From a Room, Vol. 2 Image
Metascore
80

Generally favorable reviews - based on 9 Critic Reviews What's this?

User Score
7.6

Generally favorable reviews- based on 14 Ratings

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  • Summary: The third full-length release for the award-winning country singer-songwriter was produced with Dave Cobb.
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Score distribution:
  1. Positive: 8 out of 9
  2. Negative: 0 out of 9
  1. Dec 1, 2017
    91
    Stapleton’s gravelly vocals sell his own openly emotive songs like no one else could, the poetic imagery in tracks like “Scarecrow In The Garden” transcending typical beer-and-babes fodder.
  2. Dec 8, 2017
    80
    It’s a short, casual release, so much so that it’s easy to miss just how expertly crafted these songs are.
  3. Dec 1, 2017
    80
    Again, the songs feel like unearthed classics.
  4. Dec 15, 2017
    80
    Vol. 2 was also able to capitalize on some of the weaknesses of Vol. 1. Where "Death Row" felt like a under-developed missed opportunity for an outlaw prison song, "Midnight Train to Memphis", which he formerly recorded with the Steeldrivers, comes in with rumbling ferocity as the doubled guitar/bass solos elevate the song to an instant blues-rock classic and one of Stapleton's most exciting tracks to date.
  5. Dec 11, 2017
    73
    Vol. 2 leavens its heavier moments with songs that celebrate the simple joys of love and marriage and family, without lapsing into sentimentality.
  6. Uncut
    Dec 21, 2017
    70
    There was much more to Stapleton than the Music Row standards he'd been cranking out for others, and Vol. 2 further confirms this suspicion. Under his own name, and own steam, Stapleton cleaves closer to the outlaw ethos of Waylon Jennings, Hank Williams Jr and Johnny Paycheck. [Feb 2018, p.32]
  7. 60
    While this partner set doesn’t have quite the sustained quality of the preceding album released six months ago, it still affirms the value of spiking country music with a strong shot of rhythm & blues.

See all 9 Critic Reviews

Score distribution:
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  2. Mixed: 0 out of
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