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With loads of acoustic guitars and the Jayhawks' winsome country harmonies, this album looks back to the sound of Crosby, Stills & Nash.
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Folk-rock laced with banjos, accordions, and pedal steel, ''Music'' is the roots move one suspects fans have wanted for years, its classic rock flavor echoing the Byrds, CSNY, and Poco.
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There isn't much music on your radio dial that sounds so quintessentially bittersweet; the Jayhawks' old-fashioned gift is that they can make being lost sound sort of nice.
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UncutIt's all acoustic guitars, rich jangling melodies and heavenly harmonies. [May 2003, p.102]
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To long-time Jayhawks fans, the new album -- almost entirely acoustic -- is a welcome return to form.
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These are tunes that would've fit perfectly on Top 40 radio in the Seventies.
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SpinMark Olson's harmonies are missed, but Gary Louris' shaky/sweet vocals suit the album's rueful vibe. [May 2003, p.116]
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Despite the weak point of O'Reagan's songs, Rainy Day Music succeeds better than any Jayhawks release since the band's last masterpiece with Mark Olson, Tomorrow the Green Grass.
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BlenderA gorgeous, streamlined piece of acoustic Americana, beautiful and fully realized. [May 2003, p.120]
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It's hard to find fault with such a well-crafted record, but one does wonder what would happen if the Jayhawks cranked up the amps a notch.
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MagnetLouris' vision is still pretty much stuck in 1992. [#58, p.94]
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The group envelops the different elements of music available to them-- from folk, to rock, to Gram Parsons-influenced pop-- in such a way that is alternately enjoyable and excessively off-putting.
User score distribution:
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Positive: 12 out of 14
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Mixed: 1 out of 14
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Negative: 1 out of 14
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Aug 5, 2011
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ricoccAug 12, 2007
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pablorOct 9, 2005superb album full of brillant songs. Ican´t stop listenning to it!