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Despite the speed at which it came together, the album sounds as polished. But sometimes you wish he would reach beyond his grab-bag of influences and push out something with shocks-a-mighty.
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UncutThe Dead Weather is another slightly unsatisfying fling alongside The Raconteurs. [Jul 2009, p.84]
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Under The RadarIt's the perfect summer album for anyone who was a huge Zeppelin fan in high school. [Summer 2009, p.60]
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As it is, it starts promising, but ends up feeling like the very thing it purports not to be: another calling card for Jack White's multifarious talents.
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Perhaps with a bit more effort converting the jams into actual songs this would have been a worthy jump off as opposed to the album's incandescent highlight. Your forecast then, occasional flashes of brilliance but largely dreary.
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Its creators will surely insist that they’re proud of their work and that’s all the approval they need. All the same, it’d probably be nice for them if you could imagine anyone who didn’t already like The White Stripes and/or The Kills buying this.
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Q MagazineHorehound's strengths are also its weaknesses--the rush with which it came together, the sense that it amounts to Jack White playing to type. But like Jack White, too, when it's good, it's very, very good. [Aug 2009, p.102]
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Away from his day job, White is less creatively liberated, and surrounding The Dead Weather there's a very strong whiff of conventional, rather clumpy Middle-America jock rock.
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The Dead Weather makes smegma rock. It’s a squirming, nauseating label no doubt, but so is Horehound, convinced that skuzzed-up guitars and swamp blues roots demand sleaze, humidity, and grime.
Awards & Rankings
User score distribution:
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Positive: 47 out of 52
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Mixed: 2 out of 52
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Negative: 3 out of 52
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drewpJul 30, 2009
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Nov 22, 2011
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Jan 8, 2011