Flashmob Image

Universal acclaim - based on 7 Critic Reviews What's this?

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Universal acclaim- based on 9 Ratings

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  • Summary: This is the second full-length studio album for the French-born electronic artist.
Score distribution:
  1. Positive: 5 out of 7
  2. Negative: 0 out of 7
  1. Uncut
    Audacious cybernetic pirouettes such as "Poison Lips" and "Flashmob" bear the hallmarks of a musician enjoying a purple patch, who is able to caress from his machines a spectrum of emotion that leaves the listener purring with pleasure. [Oct 2009, p.119]
  2. Whether or not it is as defining a release as OK Cowboy even feels somewhat incidental in the end, as Flashmob is easily the most enjoyable, addictive, air-keyboard-inducing electronic record that the year is likely to produce.
  3. It shows more strings to his bow, with full on reckless hedonism mixing freely with cool electro. It's a heady, intoxicating brew.
  4. Flashmob is some of Vitalic's most artful, even subtle work. It may or may not be as profoundly influential as "OK Cowboy," but it's just as engaging and even more cohesive.
  5. Like those first-wave rave producers, Arbez wants to have it all: to make listeners smile, shake their shit, and still walk away a little shaken by the music's intensity. Flashmob pulls off this near-impossible combo with more skill than even Vitalic's fans may have expected.
  6. Q Magazine
    His synapse-fusing take on acid-house, however, first showcased on 2005's OK Cowboy, reamins an underground phenomenon--this sequel won't alter that. [Nov 2009, p.114]
  7. In truth, the majority of this largely monotonous second outing becomes a one-size-fits-all affair, and you’re left digging around in this hallucinogenic haze for a new high.
Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. j30
    Jan 30, 2012
    Flashmob is a fantastic follow-up to OK Cowboy and in some ways better than it's predecessor.