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Feb 28, 2014Like most of his records, his self-titled LP shows a talent that stretches well beyond house music, weaving together funk, soul, hip-hop, jazz and R&B into a rich and unpredictable bricolage.
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Feb 5, 2014Moody moves away the deep soulful grooves that made his name and instead focuses on creating a new sound that, while retaining the breaks and drum machines that are his trademark, is now coloured with live instrumentation and Kenny's delightfully sleazy croon.
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The WireFeb 5, 2014It seems an easy listen at first, but the scale is daunting. [Feb 2014, p.53]
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Feb 5, 2014The mastery of Moodymann is its ability to consider and celebrate a rich cultural past whilst simultaneously providing a localised image of what an intimate, cathartic and utopian electronic music could look like.
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Feb 27, 2014There’s a purism to Moody’s music, but it’s made of muddy waters (literally, on “Sunday Hotel”), dusty vinyl grooves and—if the Popeye's inner sleeve is to believed—greasy fingers.
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Feb 27, 2014Granted, 10 of those are just a minute or less (sometimes far less: "Yet Unknown" is nothing more than a nine-second sample from a news broadcast), and 11 more don't even break the four-minute mark. On the plus side, we're treated to some of the best songs from his recent, out-of-print releases.
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Feb 5, 2014Moodymann has inflated wildly, now standing at a monstrous 27 tracks in length through a generous stuffing of media samples and, in typical Kenny Dixon Jr fashion, a bunch of material that has already seen release.
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