• Record Label: Barsuk
  • Release Date: Aug 18, 2009
Metascore
70

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
  1. Intuit is, unfortunately, probably not a high profile enough release to be mentioned in the end-of-year lists nearly as frequently as any of the aforementioned albums. But it’s easily the equal of any of those releases, in terms of its breadth of vision and depth of emotion, and it really establishing Knopf as a supremely talented and truly heartfelt songwriter.
  2. They're like a combination of Where the Wild Things Are, a fever dream, a pagan woodland ceremony, and a notebook doodle. The music is worth taking in, too, over and over again.
  3. Intuit makes sense, easy enough; it elucidates Knopf’s part in his more popular band, as if that were a secret, and it tentatively allows a familiar songwriter some more control, some new ground.
  4. Alternative Press
    70
    With more focus on Knopf's reedy voice, acoustic guitar and piano/synth progressions, Intuit sets itself apart from Knopf's day job with aplomb. [Sep 2009, p.108]
  5. Despite the possibility for a scatterbrained collection, the album holds strong and each track maintains a certain commonality through the writing and the emotional build within.
  6. 70
    Knopf’s unpredictable melodies and funky orchestral arrangements (played by 35 indie- rock acquaintances!) keep tracks like 'I Say Fever' and 'Always Right' lively, resulting in an album that leans more toward epic than emo.
  7. Clearly a path Knopf has walked before, Intuit at times feels like it could stray a bit further from Menomena's obvious trail markers. However, even with the occasional misstep, chances are, when navigating the world of music side projects, you'd be hard pressed to find a more charming guide.
  8. Intuit contains four or five tracks that are absolutely as ambitious and, ultimately, as good as anything the indie scene has produced this year, and it's unfortunate that they may well be heard less because they share album space with a few too many failed experiments.
  9. Knopf only succeeds in doing more of what Menomena does best (which is to say, “better than Ramona Falls"): carving out handsomely arranged albums overstuffed with ideas.
  10. Q Magazine
    40
    While there is plenty to admire in the ambition, there's little to love, as memorable hooks prove to be at a premium. [Oct 2009, p.116]

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