User Score
8.2

Universal acclaim- based on 257 Ratings

User score distribution:
  1. Negative: 12 out of 257
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  1. Feb 26, 2014
    2
    This album isn't very good. It's just not. "Hell of a Night" is a decent track, but it's too bad its surrounded by some really awful songs -- like tracks you have to put effort into to make that awful (Los Awesome in particular). Whoever produced this should be ashamed. Schoolboy should go to Danny Brown's producer for help next time, or maybe he should try a new occupation if he wants toThis album isn't very good. It's just not. "Hell of a Night" is a decent track, but it's too bad its surrounded by some really awful songs -- like tracks you have to put effort into to make that awful (Los Awesome in particular). Whoever produced this should be ashamed. Schoolboy should go to Danny Brown's producer for help next time, or maybe he should try a new occupation if he wants to continue down this route. Problem is all these Schoolboy Q fanboys out there blindly love whatever crap he puts out. Same people that are probably going to find this review not helpful because it isn't exactly what they want to hear about their favorite rapper. Expand
  2. Feb 25, 2014
    1
    This album was terrible. There were maybe 3-4 listenable tracks for me on the entire album, and of those I would only ever bother to keep 1 track, "Hell of a Night," a haunting Dj Dahi beat with Schoolboy Q doing what he SHOULD be doing, making a decent party song.

    Now let me go over this album on a song by song basis Gangsta - This song would be ok, but the intro is so cringe worthy
    This album was terrible. There were maybe 3-4 listenable tracks for me on the entire album, and of those I would only ever bother to keep 1 track, "Hell of a Night," a haunting Dj Dahi beat with Schoolboy Q doing what he SHOULD be doing, making a decent party song.

    Now let me go over this album on a song by song basis

    Gangsta - This song would be ok, but the intro is so cringe worthy "WHAT IT DOOO YOUNG **** The hook is lazy, but somewhat catchy, beat is forgettable

    Los Awesome - Well this beat sure isn't forgettable, but that's because of how awful it is. Pharrell does the production here and this is probably the worst beat I have heard him give to any hip-hop artist, even Jay Rock couldn't save this

    Collard Greens - Mediocre attempt at a break out single, Kendrick destroys Q on this track, and the beat is nice, the hook is good. However Schoolboy Q's verses here are TERRIBLE, this track should be a smooth ride, by Q's grating delivery basically ruins the song.

    What They Want - Decent Mike WiLL beat, 2 Chainz destroys Q on this track, terrible TERRIBLE hook, and honestly just awfully done theme. Its like Q wanted to be Lil Wayne with all his sexual innuendo but has no idea how to make a good song about sex. Also will Schoolboy Q stop trying to sing, he can't he's worse than Kanye.

    Hoover Street - Ok first of all, the intro beat is rubbish, the cymbals stop half way through and the bassline is extremely cliche. On top of that Q isn't really doing anything worthwhile with this, I see literally 0 point in making this a 2 part song, especially if the first part doesn't even fit with the album. The second half, is slightly better produced, but the HOOK on this is so bad, I have 0 reason to listen to this again.

    Studio - Decent beat, good hook, terrible verses. At the end Schoolboy Q tries to sing again, what is with this guy and attempting to sing, your voice is not meant to sing at all, this guy gotta sip lean or something to get his voice a little smoother. In fact I bet he sipped while he recorded Habits and Contradictions cause he sounds so different there.

    Prescription-Oxymoron - This is basically the track that shows that Q tried to copy Kendrick's debut. First off ,the song Prescription is probably one of the best on the tape. Q sounds so down to earth here, and then his daughter's voice comes in and out and you can just imagine some guy passed out in a hazy dimly lit room with drugs on a table in front of him and his daughter desperately trying to see if he's ok. Oxymoron on the other hand is such a ridiculous change of pace and beat, it feels flat out wrong. The verses are decent but the hook is once again TERRIBLE.

    The Purge - Beat is very grimy and actually well done for Tyler, the hook is good, but then gets flat out lazy, and the sirens get annoying after a while. One thing I hate is that you start off with Tyler and his voice which PERFECTLY match the beat, and suddenly Q drops in and he just sounds so out of place next to Tyler its not even funny. Kurupt destroys Schoolboy Q as every feature on this album is basically a renegade.

    Blind Threats - Decent song, but I feel like Schoolboy Q is reaching to find something deeper than he really is. Raekwon comes in and delivers an amazing verse, proving once again, Q can't keep up with the best. Beat is average, nothing memorable though.

    Hell of a Night - I like this song, already explained why earlier, this could be a real good hit.

    Break The Bank - Let me tell you my problem with this song. First of all, Schoolboy Q is singing AGAIN and he can't sing at all, so why does he insist on doing it unassisted without any auto-tune or something to make him a little better. Another issue I have is in the middle when Schoolboy Q says
    "Tell Kendrick move from the throne, I came for it
    I hope this **** hit arrange for it, cause Goddamn"
    You know what that says to me? That tells me Q has let the pressure come to him, it tells me he is desperate to be big, but put this **** in interviews instead of your songs and prove us through your songs these words are true.

    Man Of The Year - Great beat, great hook, verses are terrible, when the snippet dropped, hype went up for this album, but the verses sound like Q just stuck them on last minute after thinking of this hook for so long.

    His and Her Fiend - Terrible song, terrible beat, sounds lazy, literally adds nothing to the album

    Grooveline Pt. 2 - Ok, kinda boring, has a chilled vibe. Of course Q gets renegaded again by Suga Free with a great verse. Doesn't hold a candle to the pt. 1 which is so much better.

    **** LA - Heavy trap beat, Schoolboy Q sounds so out of place here, its not even funny. He needs to stick to his own sound and expand on it, instead of trying to do mainstream stuff like this

    So basically this album is worse than Setbacks, its worse than Habits and Contradictions, and is a complete let down. The fact that Q called this better than Kendrick's album is laughable.
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  3. Feb 25, 2014
    1
    Horrible, horrible album. Screaming into the microphone isnt rapping, and its all Q does on this album. Not an enjoyable listen at all, I wish I could have my time back i wasted listening to this.
  4. Feb 27, 2014
    1
    The worst album i have ever heard bar none. Not only is it boring. its not even good. lyrics are boring. beats are flat, bad order of songs. just a poor effort from Quincy.
  5. Mar 19, 2014
    2
    REally didnt enjoy anything this album gave me except for the Man of the Year hook, and even on that neither of the verses were good, only the hook. Everything he does is very uninteresting aside from the DJ Dahi beat. Everything is just so lackluster and boring
Metascore
78

Generally favorable reviews - based on 30 Critic Reviews

Critic score distribution:
  1. Positive: 26 out of 30
  2. Negative: 0 out of 30
  1. The Source
    Apr 18, 2014
    70
    For those unfamiliar with Q's pre-Interscope material, his official debut provides insight, and an appetizer of what his more than respectable discography can do to not only entertain fans of 2010s rap, but inspire them. [Apr/May 2014, p.81]
  2. Mar 20, 2014
    80
    Oxymoron is all killer, no filler--and despite some tracks here not quite translating to radio, in the album context nothing feels out of place.
  3. Mar 13, 2014
    70
    While Oxymoron is never dull, thanks to Q’s indisputable skills as a rapper and beat selector, by its conclusion you’ll wish he’d given less of its runtime over to his gangsta persona and more to exploring his own identity.