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- Summary: The second full-length release for the Australian pop singer-songwriter features production with Klas Ahlund, Banx & Ranx, Martin Craft, Jacob Manson, and Justin Parker.
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- Record Label: Columbia
- Genre(s): Pop, Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Left-Field Pop
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Score distribution:
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Positive: 4 out of 5
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Mixed: 1 out of 5
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Negative: 0 out of 5
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Q MagazineJun 9, 2020He's better when he approaches modern life from more oblique angles. [Summer 2020, p.104]
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May 22, 2020This whirlwind of self-discovery later in life plays out through individual tales of his romantic encounters, simultaneously juvenile and remarkably profound.
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May 22, 2020The entire album is a beautiful assemblage of the ways we hurt, how we fall short, how we rise and how we begin again. There is a captivating dizzying quality when you listen, as if Salvat is transporting us to the inner bindings of his heart. There is inertia and there is quiet in the unraveling of the emotional.
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May 22, 2020While a few of the songs could do with a harder edge, that’s not Salvat’s style. What he has delivered is a record that is heartfelt and tender, direct and emotionally challenging, while still sporting enough tricks and flourishes to fill the dancefloor with bangers to spare.
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May 22, 2020While his observations on anxiety are astute, much of the record is given over to the kind of harmless romantic synth pop that does little to distinguish itself among the deluge of similarly smooth pillow talk scattered across the genre. Not quite as left-field as it wants to be, Salvat's follow-up still offers a reasonable amount of pop appeal.
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