Metascore
86

Universal acclaim - based on 40 Critic Reviews

Critic score distribution:
  1. Positive: 38 out of 40
  2. Negative: 0 out of 40
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  1. Mar 14, 2014
    100
    The more you spin it, the more you wear out that thin needle of your record player, you realize that Granduciel is discovering the problems of his life, not figuring them out or even reflecting on them. This all makes for an album that truly sounds like it’s coming to life.
  2. 100
    Anyone actively looking for flaws in Lost In The Dream, the exquisite new album from The War On Drugs, is quite frankly listening to the album wrong. And at any rate, they simply won’t find any, no matter how hard they search.
  3. Mar 12, 2014
    100
    To those of you out there who crave immediate, wistful pop music that will make you smile about the future and make you cry about the past, you won’t find a better album this decade.
  4. Mar 17, 2014
    94
    There’s all the verve and naked empathy of the best of his classic rock forebears, with none of the bombast or contrivances. Lost in the Dream is a long record, to be sure, yet it never overstays its welcome.
  5. Mar 18, 2014
    91
    The War On Drugs aims for listeners’ feelings about them, and for our collective radio unconscious. On Lost In The Dream, they nail us good.
  6. One man’s suffering becomes our communal celebration, so to speak. It's a fine role for one of the year's best albums to play.
  7. 90
    Like Justin Vernon before him, with Lost In The Dream Adam Granduciel seems to be heading for things far bigger than anyone could ever have expected. This is one War On Drugs that might just succeed.
  8. Mar 17, 2014
    90
    It's a near flawless collection of dreamy vibes, shifting moods, and movement, and stands easily as Granduciel's finest hour so far.
  9. Mar 13, 2014
    90
    If Slave Ambient represented a breakthrough, this one is an out-and-out star-maker that should rank among the year's best albums.
  10. Mar 10, 2014
    90
    With their third album, the War on Drugs continue to recreate classic rock in their own image and in doing so they created a classic album of their own.
  11. Mar 18, 2014
    88
    The album is loaded with songs whose greatness is revealed slowly, where the simplest, most understated chord change can blow a track wide open and elevate it from simply pretty to absolutely devastating.
  12. Under The Radar
    Mar 11, 2014
    85
    With all of its subtlety, Lost In The Dream drags a bit in small sections, but it's a small price to pay for such an immensely enjoyable record. [Feb/Mar 2014, p.76]
  13. 83
    It’s nerves are uneasy, but Lost in the Dream stands as Granduciel’s most open-armed record yet, filled to the gills with selfdom and sprawling musicality.
  14. Apr 18, 2014
    80
    Granduciel’s songs envelop you. As soon as you understand the lyrics for one song, another song buries words in hushed reverb.
  15. Apr 2, 2014
    80
    Richly melodic and possessing a classicist pop sensibility, this is rock music with soul.
  16. Mar 31, 2014
    80
    It’s difficult to imagine many better rock albums being released this year; it’s the record Springsteen fans wish he had in him.
  17. Mar 28, 2014
    80
    Despite its big, dumb rock ‘n’ roll template and primary color lyrics, albums like Lost in the Dream can be as restorative of faith in old metaphors and storytelling tropes
  18. Mar 25, 2014
    80
    We know that there’s still plenty of life and love and pain to come, but we’re pretty okay with it. In fact, we’re ready to hit the road and let Lost In The Dream pull us in again and again.
  19. Mojo
    Mar 21, 2014
    80
    Admirers of Granduciel's previous forays along E Street won't be disappointed. [Apr 2014, p.91]
  20. Mar 19, 2014
    80
    With Lost In The Dream and his band The War On Drugs, Adam Granduciel has made an incredibly strong case that his heroes should now be considered his peers.
  21. Mar 18, 2014
    80
    Lost in the Dream pushes rock music forward.
  22. Mar 18, 2014
    80
    Tone is everything for the War on Drugs. You hear tone, a silvery shade of effortless cool, in the electric guitars that ring out in ricocheting patterns and in singer-songwriter-visionary Adam Granduciel’s expansive vocals.
  23. Mar 17, 2014
    80
    Lost in the Dream continues Slave Ambient’s trajectory, threading wispy, half-spoken melodies through emerald forests of tone, ducking conventions like riff and hook in favor of edgeless, shapeless sensuality. These are songs that drive off into dune-like landscapes, always in motion, never arriving.
  24. Mar 17, 2014
    80
    Lost maintains a kind of motorik languor throughout, turning 80s arena rock into something much more intriguing.
  25. 80
    It retains their signature blend of folk-rock songcraft and miasmic guitar-drone textures, but in a more purposive manner.
  26. Q Magazine
    Mar 14, 2014
    80
    It's a record for dusk, for dawn, and for all of the dark corners in which you might find yourself in between. [Apr 2014, p.109]
  27. Mar 14, 2014
    80
    Granduciel apparently spent hours going over and over tracks as they were developed from their demo stage into full blown band pieces, occasionally completely abandoning latter versions to return to the demos, and that was the case with album standout track An Ocean In Between The Waves-it looks like an inspired decision.
  28. Mar 14, 2014
    80
    Granduciel is clearly still drawn to his rock roots, but as the gap between him and those influences widens, it become suffused with anxiety and dread, the sort of existential ambivalence that Lost in the Dream masterfully conveys with its vast distorted spaces.
  29. Mar 13, 2014
    80
    Acoustic guitar, harmonica and saxophone provide pools of warmth in the dusky depths.
  30. Mar 13, 2014
    80
    An album that would sound as though it could have been made anytime in the last five decades were it not so immaculately produced, recalling Dylan and Springsteen and pretty much all of Almost Famous without ever descending into pastiche or mere homage.
  31. Mar 13, 2014
    80
    The album may have been borne in a fog, but the result finds Granduciel on the other side of the murk.
  32. Uncut
    Mar 12, 2014
    80
    Lost In The Dream is calmer and more confident than previous efforts, songs stretching out beyond the six-minute mark if the feeling is right. [Apr 2014, p.83]
  33. Mar 12, 2014
    80
    Despite all the doubts and the self-admonishing, in a strange way you won’t find a more affirming album all year.
  34. 80
    A brilliant record that serves as a perfect blueprint on how to make something new out of something old.
  35. Mar 17, 2014
    78
    The band may have switched the formula, but the solution still adds up.
  36. Mar 10, 2014
    75
    By the end, Lost In The Dream is similarly as sprawling and textured as its predecessor, harnessing the affirming, heartfelt sentiments without becoming corny or meek (mostly).
  37. Mar 10, 2014
    75
    It would be difficult for any album to consistently live up to those peak moments, and Lost in the Dream doesn't. But Granduciel is on to something with this more band-focused release, and that new dynamic deserves an even deeper exploration next time.
  38. May 1, 2014
    67
    Lost in the Dream matches last year's Wakin' on a Pretty Daze from Vile riff for riff.
  39. Mar 20, 2014
    60
    As usual with T.W.O.D., these songs are only as good as their grooves.
  40. Mar 18, 2014
    60
    A touch of '80s-style production, including occasional saxophone-as-emotional-beat, at times threatens to nudge things into a satirical mash-up of Dire Straits/Bruce Hornsby hits, but they ride the right side of that precipice.
User Score
8.7

Universal acclaim- based on 217 Ratings

User score distribution:
  1. Negative: 7 out of 217
  1. Mar 18, 2014
    10
    This is album a masterpiece, and it will easily going to go down as one of the best of the year, perhaps even one of the best of the decade.This is album a masterpiece, and it will easily going to go down as one of the best of the year, perhaps even one of the best of the decade. My rebuttal to some of the criticism I see here can be summed up by saying that no, these songs are not simple; they are complex and don't always follow a traditional formula. I don't see this as a problem. You can hear how much careful thought was put into each and every song, as subtle changes in background keyboards or synth tones heighten emotion at just the right times. If the slow build of 'An Ocean in Between the Waves' doesn't get a rise out of you by songs end, I'm not too sure what song possibly can or will. Each song here will take you on a journey if you let it. Give this album a listen, you will not regret it. Full Review »
  2. Mar 18, 2014
    10
    Let me start by saying something I have most certainly never said before: I love The War on Drugs.

    It's fairly uncommon for an album to
    Let me start by saying something I have most certainly never said before: I love The War on Drugs.

    It's fairly uncommon for an album to blend together elements of indie rock, heartland rock and post rock in such delicate and thoughtful doses. Adam Granduciel has made a marvelous and fragile record here; the meshes of ambient sounds echoing troubled thoughts and depressed emotions are very carefully juxtaposed with solid rhythmic accompaniment and distant, emotionally gut-wrenching lyrics.

    It's a harrowing listening experience for anyone who claims to be jaded by the state of music these days. Rock may be dead, sure, but it's albums like Lost In the Dream that feel like it's ghost is coming back to haunt us. You can hear the distant, faded likes of Springsteen, Dylan, Bowie, and Eno; so many revolutionary sounds recycled into a truly unique and refreshing outing that will most likely cause you to dust off the repeat button - at least, for the upbeat rockers like "Under the Pressure", "Red Eyes", and the album's dramatic climax, "Burning".

    The album has bluesy, soulful moments; the dreadfully beautiful "Suffering" is a work in creatively depressing balladry that is gently bolstered by beautiful guitar, piano and saxophone pulses that gently interpolate in and out of consciousness. The brevity and true sincerity of the lyrics in this track is breathtaking - although, most of the tracks on the album have this quality.

    "In An Ocean Between the Waves" is a near powerpop-esque rock-out that shares the depressed esteem of the rest of the album, despite conflicting itself with introspective lyricism of hope and, just maybe, a reality that simply got... lost in a dream. If "In An Ocean Between the Waves" were a party, "Disappearing" would undoubtedly be the hangover. The synth-poppy rhythm and carefully placed piano runs and guitar licks fall back, perhaps, to the 80's, with late-song guitar jabs that are reminiscent of the desperate balladry that shaped the core of true love songs of that era. It's swept away by "Eyes To The Wind", which sounds a bit like Seger, if you use your imagination enough (which this album undoubtedly encourages).

    "The Haunting Idle" is somewhat avant garde; and, surprisingly, one of the more generic pieces on the album. It leads into "Burning", which is toe-tapping, horribly depressing, beautifully destructive and gleefully rejuvenating all at once. Granduciel rounds off the album with the title track - an emotionally distant, folky "I told you so" kind of track - and finally "In Reverse", which almost feels like the album has completely given up on its own pathetic existence, only to rise up for one last fanfare, with all of the energy it has left to muster.

    If you go into a listening session with this album expecting something like Duke_Challenger was (I would love to see his record collection...), you won't get much out of it. Allow me to rephrase that... if you go into this with as much unfounded skepticism as Duke_Challenger, then you shouldn't be listening to indie music, anyways, or most music that requires brain activity to fully appreciate. If the instrumentals are paramount and the lyrics are a distant second that must be accompanied by 'qualified' music based on whatever standards he is referring to, then my taste in music is shot. Pavement - my favorite band of all time and a seminal act in indie rock - managed to make an astounding catalog largely on shoddy, lo-fi instrumentation that fit their mood, with amazing lyrics to boot. I guess by your standards, I should be burned at the cross for appreciating such an obscure and fascinating art form.

    Hell, Bob Dylan's early instrumentation efforts typically sounded like a sack full pots and pans being thrown against a wall. It's not like his legendary contributions to music never influenced wonderful, brilliant minds to come such as Adam Granduciel, right? If that's the standard we are to hold music to - more importantly, indie music - then screw music. I'll call it "educated noise" from now on.

    If it sounds anything like The War on Drugs, I'll sacrifice such a trivial label if it means the closed minded among us won't have anything to do with it.

    10/10
    Full Review »
  3. Mar 18, 2014
    10
    Great Album. Don't really understand the criticism of the songwriting.. There is something to be said about lyrics that are direct and simple.Great Album. Don't really understand the criticism of the songwriting.. There is something to be said about lyrics that are direct and simple. They become even more powerful when they are mixed in such nuanced sound and atmosphere. That kind of contrast is what I believe makes the songwriting very good. Also, Adam Granduciel is truly a master in the studio. Full Review »