Their debut is first and foremost a smartly crafted record, full of irresistible melodic hooks and detailed production. The results are all-enveloping and mesmerizing, crafting a glittery pop landscape with plenty of layers to uncover and unexpected new territory to explore with each listen.
That Magdalena Bay also augment their capital "P" pop melodies with industrial textures, shoegaze flourishes, and plenty of funked-out bass grooves means that Mercurial World offers both sugary melodic highs and deeper sonic layers to explore.
Mercurial World is another step in the right direction, adding a cerebral heft (the kind only a full-length collection of songs tends to achieve) to the duo’s winning formula.
The record has big, cosmic questions about time and space and possibility swirling 'round its bejewelled head, but it's at its best when putting these concepts under a microscope.
That tension between sweetness and distortion lurches across the album, coming together best in Chaeri, a gothic house devotional to a destitute friend. Tenenbaum seems to writhe through her agonies as she wonders whether she could have done more.
Mercurial Bay is bland and overpolished and probably insecure and definitely destined to make mincemeat of fickle hearts all over the web. It is good and shiny like an overviewed but freshly refiltered Instagram photo of a Hollywood sunset.
Mercurial World is nothing short of captivating. There are some moments that don't hit quite as hard, but the rest of the album makes up forMercurial World is nothing short of captivating. There are some moments that don't hit quite as hard, but the rest of the album makes up for those few lacking seconds. It was easily the best pop album of 2021.…Expand
Very solid debut album. I am not normally a fan of the electronic stuff but this album was so experimental that it worked. The way this albumVery solid debut album. I am not normally a fan of the electronic stuff but this album was so experimental that it worked. The way this album opens and ends, top to bottom, is quite frankly amazing. There were weak points but for a debut album, they're not terrible by any stretch. Sonically, it was a good pop album and it made me move around in my chair listening to it. Honestly, it's a solid debut album that is easily one of the best albums of the year. Overall, a 9.2/10.…Expand
This is a great album! Heard some stuff through the grapevine on YouTube and Reddit about this album, and decided to check it out. This isThis is a great album! Heard some stuff through the grapevine on YouTube and Reddit about this album, and decided to check it out. This is great! I've listened to it about five times and just bought it on CD, it's one of my favorite albums of 2021 so far. It's a beautiful experience, you get taken to another world with this album. It starts great and ends great, although I'd say it sags a bit in the middle, and I'm not a fan of the track Follow The Leader. Would've been a 10 if it wasn't for those little critiques. Check it out if you're a fan of Random Access Memories by Daft Punk or Hurry Up, We're Dreaming by M83.
Favorite tracks- Mercurial World, You Lose!, Dreamcatching
Least favorite track- Follow The Leader…Expand
The Great 2021 Re-Listen - Part 1: Magdalena Bay's Mercurial Soundscapes
Hi guys, so I'm doing a re-listen to all of my 77+ rated albums ofThe Great 2021 Re-Listen - Part 1: Magdalena Bay's Mercurial Soundscapes
Hi guys, so I'm doing a re-listen to all of my 77+ rated albums of 2021 before the year ends. The first album I decided to relisten to was Magdalena Bay's highly-touted debut album, Mercurial World. While I did 100% understand the appeal on my first couple of listens, something wasn't quite clicking for me like things tend to do with great albums, so I ended up rating this below an 80, at a respectable score of 79.
I must've been malding from playing Smash or something that day because holy **** did it click on my re-listen. This is almost exactly the vibes I was expecting to get out of the new Porter Robinson album but with absolutely none of the Porter-isms that made me not like it as much as I wanted to. The writing here is whimsical, bittersweet, and lovely. The production is surreal and takes advantage of some of the most wildly beautiful soundscapes I've heard all year. The best examples of this would probably be my three favorite songs on the album, which are Secrets (Your Fire), You Lose!, and Chaeri.
Something that I definitely didn't appreciate until this re-listen was how great the vocals from Mica Tenenbaum are. They add even more grace to a soundscape that's so other-worldly where you have to do several double-takes per song to make sure you're getting the full picture.
One thing I want to note is how busy this album is, an aspect that makes it so much more interesting than 99% of the other chillwave albums I've heard. Magdalena Bay's producer, Matthew Levin, isn't afraid at all to incorporate concepts that are incredibly alien to a genre like chillwave such as volume dynamics and overactive basslines. Synthpop producers seem to have an irrational fear of their music being loud, a trait that Levin, thankfully, doesn't share. Some of the synth and string swells on this thing are absolutely orgasmic.
Yeah, I don't really know what I was missing the first time I heard this. Hopefully there are more albums like this that just click with me on second listen during this event.
Best Tracks: Dawning of the Season, Secrets (Your Fire), You Lose!, Chaeri, Hysterical Us, Domino, Dreamcatching