Generally favorable reviews - based on 9 Critics

Critic score distribution:
  1. Positive: 8 out of 9
  2. Negative: 0 out of 9
Buy On
  1. Dec 1, 2017
    Stapleton’s gravelly vocals sell his own openly emotive songs like no one else could, the poetic imagery in tracks like “Scarecrow In The Garden” transcending typical beer-and-babes fodder.
  2. Dec 15, 2017
    Vol. 2 was also able to capitalize on some of the weaknesses of Vol. 1. Where "Death Row" felt like a under-developed missed opportunity for an outlaw prison song, "Midnight Train to Memphis", which he formerly recorded with the Steeldrivers, comes in with rumbling ferocity as the doubled guitar/bass solos elevate the song to an instant blues-rock classic and one of Stapleton's most exciting tracks to date.
  3. Dec 8, 2017
    It’s a short, casual release, so much so that it’s easy to miss just how expertly crafted these songs are.
  4. Dec 1, 2017
    It's a collection of moments, just like From a Room, Vol. 1, but that's the charm of From a Room, Vol. 2. Stapleton isn't crafting a major statement; he's knocking out a bunch of songs that work on their own terms--and when the two records are combined, it's clear he's the lifer he intends to be.
  5. Dec 1, 2017
    Again, the songs feel like unearthed classics.
  6. Dec 11, 2017
    Vol. 2 leavens its heavier moments with songs that celebrate the simple joys of love and marriage and family, without lapsing into sentimentality.
  7. Uncut
    Dec 21, 2017
    There was much more to Stapleton than the Music Row standards he'd been cranking out for others, and Vol. 2 further confirms this suspicion. Under his own name, and own steam, Stapleton cleaves closer to the outlaw ethos of Waylon Jennings, Hank Williams Jr and Johnny Paycheck. [Feb 2018, p.32]
  8. Dec 1, 2017
    If anything, the album flows together even better than Volume 1, where the disparity between light-heartedness and heavier themes was an occasional distraction.
  9. 60
    While this partner set doesn’t have quite the sustained quality of the preceding album released six months ago, it still affirms the value of spiking country music with a strong shot of rhythm & blues.

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