User ratings in Music are temporarily disabled. More info
- Summary: Released under the expanded name, Tim Presley’s White Fence, the seventh full-length solo release for the California rock artist was recorded in San Francisco by Jeremy Harris.
Buy Now
| Buy on |
|
- Record Label: Drag City
- Genre(s): Pop/Rock
- More Details and Credits »
Score distribution:
-
Positive: 10 out of 12
-
Mixed: 2 out of 12
-
Negative: 0 out of 12
-
Nov 8, 2019An eerie, whimsical sheen coats jaunty guitars, arty baroque keys, and choral intonations, with delicate lyrics skewing surprisingly funny at times as they warp the burdens of addiction and the lovelorn.
-
Jan 28, 2019Easily his most accessible material, there's still a lot of uncomfortable emotional and sonic wreckage to sift through. Peeling back the layers of grime and giving listeners a chance to sift through it for themselves makes I Have to Feed Larry's Hawk feel like a debut from this already storied songwriter.
-
Jan 29, 2019An album which altogether represents a welcome change of direction.
-
Jan 23, 2019It sounds like Presley walked into a room, set up a few microphones, pressed record, and made Feed Larry's Hawk happen however he pleased. Maybe he played the tape back later, made the appropriate edits and mixes; that was it. The challenge is a success.
-
Jan 28, 2019Presley is an oddball psychedelic pop artist of considerable appeal. He’s also an experimenter in digital minimalism. Larry’s Hawk eats all kinds of stuff, apparently, and you just have to keep feeding him.
-
UncutJan 23, 2019Psychedelic beguilement a la Syd Barrett and Wyatt-ish pastoralism bent into eccentric shapes figure, but variety is key. [Feb 2019, p.30]
-
MojoJan 23, 2019Ducking and diving between ivories and six-string, his reedy-voice makes for a Syd Barrett attempting Todd Rundgren's Something/Anything? record, full of compulsive tunes, but ever off-centre. [Feb 2019, p.91]
Score distribution:
-
Positive: 0 out of
-
Mixed: 0 out of
-
Negative: 0 out of