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Mar 27, 2012Ghosts is the thinking electronic music fan's subtler and more paranoid alternative to Amon Tobin's brick-smashing A/V opus, ISAM.
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Mar 27, 2012Another excellent long player to savor from Monolake.
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Mar 27, 2012Henke is always at great pains to direct Monolake so that it exists in a constant dialogue with the dancefloor and with its multifarious abstract leanings, Ghosts pushes that challenge to its limits. That it succeeds on both counts whilst balancing a fictive pathway with real emotion only makes it more remarkable.
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May 23, 2012The ghosts in Monolake's latest creation are more subtle -- bubbling, evasive presences that unsettle the equilibrium of each track without derailing it.
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The WireApr 18, 2012Ghosts continues the work of previous albums, but nonetheless manages to be a blast of fresh air. [Mar 2012, p.57]
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Apr 12, 2012Even a short listen on a mediocre system reveals that Henke possesses the rare ability to bring out the soul in his machines. As with most of his records, Ghosts is full of paradoxes: It's electronic but acoustic, monochromatic but multifaceted, mechanical but lifelike.
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Mar 27, 2012Ghosts, at surface level, appears to be cut from the same futuristic mold with its uninviting and foreboding artwork and premise, but closer inspection finds album no. 8 to be the artist's most approachable album to date.
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Mar 27, 2012Ghosts, Monolake's eighth record, is one of his most approachable and organic outings to date.
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