- Critic score
- Publication
- By date
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UncutTextured and complex. [Oct 2002, p.108]
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MojoMichael Lockwood's production occasionally affects a sound akin to a Vonda Sheppard reared on black dreams and Russian literature. [Oct 2002, p.98]
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Q Magazine[Mann has] returned to writing songs which are wry, funny, adult and perceptive, all wrapped up in handsome melodies. [Oct 2002, p.112]
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Spin[Producer] Michael Lockwood lets her coast along over bland accompaniment. [Oct 2002, p.114]
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Despite its inherently adult contemporary inclinations, Lost in Space does feature some of the great songwriting we've come to expect from Mann, and her songs are, in all reality, still pretty wounded and fractured.
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This is a rare record that simply responds to the quiet masses who maybe feel just a bit to much too often, and offers them a soothing, downbeat source of comfort without preaching or apology.
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The brevity and bleak emotional terrain of the 10-song Lost In Space seem designed to deflate the high expectations greeting it, but Mann remains a perfectionist throughout: Not a note or word is wasted throughout its nearly 40 minutes.
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Sonically rich, Lost in Space is home to some of Mann's most intimate storytelling.
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Lost in Space finds Mann in a rut, albeit one with clear sightlines on relationship stasis, occupational drift, and the balm of (unspecified) addictions.
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No one surpasses her as a master of poetic regret, and few albums examine the peculiar beauty of depression with the skill she brings to Lost in Space.
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Unfortunately, barring the opener, few of Lost In Space’s melodies do their lyrical conceits justice, and worse, many sound as if we’ve heard them before, albeit in a fresher, looser context.
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Mann's cranky muse is consistently compelling, showcasing both her wry lyrics and terrific melodies.
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Lost In Space is packed with Mann's seductively droll delivery that spikes up the melody while it goes down hard on love.
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For her fans, the news is that she's invested her profits in studio musicians. Takes talent to make that more boring than solo acoustic, no?
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Devoid of obvious weak points, Lost In Space sounds sad without ever becoming schmaltzy.
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Entertainment WeeklyMusically, Mann's put a bit more oomph into her songs. [23 Aug 2002, p.142]
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The tempos and melodies drag throughout; it's as though we've heard Mann sing these songs before, only here her understated passion comes off more like overstated indifference.
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BlenderLost in Space... pushes her in a new direction. [#9, p.152]
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Lost in Space leaves you feeling that she's already covered this terrain.
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The songs are not as strong overall as on her previous albums, and the tempo neither flags nor picks up over the course of the album.
Awards & Rankings
User score distribution:
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Positive: 28 out of 32
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Mixed: 0 out of 32
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Negative: 4 out of 32
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AllanFFeb 22, 2006
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SamDOct 2, 2005
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levvyJul 8, 2005Good album but it's no Bachelor No. 2.