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- Summary: The second full-length release for British synth-rock band Working Men's Club was produced by Ross Orton.
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- Record Label: Heavenly
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 9 out of 9
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Mixed: 0 out of 9
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Negative: 0 out of 9
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UncutJul 14, 2022This push-pull between melody and twisting beats, veering back and forth between dark and joyous moments, is the crux of this excellent album, one that glides snappily between acid electro, synth-washed indie, crunchy pop and dance-floor rippers. [Aug 2022, p.36]
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Jul 14, 2022With ‘Fear Fear’, WMC already have a signature viewpoint all of their own - the fun is in seeing how they continue to play with it.
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Aug 1, 2022Their ability to drop a pop banger has been proven already – they can do it – but they just find reimagining what Cybotron would sound like as a future-punk band, and that exploration in sound proves to be a gripping listen here.
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MojoJul 14, 2022At best, Fear Fear is as compact and airless as its title, an existential crisis dancing in warm leatherette. [Aug 2022, p.87]
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Jul 18, 2022The album tells its own superbly structured story, bathing in synthesis and heavily grounded in the contexts of lockdown, while allowing these very contexts to steer the process beyond angst and towards a utopian catharsis.
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Jul 26, 2022Their ability to drop a pop banger has been proven already – they can do it – but they just find reimagining what Cybotron would sound like as a future-punk band, and that exploration in sound proves to be a gripping listen here.
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Jul 22, 2022Working Men's Club dig even deeper into their black disco ball aesthetic, crafting an album full of acidic electronica that straddles the line between atonally robotic industrial music and dancefloor-friendly post-punk.
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