
- Summary: The second full-length release for the Irish post-punk band The Murder Capital was produced by John Congleton.
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- Record Label: Human Season Records
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 11 out of 12
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Mixed: 1 out of 12
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Negative: 0 out of 12
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Jan 23, 2023At their best, which is often on Gigi’s Recovery, the Murder Capital combine muscular drama and skeletal grace with a confidence that Radiohead would be proud of.
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Jan 19, 2023Gigi's Recovery is an excellent record, and The Murder Capital have laid the first real claim to Album of the Year.
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Jan 19, 2023There's something hypnotic about The Stars that Leave the Stage, one of the most inscrutable and forward-thinking cuts here, on which he establishes a calamitous tension over a spooky piano motif reminiscent of Nick Cave & the Bad Seeds' From Her to Eternity. The band sounds largely more muscular and self-assured, with a terrific rhythm section to boot.
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MojoJan 19, 2023Gigi's Recovery fully achieves TMC's transformative purpose, its lyrics of unflinching self-scrutiny leading to side two's exhilarating Only Good Things and the thrillingly airborne climactic title track. [Feb 2023, p.82]
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Jan 20, 2023If you need a soundtrack to your 90 in 90, this is it. The pitfalls, the purity, the piousness of recovery. Just promise you’ll listen to it at least three times. It’s worth it.
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UncutJan 19, 2023While this Dublin quintet's latest stops short of total reinvention, the changes are marked - John Congleton brings the darkly spangled, alt.rock power, and textured synths do a lot of the melodic lifting. [Feb 2023, p.32]
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Jan 20, 2023Full of safe risks, Gigi’s Recovery is very much a transitional album as The Murder Capital look to evolve without alienating their fanbase. Doors are left wide open for subsequent reinventions but for now, the five-piece are comfortable sticking close-by what they know.
Score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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Jan 20, 2023
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Feb 8, 2023
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