• Record Label: RCA
  • Release Date: Aug 30, 2019
User Score
8.0

Generally favorable reviews- based on 733 Ratings

User score distribution:
Buy Now
Buy on

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Apr 11, 2022
    8
    Хороший альбом, в духе старых Tool. Конечно это не лучшая их работа, слышны наработки Lateralus/10 000 Days, до уровня темного звучания моего любимого альбома у них – Ænima он конечно не дотягивает. Но Fear Inoculum совсем другой альбом. Альбом мужиков за 50, которые прожили большую часть жизни, они больше ушли в философию "Reflection", чем в драйв "Stinkfist" и это можно понять. Tool неХороший альбом, в духе старых Tool. Конечно это не лучшая их работа, слышны наработки Lateralus/10 000 Days, до уровня темного звучания моего любимого альбома у них – Ænima он конечно не дотягивает. Но Fear Inoculum совсем другой альбом. Альбом мужиков за 50, которые прожили большую часть жизни, они больше ушли в философию "Reflection", чем в драйв "Stinkfist" и это можно понять. Tool не пытаются сделать что-то новое, но всё же это хороший альбом, он монолитен, содержит их проверенные и цепляющие ходы. Стоили ли эти 13 лет ожиданий? Думаю, что да, но в силу стольких лет, ожидания фанатов были явно завышены, поэтому и оценки настолько полярные. Если воспринимать это на холодную голову – альбом удался, но несколько затянут. Вещи вроде culling voices не настолько сильны, явно могли бы быть короче. Expand
  2. Jul 1, 2021
    10
    i am a big proghead, and this album is a wet dream for someone like me. Other people needed to sit on this album for a bit in order to actually start to appreciate it, but when i first listened to the album i knew this was going to be my favorite album of all time immediately, which it did become. This album is pretty much perfect. The digital release's linking tracks are kind ofi am a big proghead, and this album is a wet dream for someone like me. Other people needed to sit on this album for a bit in order to actually start to appreciate it, but when i first listened to the album i knew this was going to be my favorite album of all time immediately, which it did become. This album is pretty much perfect. The digital release's linking tracks are kind of irritating, but the actual tracklist is an absolute eargasm. I'm fairly certain Invincible's bass solo made me cream my pants lol Expand
  3. Mar 21, 2021
    4
    A bloated and boring mess. Every riff gets milked a hundred times over (even if it's not that great to begin with), the songwriting has no real direction or purpose, the music comes to an almost complete stand-still WAY too often, there are tons of superfluous keyboard parts and sound experiments, the interludes range from non-sensical to atrocious, and maybe worst of all, there is next toA bloated and boring mess. Every riff gets milked a hundred times over (even if it's not that great to begin with), the songwriting has no real direction or purpose, the music comes to an almost complete stand-still WAY too often, there are tons of superfluous keyboard parts and sound experiments, the interludes range from non-sensical to atrocious, and maybe worst of all, there is next to no emotion, tension, and drive in the music.

    The musical performances on display here are amazing, sure, but unfortunately, they don't add up to a captivating end-product.

    So, it pains me to say that this is the worst Tool record, by a LONG SHOT. All it reliably achieves is putting me to sleep.
    Expand
  4. Feb 12, 2021
    8
    Although in 2019 I had a great listen, now I can tell why this album wasn't that received well with fans. It is their most uninspired record to date, but like with any TOOL record, I like this record as much as the next.
  5. Oct 1, 2020
    10
    Amazing album full of psychedelic pieces. The level of musicianship is at an all high.
  6. Jul 6, 2020
    8
    Not a bad album, but for 13 years to make music, the album feels like it lacks much of its originally, most of the music feels like it's been taken from Lateralus and lengthened, and some riffs are reused, like the riff from Jambi is used in invincible, just slowed down. The songs definitely aren't aren't bad, but some of them feel like they drag on. I'm certainly disappointed, but it'sNot a bad album, but for 13 years to make music, the album feels like it lacks much of its originally, most of the music feels like it's been taken from Lateralus and lengthened, and some riffs are reused, like the riff from Jambi is used in invincible, just slowed down. The songs definitely aren't aren't bad, but some of them feel like they drag on. I'm certainly disappointed, but it's not bad at all. It's still a solid album, it's just not Tool solid.

    Update (07/06/2020): After almost year of listening, I'd have to say these songs have grown on me quite a bit. A few of the songs have worked their way up as some of my favorites. Descending for example has arguably the best bass-line of any Tool song. Updating from 7/10 to an 8/10.
    Expand
  7. Jun 23, 2020
    9
    Tool's comeback is widely welcomed. And this album is really immersive from start to finish.

    Some parts are a little repetitive, but that is no major problem.

    fantastic album!
  8. Jun 5, 2020
    9
    I previously had this album at a 3, however, I have given it more listens and definitely more dedicated listens. Trying to rate a Tool album in pieces is just not fair. It must be ingested in one full sitting to fully appreciate. If you are a fan of Tool then you’ll like this newest release.
  9. Apr 26, 2020
    3
    Other bands that have been gone for a long time that have made substantial comebacks, have reinvented the wheel.

    Unfortunately, Tool have not. There is nothing in here that wasn't on 10,000 days or their back catalogue, experimentation is at an all time low, and has a serious uninspired sound to it.
  10. Apr 25, 2020
    7
    Tool has given the world some of the finest progressive music since the drum was invented. However, they went too technical here. It's missing something. This is an album that's all head and little heart. I wish it had the energy of their earlier work. The last track, 7empest, comes closest to that energy. There are some fine moments that appear in a few other songs too. It will beTool has given the world some of the finest progressive music since the drum was invented. However, they went too technical here. It's missing something. This is an album that's all head and little heart. I wish it had the energy of their earlier work. The last track, 7empest, comes closest to that energy. There are some fine moments that appear in a few other songs too. It will be interesting. But don't expect it to be moving. Expand
  11. Apr 16, 2020
    10
    Fear Inoculum sounds like TOOL, the feeling, the sounds, the production, the visuals are all TOOL. I do not think this will make the TOON fanbase grow, because this is not their most accessible album. But then again the hype surrounding this record has been overwhelming, and that might lead new followers to TOOL.
    Fear Inoculum demands a lot from the listener, and the 10+ minutes song are
    Fear Inoculum sounds like TOOL, the feeling, the sounds, the production, the visuals are all TOOL. I do not think this will make the TOON fanbase grow, because this is not their most accessible album. But then again the hype surrounding this record has been overwhelming, and that might lead new followers to TOOL.
    Fear Inoculum demands a lot from the listener, and the 10+ minutes song are all capable of mesmerizing the listener if the person listening is patient. Patience might be not be the thing in 2019, but try it, and you will be rewarded.

    Personally I think the songs are awesome and much better than I had hoped and for me it adds a lot to the legacy of TOOL.
    Expand
  12. Mar 11, 2020
    7
    this album is a progressive beast . It is long and complex. While that could be a diminishing factor in accesibility, it does work brilliantly in good hands.
    The album is made of 6 real songs and 4 interludes (one of these is a battery solo). The songs are long and heavy, they're complex and have the time to breathe, morph and develop
    The band is on its best performance: Danny is a
    this album is a progressive beast . It is long and complex. While that could be a diminishing factor in accesibility, it does work brilliantly in good hands.
    The album is made of 6 real songs and 4 interludes (one of these is a battery solo). The songs are long and heavy, they're complex and have the time to breathe, morph and develop
    The band is on its best performance: Danny is a complete beast!!! In fact, this might be one of the best drumming albums ever made, it's just brutal. Songs tend to develop into extended jams, those might be good if you're in the right mindset .
    As for the cons... MJK is well past its prime, he does it ok here, but not as outstanding at he was before
    Clean vocals are mellower they´ve ever been, and agressive vocals are just limited to one track
    As of today, i feel this might be a 7 for me, but it may change (as all Tool albums)
    Highlights: Pneuma, Invincible, Descending, 7empest
    Expand
  13. Feb 14, 2020
    0
    Made an account just to leave a review on this album and hopefully save a few tool fans some of there must valuable time. Firstly ill start with the good parts of the album; the tittle track
    thats pretty much it rest of it is poorly produced and only has the decent reviews it has becasue of tools long time STANS
  14. Feb 3, 2020
    10
    YES! It's here and it's amazing. Let's get them out of the way and say that the interludes are really cleverly and creatively made and they do have a creepy, trippy, nice vibe. Now, the 7 tracks that Fear Inoculum comes with are really amazing as they come up with different vibes than the other seen before, although 7empest and Invincible do share lots in common with the older Tool tracks,YES! It's here and it's amazing. Let's get them out of the way and say that the interludes are really cleverly and creatively made and they do have a creepy, trippy, nice vibe. Now, the 7 tracks that Fear Inoculum comes with are really amazing as they come up with different vibes than the other seen before, although 7empest and Invincible do share lots in common with the older Tool tracks, they have completely different meanings and vibes and are of other complexity. So in my opinion all 7 tracks are great and I'm going to put them in my order (best to worst) even though I like them all and I can't really rank them (I'm also going to exclude Chocolate Chip Trip as it is just a great and complex drum solo). So we got Descending as my personal favorite, then Pneuma, Invincible both in second place, Culling Voices is damn right amazing, eerie and Justin ripps, 7empest being the complete Tool Jam with meaning, complex patterns, lots of solos, kick-offs and bassy bass riffs. Least but not last is Fear Inoculum which is really great but I can't really up it any higher amongst the others. Loved it, can't wait to get deeper into the meanings of the lyrics. Expand
  15. Jan 13, 2020
    10
    How does a a band that transcends generations meet the hype train that comes with a 13 year delay between albums?.... By exceeding ALL expectations with a masterpiece. This album absolutely rips and only gets better with each listen. Outstanding.
  16. Jan 9, 2020
    10
    Phenomenal evolution of this band - perfect
    Very dense and may take a few listens to have everything click but well worth the journey.
  17. Jan 9, 2020
    10
    I wasn't a fan of Tool before this album (now I am). Amazing instrumentals, the only critics is for Maynard vocals. They are not so powerful as in the other albums and that is sad :(
  18. Jan 2, 2020
    10
    This is so different from everything tool has ever done!!! They really explored some psychodelic stuff... It also reminds me of some of the first albums by king crimson.
    And 7empest... wtf this song is 15 min but it feels like its 5
  19. Dec 31, 2019
    9
    It took me several listens to grasp this album. Now I get goosebumps almost every time I blast the album.
  20. Dec 25, 2019
    10
    Never being a tool fan until now.Have heard some of their most knowned songs and liked them but never gone through listening a complete album.This one made me revisit their oldest work.Can easylly say its thei best and an amazing album.Its being since my early 20s that i find myself captivated by an lp and listening it over and over again.With a good set of headphones its a magicalNever being a tool fan until now.Have heard some of their most knowned songs and liked them but never gone through listening a complete album.This one made me revisit their oldest work.Can easylly say its thei best and an amazing album.Its being since my early 20s that i find myself captivated by an lp and listening it over and over again.With a good set of headphones its a magical experience best think ive listened as far a production. Expand
  21. Nov 26, 2019
    6
    I have tried so hard. Kicking back and listening from start to finish multiple times. Unlike previous albums it is not revealing itself to be more awesome every listen. Unlike any album they have ever released it reminds me of previous works. Not much good. Not much new. Maynard really phoned this one in, and the rest of the band are out of ideas.
  22. Sep 2, 2019
    3
    Whilst the album had a lot of great timing signatures changes, it is very bland melodically. The entire albums sounds like it is done in the same key/modes and because of this, it gets a bit boring after a few songs. Adam J doesn't have enough to offer to be playing lead guitar in almost every song. It almost sounds like Tool is trying to rip off themselves. In short, it feels like a ToolWhilst the album had a lot of great timing signatures changes, it is very bland melodically. The entire albums sounds like it is done in the same key/modes and because of this, it gets a bit boring after a few songs. Adam J doesn't have enough to offer to be playing lead guitar in almost every song. It almost sounds like Tool is trying to rip off themselves. In short, it feels like a Tool album made for people just just really want to love tool. Expand
  23. Nov 2, 2019
    10
    It took quite a few spins but I suddenly found myself loving Fear Inoculum. Listening from start to finish, not skipping the interludes, and out of nowhere it became a magical experience every bit as wonderful as previous Tool albums. Listen with the best headphones you can find or go to the quietest space available, and just allocate some time to sit and listen properly withoutIt took quite a few spins but I suddenly found myself loving Fear Inoculum. Listening from start to finish, not skipping the interludes, and out of nowhere it became a magical experience every bit as wonderful as previous Tool albums. Listen with the best headphones you can find or go to the quietest space available, and just allocate some time to sit and listen properly without interruption. Worth every day of the 13 year wait. Expand
  24. Oct 23, 2019
    9
    Not easy to get into but after few longer sessions i realized it's masterpiece with "Pneuma" being best song of 2019, followed by "Descending" and "Invincible".
  25. Oct 11, 2019
    9
    definitely a great album. lacks a bit on the hooks and great isolations. those moments were more powerful and prominent in previous albums, but still delivers a wonderful journey of musical chaos. my favorite part of the album is that is seems to be off rythm or ever changing to where you don't quite feel comfortable or as if somthing is off. i highly recommend te listen, also try bobbingdefinitely a great album. lacks a bit on the hooks and great isolations. those moments were more powerful and prominent in previous albums, but still delivers a wonderful journey of musical chaos. my favorite part of the album is that is seems to be off rythm or ever changing to where you don't quite feel comfortable or as if somthing is off. i highly recommend te listen, also try bobbing your head along to the music. Expand
  26. Oct 10, 2019
    0
    Disappointing on so many levels. One has to wonder if this album was hastily thrown together for the sake of making a quick buck. Nothing new is brought to the table. Instrumentally it sounds just like the same drums and guitar riffs from previous releases. Vocals are subdued and lacking the power and emotion from previous albums such as 10,000 days. I've listened through this albumDisappointing on so many levels. One has to wonder if this album was hastily thrown together for the sake of making a quick buck. Nothing new is brought to the table. Instrumentally it sounds just like the same drums and guitar riffs from previous releases. Vocals are subdued and lacking the power and emotion from previous albums such as 10,000 days. I've listened through this album several times to try and give it a fair shake, the last time I actually fell asleep. Expand
  27. Oct 9, 2019
    3
    Listening to Fear Inoculum front to back gives me the same feeling as sitting through an Economics class. Their worst, and most uninspired album to date.
  28. Oct 7, 2019
    5
    I waited so long for this album that I actually lost interest in the entire genre of music that Tool is basically the icon for. As many have said it feels like Maynard is not singing nearly as often as the songs demand and the spaces left are filled in with Adam Jones guitar solos. The same thing happened to Mudvayne, once traditional guitar solos in the bridges started popping up I feltI waited so long for this album that I actually lost interest in the entire genre of music that Tool is basically the icon for. As many have said it feels like Maynard is not singing nearly as often as the songs demand and the spaces left are filled in with Adam Jones guitar solos. The same thing happened to Mudvayne, once traditional guitar solos in the bridges started popping up I felt like it lost what made it special. The 'mature' approach is lame for a band where their first album is named after the worst drug on the planet, they have songs like hooker with a penis or jerk off and there singer was a drag queen for at least one tour. I don't want these songs that build up but rarely peak. It's a bit like drunk sex, when you're too drunk, and you can't cum, and that's what this album is. An old bunch of dudes who can't cum anymore. There are a few riffs that are good but boy do they repeat themselves. Expand
  29. Oct 5, 2019
    0
    One of the worst Metal albums I've ever heard.Painfully awful.Bland,boring and really painful to even finish one song.I don't mind lengthy songs but it was so boring. 13 years for this?Nah!
    Embarrassment to the metal music community.
  30. Oct 2, 2019
    10
    This review contains spoilers, click expand to view. I was not ready for Fear Inoculum. I have studied every track for the past 1 month or so and tried to make sense of the passages. It will stand the test of time and go down as an influential metal relic of sorts in the years to come. It's breathtakingly complex and exponential. Expand
  31. Sep 30, 2019
    0
    It seems many Tool fans are staring intently at a community college students art project and beholding an elaborate, intricate tapestry, and the only explanation I can think of is:

    Not once in your lives could you ever have turned on the radio and heard a piece of classical music, or heard a jazz band play - or even watched a movie without the sound muted and heard the score - no way;
    It seems many Tool fans are staring intently at a community college students art project and beholding an elaborate, intricate tapestry, and the only explanation I can think of is:

    Not once in your lives could you ever have turned on the radio and heard a piece of classical music, or heard a jazz band play - or even watched a movie without the sound muted and heard the score - no way; because if you are this in awe at such a bland, uninspired, boring, tedious, rehash of an album, hearing true, humble musical brilliance would have dropped you on your feet long ago.

    It might be time to get some perspective guys.
    Expand
  32. Sep 28, 2019
    10
    This album is going to age well .
  33. Sep 26, 2019
    10
    Overwhelming at first, it grows into you and every piece brings you in deeper each listening. Maynard's enlightened lyrics coupled with the powerful mastery of the music reaches ever higher. I cannot stop listening to this beauty. Moving to say the least.
  34. Sep 23, 2019
    3
    This review contains spoilers, click expand to view. A disappointment, that's all I can say. 13 years of patience for such a weak album? Why Tool, Why?
    I haven't been as disappointed since the release of Perfect circle last opus ( which at least had some moments ).
    13 years... 13 YEARS... to get 6 full tracks, 1 vocal whatever, and 2 mediocre instrumental and 1 electro **** sorta drum solo...
    But one could expect 6 major, era-defining, masterpieces like Aenema, Lateralus or Undertow offered us... But NOPE, not a single masterpiece, nor genre-defining or breakthrough tracks. Just rehash of Tool Lateralus-10,00 days ers stuff with some back flavor of Undertow and Aenima.
    Let's do a tracks breakdown...

    Fear Inoculum opens the album with a good amount of Toolesque favor. As the first single, I did not like it, but now that I listened to the album several times, I could almost say that it is my favorite track. But not because it is magistral, but because it feels like a 10mn medley of the Tool formula... Fan service with style.
    Pneuma follows, and to be honest, there are little hooks, as a generic tools filler.
    Nothing memorable, move along
    Then we are offered a Pink Floyd wanna be synthesizer exploration... again, it adds nothing, and I feel close to nothing listening to it.
    Then comes Invincible, a Forty-six and 2 rip off, without any of its strength. Not a bad song, just nothing new, and very little to be desired.
    Then follows another not interesting filler... For what at this stage. When you are not Rick Wright, don't try to do this type of experimentations, It is 40 years too late to shine.
    Then comes the single best song of the opus, Descending. It is probably the only song I would include to my tool playlist. It starts slow, drops a great mood, with nice lyrics, and good level of music.
    Culling voices is more of a Perfect circle song to me, but a very satisfying one since a perfect circle is dead to me after their last album.
    Next track....god help me. They should have just made it a drum solo.
    Then comes 7empest...a track that could have been a favorite if it did not remind me of 4 other tracks put together. Good track though, just not really original.
    The album closes with another useless track, and this time no hidden gem like disgustipated.

    All in all, I feel betrayed and disappointed. 13 years for this mixed box? And i am even more surprised to read so many great reviews. Are people really honest anymore ? Or did most came to tool from Lateralus and never digged before this time ? But well...Tool isn't the god of a new religion. Since Lateralus came out, many other bands have now matched or even transcended their style and genre. So well, i'll move on.

    I cannot convince myself to put more than 3 to this album, and it breaks my heart, as i am a Tool fan from the Opiate era... but this is far from a great album for a band like Tool.
    Expand
  35. Sep 21, 2019
    10
    Absolutely worth the wait, the new Tool album, potentially considered by some as their Magnum Opus, is a musical tour de force.
    Metal, prog and Tool fans will definitely appreciate the finer details behind every title, each a musical journey in their own right and collectively telling a tight nit conceptual story of awakening and transcendence. Typical Tool!
    Each member rises up to the
    Absolutely worth the wait, the new Tool album, potentially considered by some as their Magnum Opus, is a musical tour de force.
    Metal, prog and Tool fans will definitely appreciate the finer details behind every title, each a musical journey in their own right and collectively telling a tight nit conceptual story of awakening and transcendence. Typical Tool!
    Each member rises up to the occasion but most notably, Danny Carey; as he takes drumming and percussions to a whole new level.
    Expand
  36. Sep 20, 2019
    7
    This review contains spoilers, click expand to view. The album still has it’s hypnotic Tool vibes, but the music doesn’t give you goosebumps anymore Expand
  37. Sep 19, 2019
    7
    Being a new Tool fan, my expectations weren't as high as some of the older fans. Fear Inoculum, in my opinion, is good. Not bad, not great, but good. Perhaps I would've been harsher on this album if I was one of the people who waited 13 years for it to come out. So far, however, I would say that it is MAYBE a fraction better than 10,000 days.

    Favorite Tracks: Fear Inoculum, Pneuma,
    Being a new Tool fan, my expectations weren't as high as some of the older fans. Fear Inoculum, in my opinion, is good. Not bad, not great, but good. Perhaps I would've been harsher on this album if I was one of the people who waited 13 years for it to come out. So far, however, I would say that it is MAYBE a fraction better than 10,000 days.

    Favorite Tracks: Fear Inoculum, Pneuma, 7empest.

    Least Favorite Tracks: Invincible.
    Expand
  38. Sep 18, 2019
    5
    There was loads of the reviews for this album up immediately after its release which doesn't make sense to me as you need to live with music for a bit before judging it. I think there's a bit of of Emperor's new clothes going on. Now that the dust has settled and I've given it a good go I have to say I'm disappointed.

    The album comprises of six main songs and little filler bits in
    There was loads of the reviews for this album up immediately after its release which doesn't make sense to me as you need to live with music for a bit before judging it. I think there's a bit of of Emperor's new clothes going on. Now that the dust has settled and I've given it a good go I have to say I'm disappointed.

    The album comprises of six main songs and little filler bits in between, the filler bits aren't very good, 5 minute long drum solos don't do it for me I'm afraid.
    Overall the songs are just too long for the amount of ideas contained within them, quite often going too long in the verse chorus verse format before deviating into something to break it up. It's almost like they only had a few songs written and decided to make them longer to fill out the album and make it seem epic, it doesn't work. Also they seem quite formulaic, almost like a lesser band trying to do a Tool album. There are bits here and there I like but too few and far between. I'd be hard pushed to recall any of the main guitar riffs after listening to the album and they resort to simplistic chugging riffs way too often. The album definitely doesn't have the scope or variety of previous releases. I keep thinking how good the other Tool albums are when listening to this one, and how I'd rather be listening to them instead.

    Going by this I don't really care if Tool ever release another album again but at least we've got all their other releases to enjoy.
    Expand
  39. Sep 17, 2019
    10
    Masterpiece ...............................................................!
  40. Sep 17, 2019
    9
    Fear Inoculum isn't perfect but is absolutely a worthy successor to 10,000 Days and Laterlalus. The album starts off with a bang in the the title track, Fear Inoculum. It's one of the more brief pieces on the record but is easily one of Tool's finest songs, perfectly blending atmosphere and a catchy chorus. Next is Pneuma, and while the lyrics are a little too typical for Tool, the songFear Inoculum isn't perfect but is absolutely a worthy successor to 10,000 Days and Laterlalus. The album starts off with a bang in the the title track, Fear Inoculum. It's one of the more brief pieces on the record but is easily one of Tool's finest songs, perfectly blending atmosphere and a catchy chorus. Next is Pneuma, and while the lyrics are a little too typical for Tool, the song itself is a powerful one that will likely get stuck in your head. Invincible and Descending are powerful and masterfully crafted epics, speaking on the aging process and the human condition. Chocolate Chip Trip isn't nearly as interesting as the other tracks, but at least is enjoyable and knows when it should end. Finally, the record ends with 7empest, easily one of Tool's most angry and energetic songs since Aenima; it's a little meandering, clocking in at 15 minutes, but is overall very well written and a great experience. In fact, I would say that line perfectly encapsulates the entire album. The lyrics are a bit cliched and the tracks themselves have a tendency to wander for long periods of time, but Fear Inoculum is an amazing experience once you allow your patience to catch up with the album. It may take a couple of listens to fully appreciate, but trust me when I say it's worth it. If i had one piece of advice though, skip the interludes on the digital version. They're probably the only straight-up bad thing about the whole experience, although they really don't get in the way. Expand
  41. Sep 17, 2019
    3
    Let me start by saying that most of this album sounds like the softer songs in the 10,000 Days album. That's okay, figuring the band was probably considering their live tours & wanted a catalog that wouldn't require the energy of 20-year-olds. That's fine, but let me explain my low rating for this album:

    Plainly put, it's a tad bland. Not because it's slow; there are current bands
    Let me start by saying that most of this album sounds like the softer songs in the 10,000 Days album. That's okay, figuring the band was probably considering their live tours & wanted a catalog that wouldn't require the energy of 20-year-olds. That's fine, but let me explain my low rating for this album:

    Plainly put, it's a tad bland. Not because it's slow; there are current bands like Mogwai that do it successfully for me. As others have said, the songs really do blend together. There's no energy, there's no experimentation, and the vocals really don't add anything to the songs. I've listened to it a dozen times as I just had a lone 32 hour road trip, and I've read the lyrics. Meh. Now, I wasn't a huge fan of 10,000 Days when compared to Lateralus and Aenima, but that was just based off how many songs I really loved. The Pot, Vicarious, and Right in Two were great. I "liked" Jambi, Rosetta Stoned, and 10,000 Days. They weren't great for me, but they stood out for several reasons. Lateralus had amazing songs and was probably the sharpest album for me. Aenima, on the other hand, also had amazing songs, but succeeded because it had some experimental songs that ended up being worth so much more than the sum of their parts.

    This album breaks no new ground, showcases no new skill that I assumed the band had been perfecting over the last 13 years, and lacks personality other than it being distinctly "Tool". But I argue that any distinct sounds here were already covered in 10K Days, and a tad bit in Lateralus. That means they failed to progress as a band in my ears. I know Keenan has two other bands, but listening to his last decade with those bands, I felt like he wasn't using up any of the same energy that he expends with Tool, so I was hopeful. I also read that Carey, Jones, and Chancellor had been working on this album long before Keenan jumped on, so I was expecting so much more variety and skill than what I am hearing.

    Sure, this may not be a "bad" album compared to anything else that has come out the last decade, but I can't help but feel disappointed. The trajectory Tool was headed to, from Opiate, to Undertow, to Aenima, and to Lateralus was something I still have yet to see from any other band in the world. They took a small dip with 10K Days, but I still hold it in high regard. Fear Inoculum took a deeper dip this time, and the fear that this will probably be the last Tool album we will ever get is absolutely heart breaking to me. I'm still a Tool fan and have their past catalog, but waiting 13 years for this is crushing in a way I can't put into words. I'm happy some people like it, and can understand some of the arguments against what I said here, but I dare some of the fans of this album to answer this:

    Is there a song on this album that can top Sober, Prison Sex, Stinkfist, Forty Six & 2, H., Pu5hit, Aenima, Third Eye, The Grudge, Schism, Parabola, Ticks & Leeches, Lateralus, Reflection, Vicarious, The Pot, or Right in Two? Because although I will keep listening to Fear Inoclum to see if I can pull anything more out of it, I can say with absolute certainly that I will not find a single song that can beat any on that list.

    My 3/10 rating is based off Tool the band, not as a standalone album

    *EDIT 9/16/19: After another ten days with this album, I think I have a clearer picture of why I don't really care for it compared to their previous works. Instrumental-wise, it is a very sharp showing, although lacking distinct variety on it's own. I think the issue, then, lies with Maynard. I think if Adam, Justin, and Danny knew how little Maynard was going to contribute, they may have shouldered the "variety" burden on themselves & would have given us some more variety in the songs. If you look at a song like Pu5hit, take out the vocals, then paste a vocal track from this album, I think it would be clearer on what happened. There are several previous Tool songs you could do this with & get the same results, like Reflection or The Pot. The latter song rocks on it's own, but Maynard's twist on it makes it stick out that much further in my ears.

    I don't normally read lyrics for any band, as I like to hear what I hear. But I decided to pull up the lyrics for Fear Inoculum & read them side-to-side with their previous three albums, & I can clearly see the lack of effort from Maynard. He is still a full on master in his field, so it's a little hard to offer criticism, but so much from the previous three albums has more depth & variety in them lyric-wise. Reading them out loud, I'm scratching my head as to how Maynard turned them into catchy hooks. I don't think very many singers alive today could churn out his melody with the lyrics from the previous three albums. With the lyrics from FI, they seem a bit flatter &, dare I say, easier. I think there are several singers alive today that could match his melodies with the FI lyrics presently.
    Expand
  42. Sep 16, 2019
    10
    Kickass high quality is their lowest common denominator. Thirteen years we’ll spent imho.
  43. Sep 16, 2019
    10
    This review contains spoilers, click expand to view. Wow, this album is just amazing. 80 minutes traveling in my mind and soul. Open your ears Expand
  44. Sep 15, 2019
    10
    Nice mix, the songs feel very jammy, even though they are calculated as hell .Nice new synth elements, trippy vibe and nice vocals, even though they feel a litte bit monotonouse in 3 of the songs
  45. Sep 14, 2019
    10
    This review contains spoilers, click expand to view. I am completing my 30th - 40th listen of this album at the moment. I can't stop wondering about this album and everything else that isn't TOOL just feels bland because of this album, It's how I felt when I fell in love with Lateralus. When I heard TOOL for the first time I couldn't stand it, and my girlfriend at the time just couldn't stop listening to them. I just didn't get it. "Why would anyone like this band? Lamb of God is way better" I had thought at the time. But then something just clicked. I guess it started to grow on me and since then it just hasn't stopped. Understanding this band can be frustrating for some, as this album. I see this album as a reintroduction to TOOL's activity, their way of saying that were official out of our light hiatus.

    Like many in the negative reviews section, I felt overly underwhelmed with this album when I first listened to it. I didn't truly listen to it, I judged it and wanted it to do what I wanted but that's not what TOOL is about, They were never about that. They've always reflected on their lives at the time and tried to get to the next evolutionary step. "Patience is required" I am paraphrasing Maynard here and it's what a lot of people excessively lack in our time and age. You don't need to force yourself to like it, don't like it now? Don't worry about it, be angry or upset if you must and hopefully tomorrow or 5 years from now you'll try this album and it'll make sense to you. This isn't the first time this has happened to TOOL, fans were divided with 10,000 days ( I know I was).

    Now to the nitpicking in this album, IF YOU WANT MY HONEST OPINION AND FEEL LIKE SKIPPING THE PART ABOVE THEN START HERE. This album is repetitive, uninspired and lacking of various "TOOL" features. It is repetitive at first glance and it feels so familiar, until you find the other TOOL song that you think it is copying and realized that it is different, way different. It's different to the point it is hypnotic. Adam, Danny and Justin take their **** time but just like anything in life, the good **** the really good **** is right in front of your eyes but you don't see it since your so occupied with your own ego. I know, I do it all the damn time. The synchronization of the instrumentals are impeccable and masterful with Adam's ability to enlighten all in riffs that are soft, twisted yet organized and aggressive without any excess. Justin's hypnotic grooves foretell past and future as always with lovecraftian essence and superb flux but what's to say about Danny? Danny's inter-connective beats that make love to the universe in it's calm, chaotic states and everywhere in between; A **** kraken on the drums.

    TOOL is almost a religion to me and like all "good" religions we need some words to understand it. They felt forced and kept reminding me of APC (Note: past tense) which isn't a big problem but I didn't like it. And then I realized that this isn't Maynard... Well, not the Maynard I was expecting which was a 36 to 41 year old Maynard. This is a matured 55 year old Maynard and how he as aged like a fine wine, or vineyard. Fear Inoculum, A vaccination for our fears in our world of fears. Reflective lyrics that criticize the world aren't new to Maynard, but the way he looks at it now is peculiar and illusive at times, I swear I felt them super forced the first time around but I had learned my lesson with 10,000 days and knew that I had to keep trying, I still am trying but god **** damn it are these lyrics still good even though I understand maybe half of it. It reminded me of when I was 16 and shouting out the lyrics to Prison Sex good. Goosebumps once it lost that sense of being forced... Or was I the one forcing something? Trying to force something out of my reach because I'm a spoiled brat and everything needs to please my selfish desire. This album is criticizing me, you, us, we. "Free fall through our midnight. This epilogue of our own fable. Heedless in our slumber. Floating nescient, we". The opening lyrics to "Descending" make a critic of us, we humans. Instead of going with the flow and seeing where the river takes us we struggle and when we get irritated we drown in our own negativity. Just take a deep breath and try again.

    In the end, This album is all I can think about and I feel it unnecessary to listen to anything else for the moment. There is so much sweat and energy put into this album with pure ingenuity and awareness. My favorite that always give me chills is in "Descending" at 6:55, god damn that soulful Duet of guitars that reflect yet don't match as if they were copulating.

    Well, I tried to keep it short but I'm almost reaching the limit here on Metacritic. For those of you read it all, I'm happy you took the time and know that it means a lot to me since I tend to keep my opinion to myself but I just couldn't with this album and If you didn't like the album well then that is perfectly fine. Just try to give it a chance in your approximate future.
    Expand
  46. Sep 14, 2019
    9
    Wow! This was well worth the wait, ladies and gentlemen!
    Fear Inoculum is not just an album...It's an experience!
    Tool has the had best thing going for years, and that's the fact that they cannot truly be compared to any other artists in music. The mold breaking ideals behind every album, every song and every lyric keep them in a class of their own, and this album is no exception! From
    Wow! This was well worth the wait, ladies and gentlemen!
    Fear Inoculum is not just an album...It's an experience!
    Tool has the had best thing going for years, and that's the fact that they cannot truly be compared to any other artists in music. The mold breaking ideals behind every album, every song and every lyric keep them in a class of their own, and this album is no exception!
    From MJK's lyrical genius to the pumping feel of Danny's complex drum beats, to Adam's pioneering riffs and metal bass lines that keep the metal tripping grin on my face...I'm impressed!
    I can't really say if this is the Best of Tool, because this art, like all others, is subject to interpretation... but I will say that this consistence in quality means that Tool will always be my favorite band.
    Expand
  47. Sep 14, 2019
    10
    Fear Inoculum is a great album from start to finish, Danny and Adam were at their best and yes, worth the wait.
  48. Sep 13, 2019
    9
    I'm not an a-hole, so I don't write reviews. Why does it say leave rating only, then not allow me to do so?
  49. Sep 13, 2019
    9
    This is beyond a reasonable doubt the best rock album of the year. The mix of heavy metal guitar riffs and lengthy tracks that make it really good. From the titular track to invincible to 7empest, the album has it all. I definitely recommend purchasing the album and not just stream it.
  50. Sep 13, 2019
    3
    I'm really surprised at the good reviews here and a bit suspicious given how many of them are short explanations of a 10 rating. If anything Tool deserve a lengthy review, especially from fans who love the new album. That being said this album is mediocre at best. 13 years of waiting to get a mediocre Tool album is beyond disappointing. These guys are essentially dinosaurs who think theyI'm really surprised at the good reviews here and a bit suspicious given how many of them are short explanations of a 10 rating. If anything Tool deserve a lengthy review, especially from fans who love the new album. That being said this album is mediocre at best. 13 years of waiting to get a mediocre Tool album is beyond disappointing. These guys are essentially dinosaurs who think they can regurgitate past formulas forever and sadly there appear to be many fans who seem to validate that strategy. Well I will not, as much as I love this band I cannot defend the songs or even the lazy artwork here. Won't be seeing them on this tour, it sounds like it will be excruciating..... Expand
  51. Sep 13, 2019
    10
    Easily the best album in 13 year's and might be the quickest I've ever got addicted to of any Tool Album .
    Danny is a maniac
  52. Sep 13, 2019
    10
    The more you listen the more you notice. Each song is a journey, and even the interludes feel like they belong.
  53. Sep 13, 2019
    9
    Fantastic record that just keep growing! Could very well be their best album
  54. Sep 12, 2019
    3
    Tool albums. It's been a long time since one of those has come out. I remember buying Lateralus on day 1 when I was a 15 year old. I remember buying 10,000 days 5 years later, laughing about how long it took them to release the album. I enjoyed both albums immensely, with Lateralus being one of music's shining achievements - an album filled with brilliant songs without a single misstep.Tool albums. It's been a long time since one of those has come out. I remember buying Lateralus on day 1 when I was a 15 year old. I remember buying 10,000 days 5 years later, laughing about how long it took them to release the album. I enjoyed both albums immensely, with Lateralus being one of music's shining achievements - an album filled with brilliant songs without a single misstep. Truly remarkable. 10,000 Days felt like they were getting a little long in the tooth, like their gimmicks weren't catching me the way they used to. Still full of really hard rocking tracks, and some beautiful ballads (like Right in Two,) it still felt like a solid entry.

    But here we are, 13 years later, a little under 5000 days since the last Tool album... and I'm glad I didn't expect much. Somehow a band that thrived on cutting-edge technique and writing has .. become the musical equivalent of a Tool coloring book. You can see the songs from previous albums, especially Lateralus, but they lack the soul of something original. The Tool song outline is there... but when they colored in the coloring book, they only used a box of 24 crayons instead of the box of 200 we're used to. It feels like it's pandering.

    Maynard's vocals aren't what they used to be. That's to be expected, he's around middle age now. They're still good, but they don't have the edge, and they tried to use effects to make it feel more dynamic. The guitars are remarkably the same sounding as they've always been. The bass sounds identical. The drums identical. It sounds like a Tool album... just one that's not interested in experimenting or pushing boundaries. The only real boundary pushed here is time. It's a massive album, and all of the songs are long. Some of these songs could be cut in half and they'd be better for it.

    Overall, it's their weakest showing. But it's doing well, and it's fun to see that Tool had 6 songs on the Billboard at once. Maybe that alone is worth it.
    Expand
  55. Sep 12, 2019
    3
    Sadly, all bands fade. Well, almost all. It is so rare to see a group put out material that stays fresh, true to it's roots and still pushing in to new exciting territory after so many years and albums go by. In this case it's 13 years and 5 albums. It's for this reason I forgive them.

    The album just doesn't deliver. It backs off when you want it to growl. It growls where it should be
    Sadly, all bands fade. Well, almost all. It is so rare to see a group put out material that stays fresh, true to it's roots and still pushing in to new exciting territory after so many years and albums go by. In this case it's 13 years and 5 albums. It's for this reason I forgive them.

    The album just doesn't deliver. It backs off when you want it to growl. It growls where it should be nuanced. Grooves materialize, then disappear leaving you wanting more. I tried to like it. Listening over and over. But, for me at least, it's just not there. I don't have that urge to listen to it.

    I think it's fair to say there's a degree of come-lately-ism fanboy-ism in the reviews. I wonder how many of these people that rated it 10/10 and "some of the best songs ever" will still be rocking it a month from now. Or 6 months from now.

    I dunno. It's nothing personal of course. And I'm quite grateful to have the rest of the albums, which have provided some serious intense rocking out over the years. Thanks Tool! Still easily one of the greatest heavy bands of all time.
    Expand
  56. Sep 12, 2019
    6
    A little bit too boring. Harmony, the same as ever. Songs, unnecessarily long and repetitive. Voice is in the back. Bass didn't shine. Guitars good and innovative. Drums, the best part of the band. Danny made his homework.
  57. Sep 12, 2019
    10
    I don't know if its the long wait or the extremely high expectations but upon my first listen, i was underwhelmed. i felt like i needed more from my favorite band. Granted, i heard it while running errands without letting myself get fully immersed in the music (which is what TOOL's music needs and deserves.) Although Culling Voices and 7empest DID suck me right in!

    After
    I don't know if its the long wait or the extremely high expectations but upon my first listen, i was underwhelmed. i felt like i needed more from my favorite band. Granted, i heard it while running errands without letting myself get fully immersed in the music (which is what TOOL's music needs and deserves.) Although Culling Voices and 7empest DID suck me right in!

    After re-listening.... and REALLY listening: i was blown away by the album. And the more i would listen, the better it got. i have probably heard the album 20+ times and read the lyrics and taken my time to experience this masterpiece! I fall further in love with it with every listen.

    The riffs, the vocals, the intricacies, the bass, the lyrics, the messages, the rises and falls, the drumming.... OH, THE DRUMMING!

    The music Gods created perfection when they put these four in a room together and they repay the Gods by making perfection! I really enjoyed 10000 Days but i have to say, this album is better! Its right up there with Laturalus and Aenima and FAR above Undertow and Opiate.

    Only negative? i could have done without Chocolate Chip Trip. That time could have been used for another beautiful song
    Expand
  58. Sep 11, 2019
    10
    Feels like bathing in a metal waterfall. They've grown, and given us a musical landscape. The skill. Holy fk. I've just been playing it through from the beginning to end and then starting over.
  59. Sep 11, 2019
    10
    This review contains spoilers, click expand to view. Worth the wait!! Best metal album in the last few 10 years! An experience from start to to finish! Expand
  60. Sep 11, 2019
    10
    A true work of art, well worth the wait. Longtime Tool fans will get it and love it, while those just hopping on the bandwagon will complain about the length of the songs, the interludes, etc....same as it’s always been with Tool albums. Hoping for more new music relatively soon.
  61. Sep 10, 2019
    3
    I have a lot to say for one feeling so utterly speechless. I - like so many others - have been anticipating this album for far too many years. Tool is (was?) a band like no other, seeming to have been molded by some Cosmic Force and given the gift - in four parts to make the Whole - to reach beyond the confines of third dimensional illusion and into the limitless fabric of existence. And,I have a lot to say for one feeling so utterly speechless. I - like so many others - have been anticipating this album for far too many years. Tool is (was?) a band like no other, seeming to have been molded by some Cosmic Force and given the gift - in four parts to make the Whole - to reach beyond the confines of third dimensional illusion and into the limitless fabric of existence. And, from the Sacred Frequencies that are available to all yet accessed by so few, Tool brought to the world an extra-dimensional experience through a beautifully organic succession of albums that aptly reflect the Evolution of Journey: Undertow drops one off in the woods; Aenima is the road one finds after wandering for months through the density of Undertow. There is no light pollution on Aenima Road...there is only the flash of starlight and nebula above, and the SHINE in the distance that is Lateralus, when once reached, one finds an open door to all the potential and limitlessness that is Consciousness; Lateralus is the “dark matter” that waits just beyond the exit-point event horizon; Lateralus is the Sacred Geometry of music. Raw potential of manifestation. 10,000 Days begins back at ground-level, which is indeed a bit jarring after the spectacular view from Lateralus (to await the duplication of such heights is not fair to the band, nor to the fan’s own psyche and serves only to smother both with the gratuitous nature of expectation). So, 10,000 days is what it is: a return to “reality” and the mundane, the pain, the hypocrisy, and the healing that ensues. But, Fear Inoculum...this album is in VERY large part, the anti-Tool. While it seems that Justin and Danny are trying to establish the Sacred Frequencies that define Tool, it also seems that Adam Jones has completely lost his access to the inter and extra-dimensional molds from which his elemental contributions were once formed. Either that, or he chose to completely abandon them altogether in favor of...of what? Honestly, I’m unclear. I am saddened, perplexed, and unclear. Jones’ guitar sound (pre-Fear Inoculum) is so, so much of the extra-sensory vibrational construct that is Tool. The element belonging to Tool’s MJK is almost entirely absent on this album. (Btw, it’s incredibly hard not to feel like a garbage-troll’s slimy farts when leaving a review like this. Expand
  62. Sep 10, 2019
    10
    They're back and just as good. You have to let the album grow on you, it really is worth the wait.
  63. Sep 10, 2019
    9
    From a progressive metal stand point, the album has a great dynamics and the musicianship of tool is nothing less than amazing. Lyrically, Maynard keenan blew me away with Descending and Culling Voices. The songs are extremely tight because, god damn it, they are tool. The album is hypnotic as tool should be -- smoke a spliff and nod your head boys. And the zero reviews from so calledFrom a progressive metal stand point, the album has a great dynamics and the musicianship of tool is nothing less than amazing. Lyrically, Maynard keenan blew me away with Descending and Culling Voices. The songs are extremely tight because, god damn it, they are tool. The album is hypnotic as tool should be -- smoke a spliff and nod your head boys. And the zero reviews from so called x-fan-boys that look forward to the second coming of their original tool albums are nothing less than hilarious. I foresee hours of enjoyable listening pleasure. Blessed are the progressive rock/metal heads for they shall inherit the earth. Expand
  64. Sep 9, 2019
    10
    A majestic beast of a record that people will be exploring for years to come. Nothing particularly new here but when it comes to this band, how is that a bad thing? Sits beautifully in their catalogue. Hope its not their last release!
  65. Sep 9, 2019
    9
    it didn't disappoint, everything that made previous Tool albums very enjoyable is still very much present here. I was left a little underwhelmed by the title track when it came out, but when I listened to the album I gladly found that it was the worst track of the record. The rest of it is pretty great. Maynard's delivers some of his best vocal performances ever in this album, this timeit didn't disappoint, everything that made previous Tool albums very enjoyable is still very much present here. I was left a little underwhelmed by the title track when it came out, but when I listened to the album I gladly found that it was the worst track of the record. The rest of it is pretty great. Maynard's delivers some of his best vocal performances ever in this album, this time his singing is actually very close to his A Perfect Circle style, mellower, more melodic and less aggressive. His vocal melodies on Culling Voices are amazing. Adam Jones also brings a nice chord progression on this track and on Invincible. I also love the guitar riff towards the end of the track. It does actually remind me of his riff on Jambi. 7empest is also full of great riffs and drum parts. Some parts are not as great as others, some jams on the album are a little boring at times, but as an overall piece of work it holds up really well. Pneuma is also one of my favorite tracks of the record.
    Just like previous Tool records this album takes a little bit of time to settle in your brain. Specially given the fact all the tracks are longer than 10 minutes, it's a very dense album and there's a lot to take in. But once you get involved in these melodies and masterful musicianship, as well as a really great sound and production, you'll be listening to this record over and over for quite a while. I'm still discovering new things that I like with each listen.
    Expand
  66. Sep 9, 2019
    10
    At first listen I would have said 8/10, but in classic TOOL fashion this gets better with each successive listen. The details in each of these records is staggering. All members were on top of their game on this one. Phenomenal album. Welcome back TOOL!
  67. Sep 9, 2019
    10
    Excelente álbum, sem duvidas um dos melhores dessa década, álbum diferente de tudo que temos visto na atualidade.
  68. Sep 8, 2019
    10
    Tool new album is like a bottle of good vine. Let it breathe a little, before you will experience all the taste. In the end it doesnt matter if this vine will be worth 13 year waiting, what does matter is an understanding that still no one can createaomething like that. Only TOOL can. And for that I am gratefull!
  69. Sep 8, 2019
    10
    We know your nature, and a tempest must be just that. Inoculate yourself and face your fears...
  70. Sep 8, 2019
    0
    This album is their worst. Such a let down. This album could go straight to the bin.
  71. Sep 7, 2019
    8
    Was honestly, somehow, not a Tool fan previous. I haven't yet decided where this record lands in their catalog, but this is an exceptionally good, loud, rock, metal, riff, geek record. The secret isn't MJK, it's the way the guitar and bass build solid, thick riffs and expand on them with patience, dishing out the sparks with masterful restraint.
  72. Sep 7, 2019
    10
    Sonically its: Complex, dense, technical, challenging, atmospheric, calculated, mature and inspiring.

    Danny Carey  Adam Jones (7empest it's his magnum opus) Justin Chancellor  Maynard James Keenan  They all have their moments. Lyrically it matches Tool's standards, lots of: pedagogies, metaphors, parables, philosophy, mythology, literature, psychology, historical
    Sonically its: Complex, dense, technical, challenging, atmospheric, calculated, mature and inspiring.

    Danny Carey 

    Adam Jones (7empest it's his magnum opus)

    Justin Chancellor 

    Maynard James Keenan 

    They all have their moments.
    Lyrically it matches Tool's standards, lots of: pedagogies, metaphors, parables, philosophy, mythology, literature, psychology, historical references, scientific references, sociology, etc. It takes multiple listens to fully comprehend it. Be patient.
    Expand
  73. Sep 7, 2019
    8
    This album is not 10,000 Days Part 2. This album is not a smattering of radio hits or music that should necessarily be dropped into every playlist on your Spotify profile. But from a strictly full-album-listen standpoint, it really comes together. Clearly this was the attempt, and a noble one at that, still it is not my favorite of Tool's efforts perhaps for this reason. I don't findThis album is not 10,000 Days Part 2. This album is not a smattering of radio hits or music that should necessarily be dropped into every playlist on your Spotify profile. But from a strictly full-album-listen standpoint, it really comes together. Clearly this was the attempt, and a noble one at that, still it is not my favorite of Tool's efforts perhaps for this reason. I don't find myself tapping away at my desk with my pen, humming lightly to a melody that hangs around for weeks, as was my experience after listening to Tool albums previously. But as a piece of art, this album stands on its own two feet. Despite what most are saying, I don't see this as a flex of 7-based time signatures and unfollowable interludes that "you aren't supposed to get." Even when there isn't a clear path in the music, you can tell that this was created entirely organically by a group of extremely talented musicians.

    All in all, I enjoyed this quite a bit. I expect to create a playlist without the interludes and listening to once every few months.
    Expand
  74. Sep 7, 2019
    10
    Fear Inoculum's seven songs - which in digital format come with three more songs: "Litanie contre le peur", "Legion Inoculant" and "Mockingbeat", in practice three climatic and instrumental interludes - feature pretentious, original and hypnotic work . Six of the seven tracks exceed ten minutes (with the exception of "Chocolate Chip Trip", another instrumental interlude) and featureFear Inoculum's seven songs - which in digital format come with three more songs: "Litanie contre le peur", "Legion Inoculant" and "Mockingbeat", in practice three climatic and instrumental interludes - feature pretentious, original and hypnotic work . Six of the seven tracks exceed ten minutes (with the exception of "Chocolate Chip Trip", another instrumental interlude) and feature chords, harmonic progressions, rhythmic scales and predominantly ascending melodies, which makes the album have a very strong sound magnetism. In practice, this translates into a hearing that causes a kind of hypnosis as the songs unfold. The choice to construct the songs using sister chords and notes, coupled with Keenan's mostly ethereal vocal melodies, intensifies this mind-numbing sensation while opening new untapped songs in the listener's brain.

    The rhythmic part remains one of the highlights, with unconventional movements and an approach that talks with fusion, always supported by the univiteline union between bass and guitar. Chancellor's instrument, always a highlight, continues to play an almost percussive role and fills the spaces omnipresently. Drummers will still love Carey's work, while Jones maintains a guitar playing that, especially in Fear Inoculum, is much more interested in creating sound atmospheres than riffs.

    However, the weight comes. And when it comes, it arrives beautiful. The apexes of the songs, with instrumental explosions full of rhythmic turns, are chilling to even the most bald of fans. It's an original, unique and beautiful song that could either be defined as a hypnotic prog metal or a meditative fusion.

    The fact is that in Fear Inoculum the Tool requires a listener partnership so that what the band is proposing is effectively assimilated. This means that in a world where urgency predominates and anxiety is no longer an exception and has become the company of most individuals, a disc that is over 70 minutes long and tracks that are over ten minutes need some effort. from most listeners. Fear Inoculum is not one of those albums made for occasional and occasional listening. It demands an immersion, it takes time from those on the other side of the headset. But in doing so, it rewards you with creative delivery, a song that is totally out of the box and delivers incredible sensations.

    Among the tracks, highlight the sensational song that beats the album, "Invincible", "Descending" and the incredible "7empest", the longest and heaviest of the album and where the full protagonism goes to the guitar of Adam Jones.

    Fear Inoculum makes up for the thirteen year long wait for a new Tool album with a complex, extremely immersive, musically rich work that carries both the seal of quality and the original aura the band has always possessed. One of the biggest albums of 2019 and one of the best albums of the quartet's career.
    Expand
  75. Sep 7, 2019
    10
    As usual not first listen friendly (hence some of the negative reviews) but incredibly rewarding with time.
  76. Sep 7, 2019
    7
    Far from the band's best work but still a solid effort with plenty of complex timings and interesting instrumentation for fans to gush at. Maynard's vocals are, as always, brilliant, but the three sound scape tracks that are included on one version of the album honestly ruin the flow of the project as a whole. These sound scapes are boring and unnecessary and the album would be much betterFar from the band's best work but still a solid effort with plenty of complex timings and interesting instrumentation for fans to gush at. Maynard's vocals are, as always, brilliant, but the three sound scape tracks that are included on one version of the album honestly ruin the flow of the project as a whole. These sound scapes are boring and unnecessary and the album would be much better with them removed. Expand
  77. Sep 7, 2019
    10
    "Fear Inoculum" - Tool

    First things first: **** off Fantano and the gullible fanbase who follows his opinions Debatable if Tool's new album is a bonafide masterpiece or just rather underwhelming, there's no denying that this album has been an event. Prog-Metal and Art-Rock pioneers Tool returns with a more intricate, a more mature and yes, a ridiculously circuituous album that excels
    "Fear Inoculum" - Tool

    First things first: **** off Fantano and the gullible fanbase who follows his opinions

    Debatable if Tool's new album is a bonafide masterpiece or just rather underwhelming, there's no denying that this album has been an event. Prog-Metal and Art-Rock pioneers Tool returns with a more intricate, a more mature and yes, a ridiculously circuituous album that excels after every listen.
    Sonically pleasing, as it should have been, that even the minute of details can be picked up by even the lowest of volumes, as expected since the band's renowned for their whimsical production choices. While having no complaints regarding this album, an argument could be brought up since it's 13 years in the making, hyping it up to be album of the decade, but unfortunately, the band doesn't deliver that energetic presence they once had making it hard to convince for me to even consider Fear Inoculum as album of the year; however, considering that this is the same band that created ground-breaking accomplishments in "Lateralus" and "Ænima", not many bands could out-perform those spectacles. Nevertheless, Fear Inoculum does indeed come close, each song being over ten minutes long does make it feel a bit jarring, but the build-up to each rivoting track by instantly amusing intricate riffs and drumming patterns culminating in a - Grunge-esque Maynard vocals in one of the most extra-ordinary Tool song since 2001 - satisfying end, making the wait for the entire album and the entire listen, absolutely worth it as each significant member get their moments to shine.

    Absolute Favourite Track/s: Invincible, Pneuma, 7empest

    Great track/s: The rest of the album minus the interludes

    Least favourite track/s: The Interludes

    Rating: 10/10 (Masterpiece)
    Expand
  78. Sep 6, 2019
    10
    Listen to this album at least three times before coming to any conclusions. The first time I was unsure, but by the third listen I was grinning and joyfully following along with the songs. Once your mind knows what to expect the whole thing is an extremely enjoyable experience, probably the most sonically pleasing Tool album. It's true that Maynard's vocals a little more subdued that inListen to this album at least three times before coming to any conclusions. The first time I was unsure, but by the third listen I was grinning and joyfully following along with the songs. Once your mind knows what to expect the whole thing is an extremely enjoyable experience, probably the most sonically pleasing Tool album. It's true that Maynard's vocals a little more subdued that in other albums but it actually works for the best, his lyrics and vocals mix with the other elements of the band better than ever before. The group sounds completely in their element and everyone does a fantastic job throughout, though Danny can't help but steal the show at times. It stands up to the band's reputation and can easily sit alongside their other albums as a wonderful and awe-inspiring work of art. The lyrics here also carry an urgency and desire for change that wasn't always present in past works... it's obviously written to move you and inspire action and change within, to remember where we come from, where we're going and how precious the time between is. Expand
  79. Sep 6, 2019
    9
    A really solid album that could use a little editing. The 7 track version plays better than the 10 track, and honestly this could have just been 6 tracks and the better for it. Prime stuff, though, on the main 6 songs.
  80. Sep 6, 2019
    5
    Members of Tool have been quoted many times stating various anxieties regarding the reception of this album and how it was a major factor in its incredible delay. This mentality shines through in Fear Icoculum as a generally safe and undirected album. At times it even comes across as the product of a jam session, with repetitive licks and stock keyboards accompanying a nonsensical bongoMembers of Tool have been quoted many times stating various anxieties regarding the reception of this album and how it was a major factor in its incredible delay. This mentality shines through in Fear Icoculum as a generally safe and undirected album. At times it even comes across as the product of a jam session, with repetitive licks and stock keyboards accompanying a nonsensical bongo solo that drones in the background. It's a far cry from the smart and calculated Tool of old, but I suppose this is to be expected from such a drawn out project. Expand
  81. Sep 6, 2019
    10
    Great album. Love all 83 min. It has been a long time in the making. And it doesn’t disappoint
  82. Sep 6, 2019
    9
    Simply put, all the band members deliver their A game except for Maynard, who delivered more of a B. He's definitely good, but not as good as before. So therefore, 9/10.
  83. Sep 6, 2019
    10
    Enjoy tour trip around the spiral. A deep, tribal, psychodelic experience. Love it.
  84. Sep 6, 2019
    10
    Just brilliant. Amazing adaption of their craft and evolution of their sound.
  85. Sep 5, 2019
    10
    Initially, I wasn't very impressed. But because of the complexity, the differences in their sound and the way they use dynamics that's something that can be a seminar alone, I needed some time to synchronize with their universe. Oh boy, what a place to be. 10/10 they're driving music forward.
  86. Sep 5, 2019
    10
    Album is PHENOMENAL! Everything about it, the intricacies, the builds, and the overall experience. Puts you in another dimension, it really does! The length of the songs is not a problem at all either, Tool is exceptional at pulling you in on each song, and every song does that! 13 years, WELL WORTH THE WAIT! This may just be my favorite album from them to.
  87. Sep 5, 2019
    9
    Although it might not be the strongest Tool album, that’s not really saying much as it is amazing and It’s a musical journey.
  88. Sep 5, 2019
    8
    I actually love what they have evolved into with this album, pnuema and invincible are top 10 tool songs for me, I will say that it took a few days of listening for me to really start liking this album, and my complaint not just for this album but for tools history is that since Aenima (which in my mind is the best album) they have less and less music or at least less variety of music onI actually love what they have evolved into with this album, pnuema and invincible are top 10 tool songs for me, I will say that it took a few days of listening for me to really start liking this album, and my complaint not just for this album but for tools history is that since Aenima (which in my mind is the best album) they have less and less music or at least less variety of music on their albums with each release and this new one gets an 8 from me for that very reason, not enough product after 13 years Expand
  89. Sep 5, 2019
    10
    Fear Inoculum is a beautiful piece of artwork. Tool delivered a well rounded masterpiece in my opinion. I don't understand the hate on this album, as I feel it is a culmination of their best work compiled into 7 amazing long form tracks (not counting the interludes). Danny Carey is the stand out. The album is worth multiple listens based on his work alone. He is the star of the album.Fear Inoculum is a beautiful piece of artwork. Tool delivered a well rounded masterpiece in my opinion. I don't understand the hate on this album, as I feel it is a culmination of their best work compiled into 7 amazing long form tracks (not counting the interludes). Danny Carey is the stand out. The album is worth multiple listens based on his work alone. He is the star of the album. It is by far his best work in Tool's discography. Adam Jones delivers exactly what you would expect from him but also expands on his great riff writing by adding some great lead moments which you don't usually get from a Tool album. I really enjoyed it. The musicianship is as good as it gets, the engineering was beautiful. Tool delivered a mature, spacious, very well rounded, musical opus that warrants multiple listens and is a perfect addition to their discography. Favorite tracks are 7empest, Descending, Pneuma, Invincible and Chocolate Chip Trip. Expand
  90. Sep 5, 2019
    10
    Best metal album of this decade. I can't believe even after 13 years TOOL can still blow my goddamn mind... Whole jniverse came together to make an album.. #fearinoculum
  91. Sep 5, 2019
    10
    This is Tool in its prime - in the league with AEnema and Lateralus. Although some other top prog and industrial bands have put out solid but past-prime albums in the last few years, this isn't that. Tool still has the fastball and Maynard's voice sounds perfect.
  92. Sep 5, 2019
    10
    This album is another masterpiece they've produced.

    It's so clinical yet chaotic but disciplined. A perfect blend. The musicianship is otherworldly. Jones has produced his best work to date. All the tracks challenge you as a listener and require your full attention to genuinely appreciate and enjoy. After each listen it grows on me more and more. Layered beautiful album. This
    This album is another masterpiece they've produced.

    It's so clinical yet chaotic but disciplined. A perfect blend.

    The musicianship is otherworldly. Jones has produced his best work to date.

    All the tracks challenge you as a listener and require your full attention to genuinely appreciate and enjoy. After each listen it grows on me more and more. Layered beautiful album.

    This album is not for the impatient and people looking for quick easy melodies. Be patient!!!
    Expand
  93. Sep 5, 2019
    10
    There is nothing better than this album. Pneuma is my favorite. Best surprise was to hear a drum solo song on an album.
  94. Sep 4, 2019
    10
    Fear Inoculum is a masterpiece. It's a Tool album that fits in nicely with the rest of their discography and certainly as a proper follow up to 10,000 Days. Even 13 years later is sounds like they never missed a beat, never lost their sound or their skills, or their vision. Maynard James Keenan's lyrics are as sharp and mysterious as ever; his voice is still spectacular. The combination ofFear Inoculum is a masterpiece. It's a Tool album that fits in nicely with the rest of their discography and certainly as a proper follow up to 10,000 Days. Even 13 years later is sounds like they never missed a beat, never lost their sound or their skills, or their vision. Maynard James Keenan's lyrics are as sharp and mysterious as ever; his voice is still spectacular. The combination of Adam Jones' unique guitars, Justin Chancellor's booming bass, and Danny Carey's carefully controlled chaos on the drums still give me chills after all these years. It doesn't feel Tool's been gone for 13 years. It feels like they've still been here all along. If you hate this album, if you can't listen to it...then you're not a Tool fan. You never were. THIS IS TOOL. THIS IS WHAT THEY SOUND LIKE. Expand
  95. Sep 4, 2019
    10
    I'm a TOOL fanboy and I love the album. I get that they're an acquired taste. I think it's great.
  96. Sep 4, 2019
    9
    After quite a few listens to the album, I gotta say it is well worth the 13 year wait. Every song on the album is definitely Tool quality. Adam Jones really showcases his riffs, Justin Chancellor's off kilter bass rhythms are great and the octopus Danny Carey powers though every song with his drums. As always, MJK's lyrics are basically poetry and are excellent. His vocals have somewhatAfter quite a few listens to the album, I gotta say it is well worth the 13 year wait. Every song on the album is definitely Tool quality. Adam Jones really showcases his riffs, Justin Chancellor's off kilter bass rhythms are great and the octopus Danny Carey powers though every song with his drums. As always, MJK's lyrics are basically poetry and are excellent. His vocals have somewhat softened in style, but for a guy who is in 3 bands and is almost 60 he sounds pretty damn good. To all the naysayers who say there are "filler" tracks, NEWSFLASH, they have them on practically every album. Those songs are simply there to convey a mood for the next track. Don't just give this album one listen, give it MULTIPLE and I swear you won't be disappointed. Expand
  97. Sep 4, 2019
    10
    You can't judge Tool music that quick. This is just silly. Try to swallow this album first without choking. Once you do, listen how it starts to diagest. It always grows on you.
  98. Sep 4, 2019
    8
    Overall it's a great album that features great performances of Adam and Danny. Personally, I would have wanted to hear more invested vocals and more synergy between them. The interludes feel out of place, disconnected from the rest of the music and uninteresting.
  99. Sep 4, 2019
    10
    13 years in the making, those who are worried that time would perhaps deliver something other than exceptional need not worry, this is a truly majestic piece of work. Layered and textured, like previous Tool albums, this album deserves your attention with nuances that become apparent upon further listening, a feast for the ears. The music is different to previous albums in that it is13 years in the making, those who are worried that time would perhaps deliver something other than exceptional need not worry, this is a truly majestic piece of work. Layered and textured, like previous Tool albums, this album deserves your attention with nuances that become apparent upon further listening, a feast for the ears. The music is different to previous albums in that it is softer in parts (these guys are 13 years older) a little of the anger has gone but still the quiet gives way to chugging guitar and machine like drumming, the bass drum sounds like a Harley motorbike starting up, insane. A great clean mix with bass guitar to the forefront with the drums over this rather than behind gives it a freshness, Adam's technical licks give it that high end, and Maynard's signing transcendent, forced at times, but still restrained, sublime. 10/10 for a Tool fan, 8/10 for a non fan that must appreciate the fine craft, scores of 0? That's not really fair on what is in my opinion their best work. Expand
  100. Sep 4, 2019
    9
    This album slaps after a few listens, but that's the standard recipe for Tool. For me, it falls between Lateralus and Aenima and maybe slightly ahead of 10,000 Days. Each song is a roller coaster that bobs and weaves between tranquil melodies, signature Tool timing, long and calculated builds, and soul jarring breakdowns. This is the complete package for Tool fans, stem to stern. BiggestThis album slaps after a few listens, but that's the standard recipe for Tool. For me, it falls between Lateralus and Aenima and maybe slightly ahead of 10,000 Days. Each song is a roller coaster that bobs and weaves between tranquil melodies, signature Tool timing, long and calculated builds, and soul jarring breakdowns. This is the complete package for Tool fans, stem to stern. Biggest drawback are the interludes that are common for Tool albums but in this one, they are certainly more of a distraction than an element that builds into the record as a whole. Expand
Metascore
81

Universal acclaim - based on 23 Critic Reviews

Critic score distribution:
  1. Positive: 19 out of 23
  2. Negative: 0 out of 23
  1. Oct 9, 2019
    63
    The album plays like an extended mood piece that bends and drifts, with a shortage of the crushing hard-rock crescendos and riffs that defined the band’s work on “Lateralus” (2001) and before.
  2. Sep 19, 2019
    60
    Sadly, there’s nothing on Fear Inoculum as immediately accessible or anthemic as past Tool glories like “Sober” or “The Pot,” but what is here will reward repeated spins, even if listeners initially find themselves waiting for those mammoth riffs to show up, a la “7empest,” or for Maynard to finally kick into high gear, as in the rousing refrain of “Descending.”
  3. Sep 10, 2019
    70
    Musically, Tool have taken the best of Lateralus's dynamism and the heaviness of 10,000 Days to explore the middle ground with great length on Fear Inoculum. Those who stuck it out through the decade-plus wait won't mind hanging around a little longer until the album's close.