• Record Label: XL
  • Release Date: Aug 12, 2014
User Score
8.5

Universal acclaim- based on 459 Ratings

User score distribution:
  1. Negative: 35 out of 459
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  1. Aug 13, 2014
    10
    A very great sounding album with great tracks, lyrics and singing. This is so far, the best album of the year. All the tracks on the album are really good.
  2. Aug 12, 2014
    10
    One may expect a continuation of the atmosphere Twigs has created over her two first EPs (if that could be possible), but what you eventually find here is something way deeper; much more hurt; even more immaculate. And it feels ironic how she cries and let her feelings naked while showing everyone her low-esteem and desperation; if she only knew that that "flaw" is her best advantage ofOne may expect a continuation of the atmosphere Twigs has created over her two first EPs (if that could be possible), but what you eventually find here is something way deeper; much more hurt; even more immaculate. And it feels ironic how she cries and let her feelings naked while showing everyone her low-esteem and desperation; if she only knew that that "flaw" is her best advantage of all, in a plethora of many advantages and few (not to say any) things to correct. Expand
  3. Aug 12, 2014
    9
    "LP1" is on of the best debut of the year! FKA Twigs show how someone can be Björk and Aaliyah on the same time. It has greats songs like 'Two Weeks' and 'Video Girl'. I really loved this one!
  4. Nov 13, 2014
    9
    Even if it came out merely months ago, FKA twigs' debut LP1 has become one of the most deliciously darkest and most sensual albums of the decade without ever feeling forced or even slightly insincere.

    Though her songwriting hasn't quite matched the artistic brilliance of her visual art, her sex-as-a-metaphor lyricism, beautifully controlled vocals and sensual tone are one of LP1's most
    Even if it came out merely months ago, FKA twigs' debut LP1 has become one of the most deliciously darkest and most sensual albums of the decade without ever feeling forced or even slightly insincere.

    Though her songwriting hasn't quite matched the artistic brilliance of her visual art, her sex-as-a-metaphor lyricism, beautifully controlled vocals and sensual tone are one of LP1's most embracive—and yet at times, uncomfortable—qualities. Especially in comparison to her contemporaries in the art, most recently Lady Gaga and Beyoncé—Lady Gaga's 2013 singles "G.U.Y." and "Do What U Want" were half-smart and though Beyoncé's latest critically acclaimed self-titled LP uses sex to accompany its many self-empowerment themes, it came off as less calculated.

    Not since Björk's 2001 masterpiece Vespertine has an album made sexual themes so personal, lyrically, musically, and sonically. "Lights Out" discusses trust ("When I trust you, we can do it with the lights off"), "Two Weeks" discusses desire ("Pull out the incicor, give me two weeks, you won't recognize her"), and "Video Girl" discusses one's own indenial that the protagonist's partner could be cheating on her with... well, herself ("Is she the girls from the video?"). Or it could be, I'm not completely sure.

    LP1 is an electronic landscape of all sorts of sounds, such as the pitter-pattering drums on "Pendulum"—best remembered on last year's "Water Me", a highlight from her previous release, EP2—and even more frequently, her vocals make up for a majority of the sound effects throughout, whether they're chopped up, pitched up and down, or drowned in reverb. If LP1 had any notable flaws, it's that twigs' already soft vocals often feels overwhelmed or threatened by the production.
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  5. Jul 29, 2015
    10
    This album is by far the best album of 2014 because of its rich, dense and complex production textures that make it feel like the listener is trasported to her world of trying to find stablitly, but that doesn't stop her from experimenting with sound, voice and feeling. An incredible debut and definetly an artist to watch and take note of. (And this is only just the beginning.)
  6. Aug 23, 2014
    9
    This is a very impressive debut from a woman who looks like conquering the pop/r&b world. Her voice - and its sensuality suits the lyrics of lust and love perfectly. Her vocal performance is just as great.

    But it's the music that truly shines. Innovative, rich with many layers, and full of subtle touches here and there that add a great effect to the overall work. I only listened to
    This is a very impressive debut from a woman who looks like conquering the pop/r&b world. Her voice - and its sensuality suits the lyrics of lust and love perfectly. Her vocal performance is just as great.

    But it's the music that truly shines. Innovative, rich with many layers, and full of subtle touches here and there that add a great effect to the overall work.

    I only listened to her song called Water Me. But after checking out this album, i'll definitely be paying more attention to her work.
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  7. Aug 26, 2014
    8
    Beautiful cover, beautiful songs, beautiful voice. Sex in subtle installment. Highlights: Lights On, Two Weeks, Kicks and Give Up. One of the best debuts in 2014.
  8. Aug 12, 2014
    8
    I really like this album, I think its ambitious and forward thinking; I feel a times I loose a bit of focus due to the calm, gentle flow that this album can have, but given time, I think its a greatly enjoyable album, and its definitely among some of my favorites of the electronic/r&b/pop genre this year. Maybe, the more I listen to this album it might turn into what a lot of people areI really like this album, I think its ambitious and forward thinking; I feel a times I loose a bit of focus due to the calm, gentle flow that this album can have, but given time, I think its a greatly enjoyable album, and its definitely among some of my favorites of the electronic/r&b/pop genre this year. Maybe, the more I listen to this album it might turn into what a lot of people are saying, and be among some of my favorite in a few years. Like I say though, its an album that requires patience and time. That's what great music from talented and different artists need. Expand
  9. Aug 12, 2014
    10
    Though indistinguishable - this experimental debut by FKA Twigs is soaked in her sharp, icy falsettos from the stunningly produced 'Two Weeks' and thoroughly overlapped in the Paul Epworth produced 'Pendulum'. This is Barnett try to piece togethor her recollections of romances and personal artistry (reflective of her last two EP's). 'Video Girl' possibly the best song on the LP (or is itThough indistinguishable - this experimental debut by FKA Twigs is soaked in her sharp, icy falsettos from the stunningly produced 'Two Weeks' and thoroughly overlapped in the Paul Epworth produced 'Pendulum'. This is Barnett try to piece togethor her recollections of romances and personal artistry (reflective of her last two EP's). 'Video Girl' possibly the best song on the LP (or is it 'Two Weeks') explores her past and denial in multiple music videos ranging from Jessie J to many others. She is now in control, and she begs to be noticed and heard. A fantastic achievement for a debut. Is she that girl from the video?/You lie and you lie and you lie. Expand
  10. Feb 2, 2016
    9
    Best debut album of 2014.FKA Twigs is one of the most unique musicians in our time i think.This LP is a perfection.Her breathy vocals matches well with heavy synth sounds.And in this LP she produced most of the tracks."Two Weeks","Video Girl" and "Pendulum" is a perfect trinity for this album.They describe LP1 very well.
  11. Aug 12, 2014
    10
    "LP1" is one monumental debut in Pop music, the poster child [reminiscence] of the Björk's- Aaliyah's and Portishead's delivers with a more complete experience than ever!
    "I love another, and thus I hate myself" are the on-going words for the opener "Preface". Words directly brought out from a poem by Sir Thomas Wyatt, and formally based upon, conceptually that is the placement of this
    "LP1" is one monumental debut in Pop music, the poster child [reminiscence] of the Björk's- Aaliyah's and Portishead's delivers with a more complete experience than ever!
    "I love another, and thus I hate myself" are the on-going words for the opener "Preface". Words directly brought out from a poem by Sir Thomas Wyatt, and formally based upon, conceptually that is the placement of this album over some experimental and soul[ed] production and lyrics.
    From heavenly beginnings, the deeper the cuts plays on the more pattering, heavy and haunting the music goes.

    The visually Queen of the Damned, ancient Egyptian inspired leading single of off the LP, "Two Weeks", (and this years most refreshing tune) features her most breathy, melodic, straightforward realm but also capturing a catchy and interesting both sonically- vocally performance of what contemporary Pop/R&B on the radio been missing. A power ballad, though rawer and more vivid than others with it's desperate "Pull out of the incisor, give me two weeks/You won’t recognize her/Mouth open you're high; Motherf**ker, get your mouth open you know you’re mine; I can f*ck you better than her" all sung in a hypnotizing and soulsucking sensual falsetto ontop of extravagantly- dazzling and bombastic instrumentals.
    The minimalistic touch and climaxes of previous work continues a way on here, tracks like the 'not so present now', heartbreaking, lonely and the polishing verse-to-verse melody of fellow UK artist Rita Ora's "R.I.P", "Pendulum" whom for every chorus that serves builds up to more epic. With guitar riffs that beatifully stretches, pianos who add drama and wash of synthesizers circled around the starts already atmosphere but looses up from every second that is of spac[e]ious feel when the intense get harder for the minute that displays and as the titel itself, it feels like death nearby your throat with the many instruments and futuristic cards being thrown at.

    FKA twigs varies though on her characters than what was on her EP's, she has a control of not being too one dimensional as in when Psalm like sung "Closer" comes by. And not to just drop by out of nowhere, it feels natural and organic, slightly cuter and less out there at your face despite the lyrics. The high pitched vocals that inconsistently shows through the song is a sweet put from the darker steam that is on the album, Vampire Weekend-esque as had on their last year album with the track "Ya Hey".

    "Is she the girl from the video/Stop, stop lying to me" sings twigs in a higher register, that yeah could play on -acts- not necessarily, but if we are being rather specific it talks about her career being the girl in the music videos as a dancer for artists like Jessie J. The track is "Video Girl", a track with one of this years most infectious yet simple choruses with it's "You lie and you lie and you lie" it is a track that seems to be self questionable a little bit, but more so a dialogue discussing her career before taking music seriously.

    The production on the album is handled by twigs herself and the frequent collaborator from "EP2" and Yeezus producer Arca, involved on board is also Paul Epworth who was behind Adele's "21" (Grammy winning album and singles), Emile Haynie who is responsible for Kanye West's "Runaway", the multi-talented Sampha and Dev Hynes (whom I assume had his hands on the guitarrs). Musically it is cohesive, extremely so managing juggling 808s, electronic and it's scraping (knife hitting) beats. Successfully having a sound, a memorable touch all through and so is the lyrics and delivery.
    The experimentation with genres, so to say a Beyonce, The Weeknd to Trip-hop, UK electronic- and Alternative music is a blend on here, making it an experience to broader audiences for many to enjoy and find pieces from. It may not be perfect, but the emotion from it is the winning point.

    This is a testament, FKA twigs is pushing [boundaries] a step in music, evoking influences of classics and modern artists and making this into a platform, a new and fresh sound for others to catch on to.
    "LP1" is one of the most wonderful, heartbreaking and creative releases tackling lust, fantasy, realism of love, identity and self independence.
    "Just like you/I just touch myself".
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  12. Aug 12, 2014
    10
    "LP1" is on of the best debut of the year! FKA Twigs show how someone can be Björk and Aaliyah on the same time. It has greats songs like 'Two Weeks' and 'Video Girl'. I really loved this one!
  13. Jan 1, 2015
    5
    The ethereal, dream-like soundscapes Barnett creates are no doubt enchanting, and the album kicks off with a bang. Overall, however, LP1 is a tiresome listen, the endless drivel of whispering falsettos and orgasmic vocal flurries making this the most sugar-coated, sexed-up and overly masturbatory R&B record this year. Which is a shame considering how talented Barnett can be when she's at her best.
  14. Oct 4, 2014
    10
    What say about this LP? F****** AWESOME. So hypnotic and theses experimentals songs made me fly. Don't have words to describe it. She's a very great artist.
  15. Aug 13, 2015
    1
    This album was absolutely terrible. The synthesizer makes an extremely edgy sound that hurts my ears and most of the music sounds just like random noise. I was looking forward to this album but listening to it was a complete waste of time. Don't make the same mistake as me.
  16. Aug 26, 2014
    10
    O tão aguardado álbum da rainha Twigs foi finalmente apresentado para o público e esse é um dos melhores álbuns do século e com certeza do ano. Já trabalhou com a rainha do UK, a famosa Jessie J e com certeza deve ter aprendido muita coisa com ela. Adele foi derrotada mais uma vez e todos os Grammys que essa gorda já ganhou deveriam retornar e serem dados para o LP1 onde é anos luz melhorO tão aguardado álbum da rainha Twigs foi finalmente apresentado para o público e esse é um dos melhores álbuns do século e com certeza do ano. Já trabalhou com a rainha do UK, a famosa Jessie J e com certeza deve ter aprendido muita coisa com ela. Adele foi derrotada mais uma vez e todos os Grammys que essa gorda já ganhou deveriam retornar e serem dados para o LP1 onde é anos luz melhor que o 21. Expand
  17. May 14, 2016
    2
    very unique record. The album gets fantastic at points but is musically so so incorrect most of the time. In the unique-making process, it lost its musical correctness. "Lights On" is most disturbing and annoying thing on the album. It's like listening random melodies which have no synchronisation. The electropop production is the heart of the album along with Twigs' vocals.
    Favourite
    very unique record. The album gets fantastic at points but is musically so so incorrect most of the time. In the unique-making process, it lost its musical correctness. "Lights On" is most disturbing and annoying thing on the album. It's like listening random melodies which have no synchronisation. The electropop production is the heart of the album along with Twigs' vocals.
    Favourite Tracks - Preface, Two Weeks, Penulum.
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  18. Nov 29, 2016
    10
    It's ridiculous how talented FKA twigs is. A little more than 2 years on from it's release, LP1 still holds up as one of the best albums of this decade. A masterpiece.
  19. May 13, 2017
    8
    LP1 is not an album. It is a weird twisty dark fun ride. This record is sufficient for listeners to have out-of-body experiences. FKA twigs is no stranger to weird songs that almost sometimes sound nothing like music even, and on her first LP, she follows the same formula on the course of 10 songs, that aren't all mind blowing, but enough to make for a very fun listen. Highlights includeLP1 is not an album. It is a weird twisty dark fun ride. This record is sufficient for listeners to have out-of-body experiences. FKA twigs is no stranger to weird songs that almost sometimes sound nothing like music even, and on her first LP, she follows the same formula on the course of 10 songs, that aren't all mind blowing, but enough to make for a very fun listen. Highlights include 'Lights On', 'Pendulum', 'Hours', and 'Closer'. Great alternative record. Expand
  20. Aug 13, 2014
    10
    FKA Twigs hit me so hard with this album, ''Lights On'', ''Two Weeks'', ''Pendulum'', ''Video Girl'' and ''Kicks'' are the highlights. Is Cleary one of the best debuts in a long time and the best album of the year!
  21. Aug 21, 2014
    9
    Impressions:
    First time: Strange, challenging, involving.
    Second time: Beautiful, detailed, descend production.
    Third time: Awesome, heartfelt, fanciful production.
    Fourth time: Even better than the third time, oh well...
    Fifth time: A memorable love story lasting on for quite a while...
  22. Aug 29, 2014
    8
    LP1 nga twigs fka është thjesht e mahnitshme , çdo kor klikimeve , vokal stringing nëpër një zgjerim prej 10 këngë me ndikime Bjork . Tema e seksit në mënyrë të çuditshme të mjaftueshme përshtatet përsosmërisht me twigs songwriting si shihet me projektet e saj të mëparshme PE 1 & 2. Një projekt që të mos humbas në qoftë se ju doni diçka nga rrjedhë normale . 9/10 !
  23. Sep 13, 2014
    9
    "LP1" is the best R&B debut album of 2014 so far! With her excellent debut album, Tahliah Barnett creates her own style. Every single track is so different than any other R&B song we used to listen to.
  24. Jan 31, 2015
    7
    While this album surely deserves praise for its experimental and extremely creative production and style, personally, this album has too much experimentation and not enough melodic elements that would make this album more enjoyable. There are a shortage of hooks or melodies that prevent me from going back to this LP after the first listen. However, twigs is a promising artist and I lookWhile this album surely deserves praise for its experimental and extremely creative production and style, personally, this album has too much experimentation and not enough melodic elements that would make this album more enjoyable. There are a shortage of hooks or melodies that prevent me from going back to this LP after the first listen. However, twigs is a promising artist and I look forward to her future projects. Expand
  25. Oct 20, 2014
    10
    flawless songs, flawless vocals, flawless production, she came in with the right step, she has a huge future, she's really stan worthy and everyone shall take a listen to her music, highlights: Two Weeks, Give Up, Kicks, One Time (Japanese Bonus Track)
  26. Dec 12, 2014
    10
    FLAWLESS isn't even the word for this album - FKA twigs' 'LP1' is a musical journey through creative lyricism, innocent (but strong) vocals, and beautiful production! From the dark, haunting 'Preface' intro - all the way to the closing song 'Kicks', you will NEVER have to skip a track.
  27. Dec 18, 2014
    10
    You have a great voice, when you listen to this album will not skip any track, you just turn everything in the right amount! "LP1 " deserved a chance to win a Grammy, I'm not okay with that.
  28. Dec 28, 2014
    10
    FKA Twigs with LP1 is more than music, is art. The power of a woman that has your sexuality secure, pure and naturally. In this album feelings are mixed with sensuality, pure feelings and pure sensyality. It's baically genious.
  29. Sep 27, 2015
    8
    Some of the best artists are the ones who challenge my perception of what music should sound like, and FKA Twigs did just that with LP1. The first time I heard it I thought it sounded strange and difficult, but upon repeated listens I actually think this is an exceptionally well-written and well-produced album, and the fact that this is just her debut is even more impressive. Twigs hasSome of the best artists are the ones who challenge my perception of what music should sound like, and FKA Twigs did just that with LP1. The first time I heard it I thought it sounded strange and difficult, but upon repeated listens I actually think this is an exceptionally well-written and well-produced album, and the fact that this is just her debut is even more impressive. Twigs has developed such a unique sound that I can only sort of compare her to other artists. She has a dark, slow sound like Banks, but her complex electronic productions are reminiscent of Bjork, although she’s still very much her own artist. I wouldn’t say there are any weak tracks on this album, although it is a very similar style and feel throughout, which can get a bit tiring. Still, this is certainly an album worth checking out, and I’m looking forward to her future releases as well. Expand
  30. Feb 4, 2015
    9
    FKA Twigs taps into something that has been held and spun and embodied by Kate Bush and Björk, and it is beautiful. Seemingly gentle at first, it comes out as privately passionate, in that hair raising, skittish and exquisitely excited atmosphere of infatuation.
  31. Apr 30, 2015
    10
    LP1 by far is the best R&B/Electronic album of 2014 hands down. Listen to it and you'll see. It's full of jams that you will enjoy, which is the majority of the album. So... Go check it out.
  32. Sep 10, 2015
    10
    This might be one of the best debut albums and in my opinion the best album of 2014, songs like Two Weeks, Pendulum, Give Up and Video Girl are gems and also the song Kicks is an amazing closing track.
  33. Sep 10, 2015
    10
    LP1, Björk influenced in some way, can be relaxing, dramatic and suffocating. It's just as perfect as it can be. I still prefer Björk, thought.
    ......
  34. Aug 14, 2015
    10
    "LP1" Is definitely my favorite album of 2014! Every track on this album is ambitious as well as intriguing and innovative. FKA Twigs deserves much more recognition for this work of art.
  35. Dec 4, 2015
    10
    One of the finest albums of the decade. Twigs' debut LP brings an incredible, experimental sound that is compelling, emotive and distinctively unique. Throughout the tracks we learn about Twigs' gut-punching heartbreak and desperation as she sighs, moans and begs her way through expertly produced songs such as 'Two Weeks' and 'Pendulum'. Every single track stands out, including theOne of the finest albums of the decade. Twigs' debut LP brings an incredible, experimental sound that is compelling, emotive and distinctively unique. Throughout the tracks we learn about Twigs' gut-punching heartbreak and desperation as she sighs, moans and begs her way through expertly produced songs such as 'Two Weeks' and 'Pendulum'. Every single track stands out, including the preface, which is eerily other-worldly. LP1 is one of those few albums that seems able to evoke emotion with every single listen. Expand
  36. Sep 11, 2016
    10
    A monumental start for a irreverent artist whose creativity blows everyone's mind. It is really hard to describe such a deep and immaculate album like LP1, you just get lost between the oneiric atmosphere that she is able to pursuit during this masterpiece.
  37. Aug 14, 2017
    9
    FKA twigs gives us an album with very beautiful sounds, connected to each other. My favorite tracks are Preface, Two Weeks, Pendulum and Kicks. Nailed it FKA twigs, thank you.
  38. Apr 30, 2019
    9
    A stunning debut LP that builds on her formative EPs by evolving and refining past them to create a varied and deeply intoxicating collection of whispered lullabies, confessions and masked threats.
  39. Sep 15, 2018
    10
    All the tracks on the album are really good. I have no words for the vocals. Her voice sounds like magic. Totally amazing
  40. Nov 30, 2017
    10
    Perfect. Beautiful. Full of emotion. Experimental and a change in R&B. May not be for everyone but for those interested in more experimental artists like Bjork and Kate Bush you may want to check out Twigs' take at Alternative R&B.
  41. Mar 3, 2019
    9
    FKA twigs surpasses her previous works 'EP1' and 'EP2' with her debut LP 'LP1'. 'LP1' consists of sentimental yet catchy tracks such as "Hours" and "Give Up". 'LP1' is superiorly-produced, and with the use of twigs' whispery, gentle and hypnotizing voice, it is definitely one of the most unique and beautiful albums of all-time.
    Strongest Tracks: "Preface", "Lights On", "Hours", "Numbers",
    FKA twigs surpasses her previous works 'EP1' and 'EP2' with her debut LP 'LP1'. 'LP1' consists of sentimental yet catchy tracks such as "Hours" and "Give Up". 'LP1' is superiorly-produced, and with the use of twigs' whispery, gentle and hypnotizing voice, it is definitely one of the most unique and beautiful albums of all-time.
    Strongest Tracks: "Preface", "Lights On", "Hours", "Numbers", "Give Up"
    Weakest Track: "Video Girl"
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  42. Jul 14, 2018
    9
    Beautiful. The choruses are fantastic, and her sound is so unique. She has a incredible and lovely voice. The production is outstanding and so adventurous. Some songs sound a little rushed and underwhelming (just two), but they still have the same qualities that make the rest of the album so incredible.
  43. Oct 25, 2021
    9
    F*ckng monumental debut. Arguably the best ones of her time. It's a descendant of the sultry brilliance of vespertine and homogenic without being derivative. Her soft achy vocals and simple lyrics convey the desire,ache and bravado of lust mistaken for love. The album begins with the eerie "preface " Which is amply named as it sets the tone for the story she unravels. She equates love toF*ckng monumental debut. Arguably the best ones of her time. It's a descendant of the sultry brilliance of vespertine and homogenic without being derivative. Her soft achy vocals and simple lyrics convey the desire,ache and bravado of lust mistaken for love. The album begins with the eerie "preface " Which is amply named as it sets the tone for the story she unravels. She equates love to self hatred through a famous quote with the aid of Travis Scott ominous male presence. This is the closest to a filler this album could ever get,which is stunning. The cautious"lights on" is an entire journey packed into 4:24min. From distrust of a sexual partner to insecurity. All of this is done with no expense of the musicality. The flute like instruments that begin the song are cut and sharpened throughout the song. The slow burn "two weeks " is so confident and weird u cannot help but join her as she chews up a man for not acknowledging her value. Saying if she wanted him they wouldn't be having this conversation. "Hours" feels like drunk thoughts of a lonely person after a break up. The penultimate opus "pendulum" oscillates just like it's name sake . It feels pathetic in the sense the narrator is trying to sustain or start something with some1 that only she cares for. Her obsession leaves her alone . This song is one in a million. The climax where her voice seems to exolode into shards and fall like stars is what the entire first half had been building into. The experimental serrated "video girl" begins the next side of the album. This side is less about others and more inward leaning. "Video girl" focuses on recognition she experienced from her back up dancer days. "Number" asses betrayal and "closer "praises closeness . The last two are about self love with the last 1 being literal
    Amazing listen. Favourites: pendulum, two weeks,lights on,kicks
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  44. May 21, 2019
    10
    Just beautiful and out of this world. She is one of those artist that actually have a different image for everything.
  45. Jan 11, 2021
    7
    I discovered 'LP1' (2014) after 'Magdalene' (2019). I note that FKA twigs didn't change much of her artistic approach since. She still perfectly uses her marvelous voice to bring dark and intense themes on the table. On the side she masters electro beats like no one to underline some of her phases, some words, some unspoken emotions. Her songs keep these mysterious and stellar notes.I discovered 'LP1' (2014) after 'Magdalene' (2019). I note that FKA twigs didn't change much of her artistic approach since. She still perfectly uses her marvelous voice to bring dark and intense themes on the table. On the side she masters electro beats like no one to underline some of her phases, some words, some unspoken emotions. Her songs keep these mysterious and stellar notes.

    Hopefully she beautifully evolved to give birth to 'Magdalene' in which I see more rhythm, more emotions and more experience from her.
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  46. Apr 8, 2022
    9
    Even if the sex-angst of millennials is not your thing, FKA Twigs can still satisfy, and that is why LP1 (the title oozes confidence) is so special.
  47. Jun 10, 2022
    10
    Best album from her, slay the versace boots house down, yassssssss fka mama CUT: lights on, pendulum, two weeks and video girl
  48. Jul 3, 2022
    8
    eighteighteighteighteighteighteighteighteighteighteighteighteighteighteight
  49. Apr 10, 2023
    10
    LP1 is such an interesting album each time I listen to it; the production never gets old and sounds like nothing else out there right now.
Metascore
86

Universal acclaim - based on 38 Critic Reviews

Critic score distribution:
  1. Positive: 35 out of 38
  2. Negative: 0 out of 38
  1. The Wire
    Dec 15, 2014
    70
    That the album works so well is less a testament of Twigs's charisma and talent--real as those may be--than it is the limitless possibilities of well-paid freelance teamwork. [Nov 2014, p.63]
  2. Sep 30, 2014
    60
    There are some excellent tracks here--‘Lights On’, ‘Two Weeks’, ‘Pendulum’--and her talent is obvious, but the men at the production desk could perhaps have been braver.
  3. Q Magazine
    Aug 28, 2014
    80
    Uncanny. [Sep 2014, p.108]