- Record Label: Southern Lord Records
- Release Date: Jan 14, 2022
- Summary: The live recording of Swedish singer-songwriter Anna von Hausswolff at 2018's Montreux Jazz Festival.
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- Record Label: Southern Lord Records
- Genre(s): Pop/Rock
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Score distribution:
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Positive: 5 out of 5
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Mixed: 0 out of 5
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Negative: 0 out of 5
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UncutFeb 2, 2022There's a relentlessly macabre tension and ultimately savage catharsis to these six songs. [Mar 2022, p.36]
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The WireMar 30, 2022She’s an astonishing live performer, but this is the next best thing and most likely a shoo-in for the best concert recording of 2022. [Mar 2022, p.46]
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Feb 2, 2022If you’re new to her, this is an ideal introduction to Hausswolff’s dense but sinuous music. But for true believers, it’s a blessed sacrament for the overwhelming of the ordinary world.
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MojoFeb 2, 2022It's not all strum und drang though. The beatless despair of Källans Återuppståndelse shows the harmonic subtleties at play within Von Hausswolff's bewitching repertoire of dissonance and drama. [Feb 2022, p.87]
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Feb 2, 2022Though Live at Montreux is an inviting survey for newcomers, it's also worth hearing if you’re already familiar with the source material. Some songs, like “Pomperipossa,” are reworked for maximum force, but the greatest rewards are subtler.
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