• Record Label: Columbia
  • Release Date: Sep 20, 2019
Metascore
67

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 10
  2. Negative: 1 out of 10
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  1. Sep 30, 2019
    52
    It’s surprising how well the new sound works, though the voice of Skiba doesn’t always mesh comfortably with the production. As always, angst and unrequited affections are aplenty, but it all feels far too tame.
  2. Sep 19, 2019
    50
    Blink-182’s second album with Matt Skiba is ultimately subpar, weighed down by stereotypical lyrics and cloying choruses. Producers John Feldmann and Tim Pagnotta’s heavy use of compression makes NINE as in-your-face as possible, not giving the songs the necessary breathing room to develop without overproduction.
  3. 40
    A few songs impress but the majority is meant to fill radio stations and leave you wondering where the magic this band held went. Probably outer space...
User Score
6.5

Generally favorable reviews- based on 103 Ratings

User score distribution:
  1. Positive: 66 out of 103
  2. Negative: 24 out of 103
  1. Oct 5, 2019
    0
    Bland music with cringeworthy lyrics. Terrible sound and lots of autotune.Sounds like some high school kids singing.Horrible record.
  2. Sep 20, 2019
    8
    The singles don't do a good job at showing the quality of this album. The deep cuts are definitely better, specifically tracks like HungoverThe singles don't do a good job at showing the quality of this album. The deep cuts are definitely better, specifically tracks like Hungover You, The First Time, Black Rain and Heaven. Full Review »
  3. Sep 21, 2019
    0
    Edit: Dr. VanillaD- no I am not a Tom fanboy. Hate Angels and Hairspray with Glitter too.This blink album might as well have been an entireEdit: Dr. VanillaD- no I am not a Tom fanboy. Hate Angels and Hairspray with Glitter too.This blink album might as well have been an entire collab with every fake vocal edited “can’t sing live” pop star of the 2010s. It’s such a pop infested swamp of vile. So your review is just an attack at me, and an incorrect assumption as well.

    The singles already scared me enough, but honestly thought the entire thing was trash. They
    desperately need Tom back after California and now this. This album is littered with so much vocal edits/autotune and is really noticeable and horrible in anything trying to be rock.

    Pros:
    - They tried. They really tried to branch out but they went the wrong way. Hiphop-wannabe-punk rock is not the route to go with the band. It sounds horrible.

    Cons:
    - Autotune/vocal editing very much present on almost every track.
    - Not enough time for Travis Barker to shine compared to early albums. They literally put so many handclaps/electronic hi-hat (which is already used enough in every other pop/hiphop song...) that I don't get why they seem to be wanting to abandon their roots. They should let Barker do more drum solos like in the past. When they did let him drum he did a lot of generic-rock beats.
    Full Review »