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Mouth Full of Glass Image

Generally favorable reviews - based on 5 Critic Reviews What's this?

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  • Summary: The debut full-length solo release for Ohmme's Macie Stewart was self-produced and mixed by Dave Vettraino.
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Score distribution:
  1. Positive: 4 out of 5
  2. Negative: 0 out of 5
  1. Nov 30, 2022
    Whether the album has scratched Stewart’s solo creative itch remains to be seen, but it’s hard to imagine a better record to finally put their own name on. [Dec 2022, p.34]
  2. Nov 30, 2022
    This is a record of soul searching, remembering stolen moments and quiet dreaming, chasing down stark past digressions and embryonic futures. A soothing palette cleanser in which all the personal lamentations buried deep within years of chasing the next adventure unravel and manifest naturally.
  3. Nov 30, 2022
    Inspired by a dream and grounded in no concrete narrative, the magic is in the satiny vocals and paisley compositions, a world unto itself.
  4. Nov 30, 2022
    Part singer/songwriter folk, part 19th century chamber song (one track is called "Tone Pome"), and part ambient score, the album arguably climaxes with the theatrical "Wash It Away," which most dramatically combines all of the above -- although the elegant, tonic-shifting, harp-accented closer, "Maya, Please," also does little to readjust listeners to the material world.
  5. Mojo
    Nov 30, 2022
    Stewart sets about pushing up the earth under these delicate folk orchestrations and prog madrigals with subversive skill. [Dec 2022, p.91]