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- Summary: The debut full-length release for the masked outlaw cowboy singer-songwriter was self-produced.
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- Record Label: Sub Pop
- Genre(s): Pop/Rock, Alternative/Indie Rock
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Score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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Mar 22, 2019Whether it be pushing past the anxieties of sitting still with no particular sense of home, both in a figurative and literal sense, or even the bittersweet memories of failed relationships, Peck’s desires are timeless and unveiled for all to cherish and cry to.
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Mar 21, 2019Some tracks sound like Elvis ballads drowned out by faulty styluses and retro sound systems. Others are breathy song-cycles of gospel folk. For all the rich breeze and slinking Tarantino guitars in "Hope To Die", the track more resembles an ‘80s Mazzy Star-era shoegaze piece for the country purists to languish on. With Pony, Orville Peck has put himself in the boxing ring for his own ’68 Comeback Special.
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UncutMar 21, 2019The familiar tropes of nomadic wrangler life are present--trusty steed, blood-red sunsets--but, refreshingly, the masculine cliches are not. Instead, the country-rocker concentrates on intimacy, tenderness and ambiguity. [May 2019, p.33]
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Apr 1, 2019What Peck provides on Pony is music framed in that mould, and in doing so offers a brilliant palate cleanser to the vast majority of overblown, raucous and vapid compositions that have taken over the genre over the course of the last three decades or so.
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Mar 21, 2019Tracks like "Roses Are Falling" and "Take You Back (The Iron Hoof Cattle Call)" are solid entries to the classic country canon of Glen Campbell and Loretta Lynn, while his impressive vocal range helps keep the album varied. His breathy croon drives erotic lovers' ballad "Big Sky," while his formidable belted falsetto elevates "Winds Change" beyond mere Smiths pastiche.
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Oct 10, 2019Armed with a gorgeous warble that sounds like a gothic Chris Isaak, Peck soars over the sparse arrangements, which prove a natural complement to all the reverb, tremolo, and twang.
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MojoMar 21, 2019What Pony can't disguise is its influences: Orbison, Presley and Morrissey at their most doleful and camp, channelled through a similarly luscious baritone. [May 2019, p.91]
Score distribution:
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Positive: 6 out of 7
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Mixed: 0 out of 7
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Negative: 1 out of 7
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Nov 3, 2019
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Mar 26, 2020
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Aug 13, 2020Mr. Peck gives us an album with Norman F****** Rockwell level songs. I am saluting.
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May 31, 2019
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Aug 19, 2020Orville Peck brings a sensitivity to country music that seems to have been long gone. He hearkens back to earlier days of Country like Cash and Elvis.
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Mar 30, 2019
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Jan 27, 2020
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