No More Wig For Ohio

The record exudes a childlike exuberance in the early going, before descending into a Shadow-esque gloom. [Jul 2003, p.93]

Alternately maddening and enlightening. [Jun 2003, p.110]

For the first time, it sounds like he sat down in a good studio and carefully assembled a record. That's good, in that Odd Nosdam's production rode out the lo-fi thing for exactly long enough before moving on; but it's also a disappointment, because the new work isn't far off from where he was before-- it recycles a lot of his ideas with none of his usual edginess.

By the end of No Wig, it’s hard not to feel like it suffers from the level of simplicity inherent in much of Nosdam's production.