User Score
8.7

Universal acclaim- based on 469 Ratings

User score distribution:
  1. Negative: 21 out of 469
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  1. Dec 7, 2021
    6
    the promise of another knockout. One that, unfortunately, takes the liberty of reshaping past half-baked ideas without really adding much flair to Clark’s otherwise intriguing exploration of fame and femininity.
Metascore
88

Universal acclaim - based on 38 Critic Reviews

Critic score distribution:
  1. Positive: 37 out of 38
  2. Negative: 0 out of 38
  1. Magnet
    Dec 22, 2017
    95
    What we're witnessing is a woman bowing down to nothing but her own muse. [No. 149, p.61]
  2. The Wire
    Dec 11, 2017
    80
    Clark’s fifth album isn’t a retreat to an earlier style--if anything it’s even brighter, bolder and broader than St Vincent, even more given to IMAX worthy gestures-- but Clark does appear to have reconciled the streamlined automation of her new aesthetic with the orch pop crafting of her first three records, Marry Me (2007), Actor (2009) and Strange Mercy (2011). [Nov 2017, p.64]
  3. 80
    The album is far more interesting when Clark is more introspective, pleading “please don’t hang up yet” on the gorgeous “Hang On Me,” or simply showcasing her noisiest guitar riffs on “Young Lover.”