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The WireJun 20, 2019The sonic centre of gravity is Ranaldo’s instantly identifiable guitar sound, and if you can’t get enough of that, this disc is for you. ... Pàndi’s work with Merzbow and Keiji Haino attests to his ability to hold his own in heavy company, but he restricts himself to sparse, black light coloration throughout this session. Urselli is a bassist and electronic musician as well as an engineer, and while he didn’t do any post hoc editing or overdubbing it’s likely that he is responsible for the recording’s rather amorphous final shape. [Jun 2019, p.63]
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May 22, 2019This is a four-way conversation rather than a competition for attention and the musicians display a depth of mutual understanding that belies the fact that they are playing together for the first time. Urselli’s production gives each instrument room to breathe and the tracks swell and recede at a relaxed pace as layers of guitar, synth and sound effects form palimpsests of sound.
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May 22, 2019Especially during this first cut, there are glimpses of rawness in the playing of the group, moments when they seem unsure of which direction to take. But it’s exactly this unpredictability that makes the quartet’s evocative sounds thoroughly captivating.