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It's all good. Favourites switch with listens, and we can assure you that this record will remain on your deck all year.
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If this combination of big-name backers, undeniable skills, radio-ready tracks and a marketable thug persona make Get Rich or Die Tryin' a sure-shot smash hit, it also makes it a great record.
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More sonically adventurous than its mainstream look suggests.
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Get Rich isn't quite the masterpiece 50 seems capable of, impressive or not. But until he drops that truly jaw-dropping album -- which you know he will -- this will certainly do.
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The variety and talent this album offers is enough to recommend it to almost any rap fan.
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BlenderEven at their most nihilistic, these 16 songs resonate melodically, like Eminem's most haunting material. [#15, p.118]
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Q MagazineHis rap style isn't as distinctive as Ja Rule or DMX, but as the singalong Many Men (Wish Death) shows, with Eminem on his team, there's no stopping him. [May 2003, p.98]
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As reality-based as the words may be, we've heard variations on these themes before, and 50, far from being the world's most nimble rhymer, doesn't always infuse them with new power.
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50 Cent's skills are better suited to the nagging digi-loops of inevitable smash single 'In Da Club', the steel drum roll-out of 'P.I.M.P.' and '21 Questions' - perhaps the track most like something that you might have found Tupac or Biggie at work on in their prime.
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For all the flaws in 50 Cent's persona, Get Rich or Die Tryin' isn't without its redeeming qualities.
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Most of these rhymes are too shallow to warrant the hopeful comparisons to Biggie and Tupac. But if you want the best disposable gangsta tunes on the market, 50 Cent offers a definite bargain.
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Unfortunately, this disc's positives don't add up to a great album: Plenty of boilerplate g-funk thuggery serves as filler.
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Sure, Get Rich could never have lived up to the hype, its nowhere near Biggie's Ready to Die or Nas's Illmatic, but there's no fast-forward material here, a near miracle in these times.
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Unless you are the president of the NRA or addicted to Cops-type tales, 50 Cent's debut is strictly small change.
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The outcome is as natural as John Gotti singing Sinatra.
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Uncut[An] unapologetic throwback to straight-assed songs about guns, girls and drugs. [May 2003, p.109]
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Without question, 50 Cent has one of the most distinctive voices in hip-hop: He raps in a molasses-slow, beyond-laconic drawl, and chants in a singsongy patois reminiscent of dance-hall stars like Sean Paul. But there isnt enough invention in the rhymes, and, worse, barely any humor.
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Only intermittently justifies the buzz surrounding the rapper's career.
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MojoIt's impressive, but heavy going, with scant trace of 50's acerbic humour. [Apr 2003, p.114]
Awards & Rankings
User score distribution:
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Positive: 275 out of 313
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Mixed: 10 out of 313
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Negative: 28 out of 313
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Apr 9, 2011
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CrystalMFeb 18, 200350 cent is so fine a no matter what that b**** Ja Rule has to say about him I still love his fine ass!
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May 27, 2023some obvious fake 50 cent fans out there - dont recognise good music when they hear it
best album for 50