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- Summary: The fifth full-length solo studio release for the British producer features guest appearances from Camila Cabello, Miley Cyrus, Diana Gordon, Ilsey, Alicia Keys, King Princess, The Last Artful, Dodgr, Lykke Li, Angel Olsen, and YEBBA.
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- Record Label: RCA
- Genre(s): Pop, Pop/Rock, Club/Dance, Pop-Rap
- More Details and Credits »
Top Track
Find U Again | |
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[Pre-Chorus: Camila Cabello] I'll try to pass the night away with somebody new But they don't have a shot when I compare them to you [Chorus: Camila... | See the rest of the song lyrics |
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Score distribution:
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Positive: 13 out of 17
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Mixed: 4 out of 17
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Negative: 0 out of 17
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Jun 21, 2019As is most of this album. With “Late Night Feelings,” Ronson has served up a perfect post-night-out soundtrack, romantic and intimate — and a real album, with nary a weak track to disrupt the late-night feels (sorry).
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Jun 17, 2019Ronson’s ability to tap into each artist’s strengths and dig out their particular prowess allows each voice to shine through and own each individual track. This is what elevates the record to a guaranteed award winner and a truly empowering listen.
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Jun 20, 2019The emotional cohesion the record loses in its shifting cast of singers/songwriters/genres it makes up in DJ-savvy textural variety.
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Jun 27, 2019Individual songs don’t matter quite so much as the overriding mood. Compared with the brash appeal of Uptown Funk, I’m not sure you could really describe these as bangers. They are more like Catherine wheels spitting flames into the night before burning out. And all the lovelier for it.
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Jun 28, 2019Late Night Feelings is not the first recent record to treat the sadness of women as a healthy response to all manner of hurt. It is, however, a worthy entry in this still-developing pop pantheon, authentic and honest in its rendering of many shades of feminine sorrow.
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UncutJun 17, 2019Contributions from Angel Olsen and newcomer YEBBA may be more subtle, but reveal themselves to be the real hidden diamonds. [Aug 2019, p.36]
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Jun 21, 2019Most of these tracks would probably count as mid-tempo throbbers, and this aesthetic cloys a bit by the end of the record. In the same interview he also joked that this release exists because he “owes the label an album”, and this is evident in the filler that pads out an EP’s worth of good tracks.
Score distribution:
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Positive: 6 out of 9
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Mixed: 1 out of 9
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Negative: 2 out of 9
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Jun 21, 2019
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Feb 6, 2020
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Jun 21, 2019
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Jun 21, 2019A producer that launches an album with different productions of the generic beats that we are accustomed to. Congratulations, Mark!
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May 29, 2020
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Jun 25, 2019
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Aug 9, 2019
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