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Entertainment WeeklyThe result is rueful and gorgeous. [22/29 Aug 2008, p.125]
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It's a tight, cohesive record with a subtle but undeniable resonance, a record that Juliana Hatfield always seemed on the verge of delivering but finally has.
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Hatfield does her moody, catchy indie-pop to near-perfection after so much practice (nine solo albums during the past 16 years), and entertaining examples abound here.
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Whether grasping for resolve in the stoutly punctuated pulse of "Now I'm Gone" or taking a sober angle on the rattling flow of "Shining On," she soul searches with the best of them, even when it sounds like she might be searching one that belongs to someone else.
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With her most polished, accessible production since 2000's slept-on "Beautiful Creature" and her ear for a memorable pop melody evident for the first time in years, Walk Away even stands to appeal to an audience beyond Hatfield's devoted cult following.
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Songs this bitter demand catharsis, but nestled in its pop cocoon, that side of Hatfield's story instead gets stifled by the soft bomb approach when what you really want is for the singer, once and for all, to explode in rage and break something.
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Surprisingly vital.
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Under The RadarWhat Hatfield lacks in lyrical grace--she makes up in conviction. [Summer 2008, p.82]
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If only there was more of this devilish grit on How To Walk Away.
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Produced by Andy Chase of the indie-pop band Ivy, the record pairs Ms. Hatfield’s compact songs with an unabashedly commercial sound, a strategy that works about half the time.
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The album has its moments but suffers from fussy production.
User score distribution:
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Positive: 8 out of 9
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Mixed: 0 out of 9
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Negative: 1 out of 9
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KevinM.Aug 23, 2008Very well produced. Great songwriting.
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MatthewB.Aug 22, 2008