User Score
3.9

Generally unfavorable reviews- based on 38 Ratings

User score distribution:
  1. Positive: 12 out of 38
  2. Negative: 22 out of 38

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  1. ADRock
    Mar 22, 2008
    9
    It's obvious that a lot of the reviewers are not from Florida, and do not understand our music. This CD has that old school feel with new age Dade County sound. By looking in the records, either they underestimate his popularity, or no one is listening to critics in Omaha and New York. Trey O Five is back. Flo Rida, Rick Ross, Trina, DJ Khaled!!!!
  2. NickT.
    Apr 7, 2008
    8
    Great songs. Theres no songs that are "in between" ratings, if a song is good on the album, its simply good. If its horrible, its horrible. Mixture of sounds. In The Ayer is a very upbeat "club" song, Dont Know How To Act is a "gangsta" in my opinion.
  3. JarvisT
    Mar 24, 2008
    8
    This is not a bad album.
  4. JakeB.
    Mar 26, 2008
    10
    Bloody excelent
  5. EricB.
    Mar 28, 2008
    10
    Very upbeat CD, Amazing collaborations from Sean Kingstean, Will I AM, TIMBO, to Rick Ross. This CD shines with one of the best guest appearance lineup in music history. A must listen to; best tracks are Low, Roll, Elevator, In the AYER, and Miss Hangover.
  6. GPurds
    Mar 22, 2008
    9
    A good CD, some really sick beats, and superb hooks. Flo does his thing, has a sick voice, dirty flow, and peppers in some witty lyrics. Overall, very, very enjoyable listen. A CD that finally packs a lot of upbeat punch.
Metascore
54

Mixed or average reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 12
  2. Negative: 1 out of 12
  1. Here, he doesn't offer much more than a couple worthy singles and a handful of decent album cuts, and those highlights, such as the Timbaland-produced (and hogged) "Elevator," tend to be memorable more for the beats and the hooks than the rhymes.
  2. For every witty rhyme, there is enough cringe-worthy couplets.
  3. His guests on Sunday bring ferocious beats (like will.i.am on ''In the Ayer'') and infectious hooks (Sean Kingston on ''Roll'').