Metascore
74

Generally favorable reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 17
  2. Negative: 0 out of 17
  1. Here Come The Tears sounds like the best album that Suede never made, full of romantic, smouldering pop songs with a soaring depth to them.
  2. Here Come the Tears is what Coming Up would have been if Butler had stuck around: it's cinematic and bright, lush and passionate, halfway between the incessantly catchy pop that wound up on Coming Up and the sighing romanticism and larger-than-life sweep of Dog Man Star.
  3. Filter
    84
    The duo has not lost their touch for writing memorable tunes. [#16, p.92]
  4. It is raw, emotionally stirring, and the best album you’ll hear this year, by a mile.
  5. This is a compelling debut/reunion, with the two men seeming to push each other far more than any of their recent collaborators have.
  6. Under The Radar
    80
    It is everything one would have expected Suede to become after over a decade. [#10, p.114]
  7. It’s obvious that Brett Anderson and Bernard Butler have not lost a bit of the touch that made them famous in the early 1990s.
  8. Spin
    75
    If this reunion... isn't a revelation, it still has its thrills. [Aug 2005, p.103]
  9. As a whole, 'Here Come The Tears' is a welcome collection of songs, even if the sentiment of it all does become a little saccharine-queasy after a while.
  10. Despite the handful of duff tracks and a couple of absolute howlers, 'Here Come The Tears' is a fine album - certainly not the best they've made together, nor even apart, but accomplished, ambitious and often highly impressive.
  11. This isn't that far from the records Suede made without their errant guitarist. However, Anderson's familiar Bowie affectations sound all the more affecting with Butler chiming away.
  12. There's nothing as great as "New Generation", "She's Not Dead", or "The 2 of Us" but there doesn't have to be, either, because the Tears have enough natural dynamism of their own to stand alone.
  13. Mojo
    70
    They have clearly been rejuvenated by this beguiling collaboration, producing their best work for years. [Jul 2005, p.110]
  14. Here Come the Tears fits nicely in Anderson and Butler's catalogs and certainly beats anything they've done in the last five years, but it makes matters clear that all they'll ever do is release clones of what they once were.
  15. Uncut
    60
    It's not a disaster, by any means.... It's just that, over 13 songs, it's abundantly clear that whatever the potency of this partnership, there's an old lack of range. [Jul 2005, p.89]
  16. Disappointingly, there's little here to startle the natives.
  17. Q Magazine
    40
    Butler's attempts at the old guitar dramatics are hopelessly overwrought. [Jul 2005, p.115]
User Score
8.2

Universal acclaim- based on 75 Ratings

User score distribution:
  1. Positive: 63 out of 75
  2. Negative: 11 out of 75
  1. Taco
    Feb 19, 2007
    10
    Essential.
  2. Linda
    Jul 8, 2006
    7
    It is a good album, however it sounds nothing like Dog Star Man, and I can't help but be amazed at hearing people say it does. Soaring It is a good album, however it sounds nothing like Dog Star Man, and I can't help but be amazed at hearing people say it does. Soaring tunes with meaningless lyrics - it sounds like the stuff of Bernard Butler's solo albums enlarged. It has nothing of the gritty, glam feel of Dog Star Man - instead it produces uplifting pop ballads which are gorgeous, but nonetheless entirely forgetable. It just doesn't measure up to any of the first three Suede albums. I would however give it an 8 (it is pretty to listen to) if it wasn't for the unbelievably 'throw away' lyrics. The bad lyrics wouldn't be so much of a deal, but Brett makes every word of them perfectly clear - you can't just lose yourself in the sound as you can with Supergrass's Road to Rouen - instead you are forced to listen to painfully bad lines like "we stick like chewing gum." Full Review »
  3. [Anonymous]
    Jan 15, 2006
    10
    Awesome!