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Light & Magic Image
Metascore
76

Generally favorable reviews - based on 12 Critic Reviews What's this?

User Score
8.3

Universal acclaim- based on 16 Ratings

  • Summary: The cosmopolitan electroclash foursome returns with a follow-up to their well-received 2001 debut, '604.'
Score distribution:
  1. Positive: 9 out of 12
  2. Negative: 0 out of 12
  1. Uncut
    90
    A considerable advance on predecessor 604.... This is sublime, subtle, subversive stuff. [Dec 2002, p.150]
  2. The songs are intriguing and engaging, invoking the ability to make audiences to both dance and pay attention to how well the music has been produced.
  3. Blender
    80
    Ladytron's doom-laden arrangements feel as accomplished as Radiohead jamming with the Pet Shop Boys. [#10, p.120]
  4. Ladytron has succeeded at programming a record so distant that you'll wonder just what comprises the wind beneath their wires.
  5. One of the better and more engaging nu-electro albums.
  6. Ultimately, the album's even-handed mix of [vocalists Helen] Marnie and [Mira] Aroyo makes Light & Magic a tasty cocktail of fiery sensuality and icy perfection.
  7. Only problem is, though, Ladytron still sound too self-consciously detached and robotic for us to view this as a great leap forward.

See all 12 Critic Reviews

Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Jan 1, 2021
    10
    A considerable advance on predecessor 604.... This is sublime, subtle, subversive stuff. [Dec 2002, p.150]
  2. Jan 1, 2021
    10
    Ladytron's doom-laden arrangements feel as accomplished as Radiohead jamming with the Pet Shop Boys. [#10, p.120]
  3. gusa
    Feb 10, 2007
    9
    Great chops every time but the album not have surprise, in every case very good to listen
  4. Apr 5, 2020
    7
    A solid synth pop album targeted to delight those looking for the angsts version of a runway model show soundtrack.

    It’s something to dance
    A solid synth pop album targeted to delight those looking for the angsts version of a runway model show soundtrack.

    It’s something to dance to but also take seriously. There’s hints of frustration, rebellion, and wanting to escape the norm that aptly fits the tone of a young adult just wanting to not take life too seriously yet something nags at them to take it more seriously.

    Musically it’s missing the live drum and bass lines that their follow albums had; it also features less personal lyrics and not as many tracks that standout above the others. The track “Seventeen” being their signature track here and fits better with their live sets now that they add the live drums to it.

    All in all for the existing fans this album is still a treat. For those that are just being introduced I’d recommend revisiting this album after hearing their later stuff. For those that only like this album, likely won’t care what I have to say here and are best to stick to watching their fashion shows and going to pretentious parties, just make sure those that are in this category blast this in their Chevrolet convertible while cruising down Santa Monica blvd
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