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Q MagazineOct 22, 2019Playing almost everything himself, his command of sounds and styles feels masterful, seamlessly gliding between MOR-ish pop funk, stacks of gothic choral harmonies and the dreamy future-psych of Tame Impala. [Dec 2019, p.106]
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MojoOct 22, 2019His wunderkind status is underlined by an obvious passion for Brian Wilson: stacked harmonies, deft chordal shifts. In Butterflies From Monaco, that Wilson influence comes laced with sturdier fragments of rock and funk a la Prince. [Dec 2019, p.93]
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Oct 22, 2019That Jules is so hard to pin down is a big part of its appeal; wondering where he'll go next is almost as exciting as the music he's already made. One thing is for sure: This album is an introduction to a first-rate musical mind.
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Oct 22, 2019Full marks for exploration, but in this case the simplest tricks work the best.
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Oct 22, 2019It typically takes young musicians quite a long time to find their unique sound, but we’re lucky to hear Julien Chang searching for his in real time.
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Dec 9, 2019While his lush harmonies are occasionally quite striking (as on the slow-motion Fleet Foxes pastiche “Butterflies From Monaco”), this tendency leaves lethargic material like “Somerville Demo” feeling especially listless. On an album as rich with the spirit of teenage discovery as Jules, these are forgivable sins.