• Record Label: Columbia
  • Release Date: Mar 12, 2013
Metascore
63

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 9 out of 16
  2. Negative: 1 out of 16
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  1. Entertainment Weekly
    Mar 8, 2013
    83
    Natalie Bergman and her brother Elliot are too inventive to get cast as style-rock band, experimenting with African thumb pianos, dub-reggae grooves, and sultry soul vocals with deep pass-the-dutchie raspiness. [15 Mar 2013, p.62]
  2. Mar 8, 2013
    75
    With its exotic instruments and spacious arrangements, this is a first-rate pop album that doesn’t sound quite like anything else on pop radio.
  3. 70
    The mood is enriched by an ambitious approach to what seems on the surface to be modest pop songs, which reveal themselves to be far more elaborate, challenging and unusual.
  4. Mar 21, 2013
    70
    Wild Belle’s debut is a respectable exercise of ethereal pop.
  5. Mar 13, 2013
    70
    Natalie’s embattled relationship tales balance the island vibes, and Elliot’s expressive backdrops frame each without battling for attention.
  6. Mar 11, 2013
    70
    With songs largely based around Natalie's love of soul and melodic '60s pop, Wild Belle have a less frenetic, if still hypnotically languid take on NOMO's world fusion sound.
  7. Mar 8, 2013
    70
    Isles ends up an easy pleasure--nothing too weighty, but substantial in its way.
  8. Mar 13, 2013
    67
    Without their smart lyrics and complex instrumentation, listeners would feel like they're listening to the same song again and again.
  9. Mar 12, 2013
    67
    Ultimately, Isles falls somewhere between juvenile and sophisticated, which puts it comfortably in the mystifying realm of American pop.
  10. Mar 18, 2013
    60
    All in all, with Isles, Wild Belle is sure to attract many visitors who will visit for a quick party, but end up staying on for the island romance.
  11. Mar 15, 2013
    60
    Sure Isles coasts at times, snoozes on occasion and pales if compared to, say, Taken by Trees’ similarly tropical but superior Other Worlds but its bonhomie and infectious, wide-eyed perkiness still warrants a good ol’ holiday-romance romp in the dunes.
  12. 60
    Happily, their music is less predictable than that geographical inevitability.
  13. Mar 11, 2013
    50
    While the album is described as a myriad of styles, there’s nothing to really demonstrate this: only the reggae and reggae-related genres are consistently and tiresomely reflected.
  14. Uncut
    Mar 8, 2013
    50
    Manicured cuteness, trite melodies and a tendency to banal, genial navelgazing leave an impression of carpet-bagging slackers contriving decorous but vapid Tourist Board pop. [Mar 2013, p.79]
  15. Q Magazine
    Mar 11, 2013
    40
    [Natalie Bergman's] undoubtedly gifted, but the end result feels as passionless as a first date at Starbucks. [Apr 2013, p.112]
  16. 30
    It’s about as exotic as a cocktail umbrella.
User Score
7.1

Generally favorable reviews- based on 7 Ratings

User score distribution:
  1. Positive: 4 out of 7
  2. Negative: 0 out of 7
  1. Sep 1, 2013
    7
    Natalie and Eric came out of nowhere with an album that sounds like it's been shaped over the course of a decade. The usual derision thatNatalie and Eric came out of nowhere with an album that sounds like it's been shaped over the course of a decade. The usual derision that would come with a white, brother and sister indie band playing reggae is not here, because let's face it there aren't that many white, brother and sister, indie reggae playing bands. They are a breath of fresh air. The sounds are authentic and flow with ease. They are also catchier than syphilis. And it's not all reggae here and not all female vocals either. Eric steps in for the track 'When It's Over', detailing the demise of a relationship.
    The lyrical content is piercing, but not intense. Instrumentation is accentuated beautifully with horns and genuine reggae and ska basslines. This is a very fresh, incredibly likeable debut and one that fills a gap, modernizes a genre and remains as true to their inspiration as you could hope a band to get. I genuinely hope to hear more from WB.
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