Generally favorable reviews - based on 25 Critic Reviews

Critic score distribution:
  1. Positive: 19 out of 25
  2. Negative: 0 out of 25
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  1. Jun 4, 2013
    It can’t ever realistically hold a candle to The Modern Dance or its seismic follow-up Dub Housing, but it regularly flirts with inspiration.
  2. Feb 19, 2013
    It’s nowhere near as annoying, despite my physically manifest aversion to it, but it definitely is not trying to please you, or make you comfortable, or even happy in any way.
  3. Jan 11, 2013
    The concept understood, no longer intriguing, no longer as unique as it's presented, runs out of interpretations on the final induction of every theory and concept highlighted.
  4. Jan 4, 2013
    Although this is a far cry from the standard of their late Seventies heyday, the band have continued down their obscure path with little deviation, creating a sound which, although challenging and on occasion elitist, is there own.
  5. Jan 4, 2013
    This is no pop album, and the more freeform passages can be difficult to get a grip on. But go with the high concept and there's plenty to appreciate in Thomas's doggedly peculiar methods.
  6. Jan 7, 2013
    Lady from Shanghai, a mess of sonic blips and disorienting blotches of misshapen clutter, has no secrets; it's impossible to dig deeper into something that's only surface-deep.

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