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- By date
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It's a way more focused album than usual.
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His best record since 1989's Flowers in the Dirt, Memory is beautifully elegiac and surprisingly caffeinated.
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On the surface, it's bright and accessible, as easy to enjoy as the best of Paul's solo albums, but it lingers in the heart and mind in a way uncommon to the rest of his work, and to many other latter-day albums from his peers as well.
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Memory Almost Full is actually worth hearing after you pay for your tall café au lait.
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Missing, thankfully, are the twee Paulie-isms that often insult our intelligence, making Memory Almost Full that rare thing, a modern-day Paul McCartney you can listen to without wincing.
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An album full of perfect pop songs, which borrow and rework musical themes and motifs from across 40 years of McCartney's career.
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The production quality does most of the work here, because when you listen, everything seems relatively simple. And that’s not a bad thing by any means.
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It has a simplicity that gives it a rougher, rockier, more homespun sound than most of his recent albums.
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BillboardSatisfying. [9 Jun 2007]
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It's a poignant record, but McCartney balances his recollections with reminders that life is still about what's happening here and now.
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UncutAs boisterously sentimental as The Cavern at closing time. [Jul 2007, p.106]
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Memory Almost Full is as good as an album as this devotee of frivolity can make in his mid-sixties.
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An album that turns out to be a lot more idiosyncratic than its coffee-chain marketing plan suggests.
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High points outpace the lows.
Awards & Rankings
User score distribution:
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Positive: 150 out of 173
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Mixed: 6 out of 173
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Negative: 17 out of 173
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Dec 15, 2014
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PamMSep 21, 2007
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LeonL.Sep 15, 2007