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- Summary: The second full-length release for the Nashville-based indie rock trio that includes Alicia Bognanno, Clayton Parker and Reece Lazarus was engineered and mixed by Bognanno.
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- Record Label: Sub Pop Records
- Genre(s): Pop/Rock, Alternative/Indie Rock, Garage Rock Revival
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Score distribution:
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Positive: 11 out of 13
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Mixed: 2 out of 13
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Negative: 0 out of 13
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Q MagazineOct 24, 2017Alicia Bognanno's diary-like vocals still slide from ingenue-like to raging screams and back again but now her delivery is a little more taut. It makes the bits where she loses control feel very real. [Dec 2017, p.102]
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Nov 2, 2017Growing up is hard but Bully make it sound exhilarating.
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Nov 27, 2017Her ability on both sides of the mixing deck is on full display throughout Losing, and her latest work strengthens her case as a supremely talented songwriter and producer.
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Oct 24, 2017Like Smashing Pumpkins did at their peak, Bully tease dimensionality out of their music by emphasizing the similarity, and then the space, between Bognanno’s voice and the guitars that squall around her.
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Nov 15, 2017The band might not have developed their sound, but they have made their feelings more explicit. Although there is bubbling rage to the group, there is still a comfort they bring to their listeners. The variation of vocals and instrumentation from high to low show a dynamic that is not easily attainable.
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Oct 24, 2017Bully's newfound vulnerability and over-earnestness ("unproductivity haunts me!") creates a wedge between them and their cynicism-prone Nineties influences. By delving inward, they carve a path forward.
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Oct 19, 2017There’s nothing inherently bad about anything on Losing, but nothing’s going to stick around, either.
Score distribution:
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Positive: 0 out of 2
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Mixed: 1 out of 2
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Negative: 1 out of 2
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Oct 21, 2017
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May 24, 2019This reminds me of all the terrible bands from the mid 90s that tried to cash in on the grunge craze my god this is really really really bad.
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