tchad Blake. [Mar 2020, p.29]
  5. Feb 7, 2020
    60
    Green Day’s 13th studio album set sees them step outside of their comfort zone, experimenting with a range of new sounds and styles. However, this leads to mixed results.
  6. Feb 18, 2020
    50
    Certain songs try to recapture their old glory, while others feel like an embarrassing pop ploy—but the most consistent feeling is pure disappointment. Even when Green Day is supposedly having fun here, they sound tired and overworked at best.
  7. Feb 18, 2020
    20
    Green Day have become the very thing they once despised: buck-chasin’ mild boys of mayonnaise corporate rock.

See all 25 Critic Reviews

Score distribution:
  1. Positive: 31 out of 62
  2. Negative: 21 out of 62
  1. Feb 18, 2020
    10
    The best punk rock band, Green Day, is back. And he does it with a great album, possibly the best of his genre in this 2020
  2. Feb 7, 2020
    10
    Great songs, great lyrics, great music, great production, great Green Day record as se didn’t have in a while.
  3. Feb 7, 2020
    10
    Look, this is the best album this band released since 21CB. It’s short, but is a short, sweet, neat, adrenaline shot. The production andLook, this is the best album this band released since 21CB. It’s short, but is a short, sweet, neat, adrenaline shot. The production and mixing is on top of everything, the songs are bangers, and they are so diverse. Great work from a band that has been around for over 30 years. Not something it could have been easy to expect from Green Day in 2020, in a really positive way. Expand
  4. Feb 7, 2020
    6
    I've been a Green Day fan for a long time now, back when I heard Holiday and Boulevard blasting on 2005 radio. They meant a lot to me duringI've been a Green Day fan for a long time now, back when I heard Holiday and Boulevard blasting on 2005 radio. They meant a lot to me during my formative years of music and adolescence, even if their music has lost that urgency and adrenaline. Father of All... is a mixed bag for me. Better than the Trilogy, not as good as Revolution Radio, which hasn't aged all too well after it's initial release. I do appreciate the lean meat-and-potatoes approach of the album and making a pure rock-n-roll, or what constitutes as rock-n-roll these days with a mainstream mainstay like Green Day, but with the short run-time and the polish sheen sounding more like it wants to be played for car commercials or iPhone commercials, it feels more like a compromise for the major labels. Some of the energetic songs are good like the title cut, Sugar Youth, and Oh Yeah!, and the throwback to garage rock felt more energetic compared to Dos, and without a cringe worthy rap rock song, however so much of the clapping and very clear dad rock blueprints, it's more of an album with singles rather than anything truly cohesive. This will probably do well with licensing than upon repeated re-listening. As for me, I still have Dookie and American Idiot to come back to. Maybe every so often I will for this album. Expand
  5. Feb 18, 2020
    5
    I have 22 years as a Green Day fan and I will always support them, I can also appreciate when a band tries something that could be consideredI have 22 years as a Green Day fan and I will always support them, I can also appreciate when a band tries something that could be considered different but frankly this album offers nothing worth remembering.
    The songs lack imagination and direction.

    If you tell me that these 26 minutes of music is the best that Green Day can offer after almost 4 years, then maybe they should start reconsidering their future as a band.

    Billie Joe Armstrong is two years away of turning 50, you have to know when you should stop writing songs like if you were a teenager.
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  6. Feb 7, 2020
    2
    Billie has truly run out of things to say. Which I don't fault him for after 13 albums but. Cmon man.
  7. Feb 17, 2020
    0
    this album sounds like a lot of different bands, but not one of them being green day. at least not anywhere close to quality green day. it’sthis album sounds like a lot of different bands, but not one of them being green day. at least not anywhere close to quality green day. it’s certainly not their best, but its also not the worst. I think its just slightly better than the trilogy. I am honestly confused that so many people enjoyed it, but who am I to tell you what to like. objectively though, this is one of green day’s most weakest and mixed albums. the lack of songwriting, unoriginality, and overproduction makes this short album feel like hours, in a bad way. Expand

See all 62 User Reviews