Lei Line Eon
by Iglooghost
  • Record Label: N/A
  • Release Date: Apr 2, 2021
User Score
tbd

No user score yet- Awaiting 2 more ratings

User score distribution:
  1. Positive: 1 out of 2
  2. Mixed: 1 out of 2
  3. Negative: 0 out of 2
Buy Now
Buy on

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
view
per page
  1. Lavish123
    Apr 9, 2021
    7
    This review contains spoilers, click expand to view. What Good, the second song on All Can Burn, pours straight out of the screaming ending of Dan Ritchie, opening with a dramatic trumpet melody, and bright, clear electric guitar accompaniment. Each song continues to build off of the last, leading wonderfully to the final song, the titular All Can Burn.

    “And this – my home – each day is prone to    … Expand

Critic Reviews

All reviews »
Metascore
79

Generally favorable reviews - based on 6 Critic Reviews

Critic score distribution:
  1. Positive: 5 out of 6
  2. Mixed: 1 out of 6
  3. Negative: 0 out of 6
  1. Beats Per Minute
    Apr 8, 2021
    81
    Iglooghost surveys beyond the sensory, straining to activate neurons in unexplored areas of the brain. As a result, elements that shouldn’t work somehow end up sounding cohesive, vibrant and new.
    Read full review
  2. The Observer (UK)
    Apr 6, 2021
    60
    Iglooghost’s formerly punishing BPMs give way to atmospheres and tracks – such as Light Gutter, featuring a female vocalist called Lola – that might be mistaken for actual songs.
    Read full review
  3. The Wire
    Apr 5, 2021
    70
    On “Pure GreyCircle” Malliagh intensifies the mixture, introducing slabs of bass tone that flex and squeeze against elusive beats. There’s some weird subject matter, too; across polished surfaces and sharp corners, tracks such as “Sylph Fossil” and “Zones U Can’t See” smuggle cosmic lyrics inside voices that whisper or glide, always diving below the mix or spinning above. [Apr 2021, p.66]
See all critic reviews »