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Sep 26, 2019Here, blocky synth structures feel mismatched to the themes, and heavy-handed arrangements sometimes threaten to overwhelm the lyrics.
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Q MagazineSep 24, 2019Really, though, he's at his best when he tones down the act. [Nov 2019, p.108]
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Sep 13, 2019Melodically there’s consistent bombast – the record opens with ‘Stepdad’s wonky sound, sounding like an orchestra disco epic played on a Fisher Price keyboard. ‘Miami Memory’ becomes a slipperier prospect when Cameron’s usual ironic schtick reappears.
User score distribution:
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Positive: 20 out of 21
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Mixed: 0 out of 21
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Negative: 1 out of 21
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Sep 16, 2019Amazing album... great sound nice mixing I love it The lyrical content is upstanding too.. wonderful body of work
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Sep 13, 2019The whole damn thing is good. Not a rotten egg in the bunch. Easily his best yet
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Jan 21, 2020Excellent album with great lyrical content and songwriting prowess. I thoroughly enjoyed this as much if not more than his first record.