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RevolverBacked by a bevy of sublime, aggravated tracks, G.O.A.T. is L.L.'s most aggressive, rhyme-centric effort since Radio. [#2, p.112]
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On G.O.A.T., LL Cool J has renewed his old-school style for a new generation of fans while still retaining old-school support.
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The overall package is a slick, Rockwilder-produced old-school styled joint that's still got a foot in the year 2000 -- classic and timely all at once.
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This time around, LL goes deep and scores with his most consistent, diverse, adventurous, dome blowing/SUV-bumping set of tunes since the Mama Said album...
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G.O.A.T. glows with the heat of his rhymes.... LL's delivery is so sly and seductive, he can be as nasty as he wants to be. And he has the beats to back it up...
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Taken individually, the tracks on G.O.A.T. often stand tall, and as a rapper, LL Cool J is unparalleled -- his delivery is unique and totally familiar. Brought together as a whole, however, the record falls short of the near perfection he's found in the past...
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LL... seems to have regained the fire that was sorely missing from his previous release, "Phenomenon."
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Proving he's no slouch when it comes to keeping up with musical trends, he's brought in producers like DJ Scratch and one-time junglist Adam F to make sure his beats match up to his evergreen vocal skills. And it works... Amazingly, this is his ninth album, yet he still sounds fresh.
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Checkout.comThough G.O.A.T.'s songs are all new, they do bear more than a whiff of the familiar, with the rapper looking back in time to invoke the tried-and-true formulas which have brought him chart-topping success throughout his storied career.
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